Timothy S. Stilson

According to our database, Timothy S. Stilson authored at least 10 papers between 1995 and 1998.

Collaborative distances:

• Dijkstra number of four.
• Erdős number of four.

1998

Examples of Using Amplitude Control Systems in Music Synthesis.

Timothy Stilson, Harvey D. Thornburg

Proceedings of the 1998 International Computer Music Conference, 1998

Implementing Efficient Frequency Variation in Coupled-Mode Synthesis and Other Cosine-Frequency Systems.

Timothy Stilson, Scott A. Van Duyne

Proceedings of the 1998 International Computer Music Conference, 1998

1997

Applying Root-Locus Techniques to the Analysis of Coupled Modes in Piano Strings.

Timothy S. Stilson

Proceedings of the 1997 International Computer Music Conference, 1997

A Lossless, Click-free, Pitchbend-able Delay Line Loop Interpolation Scheme.

Scott A. Van Duyne, David A. Jaffe, Gregory Pat Scandalis, Timothy Stilson

Proceedings of the 1997 International Computer Music Conference, 1997

1996

Analyzing the Moog VCF for Digital Implementation.

Timothy Stilson, Julius O. Smith III

Proceedings of the 1996 International Computer Music Conference, 1996

Alias-Free Digital Synthesis of Classic Analog Waveforms.

Timothy Stilson, Julius O. Smith III

Proceedings of the 1996 International Computer Music Conference, 1996

Frankenstein: A Low-Cost Multip-DSP Computer Engine for the Music Kit.

William Putnam, Timothy Stilson

Proceedings of the 1996 International Computer Music Conference, 1996

1995

Forward-Going Wave Extraction in Acoustic Tubes.

Tim Stilson

Proceedings of the 1995 International Computer Music Conference, 1995

General Wierdness with the Karplus-Strong String.

Tim Stilson

Proceedings of the 1995 International Computer Music Conference, 1995

SynthBuilder Demonstration - A Graphical Real-Time Synthesis, Processing and Performance System.

Nick Porcaro, Pat Scandalis, Julius O. Smith III, David A. Jaffe, Tim Stilson

Proceedings of the 1995 International Computer Music Conference, 1995