Alex McLean

According to our database, Alex McLean authored at least 32 papers between 2007 and 2024.

Collaborative distances:

• Dijkstra number of four.
• Erdős number of four.

2024

Embodied Exploration of Latent Spaces and Explainable AI.

Elizabeth Wilson, Mika Satomi, Alex McLean, Deva Schubert, Juan Felipe Amaya Gonzalez

CoRR, 2024

From Konnakol to Live Coding.

Alex McLean

Proceedings of the 12th ACM SIGPLAN International Workshop on Functional Art, 2024

2023

Patterns in Deep Time.

Dave Griffiths, Elizabeth Wilson, Iván Paz, Alex McLean, Joana Chicau, Flor de Fuego, Timo Hoogland, Eloi Isern, Michael-Jon Mizra, Roger Pibernat

CoRR, 2023

2022

Alternate Timelines for TidalCycles.

Alex McLean

CoRR, 2022

Invited talk: Live coding and the 'what-if' paradigm.

Alex McLean

Proceedings of the 33rd Annual Workshop of the Psychology of Programming Interest Group, 2022

2020

Digital crafts-machine-ship: creative collaborations with machines.

Kristina Andersen, Ron Wakkary, Laura Devendorf, Alex McLean

Interactions, 2020

Algorithmic Pattern.

Alex McLean

Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

2018

Algorithmic Trajectories.

Alex McLean, Roger T. Dean

Proceedings of the Oxford Handbook of Algorithmic Music., 2018

Musical Algorithms as Tools, Languages and Partners: A Perspective.

Alex McLean, Roger T. Dean

Proceedings of the Oxford Handbook of Algorithmic Music., 2018

Performing with Patterns of Time.

Thor Magnusson, Alex McLean

Proceedings of the Oxford Handbook of Algorithmic Music., 2018

2017

FARM 2017 performances.

Alex McLean

Proceedings of the 5th ACM SIGPLAN International Workshop on Functional Art, 2017

2015

Improving Optical Music Recognition by Combining Outputs from Multiple Sources.

Víctor Padilla Martín-Caro, Alex McLean, Alan Marsden, Kia Ng

Proceedings of the 16th International Society for Music Information Retrieval Conference, 2015

2014

Algorave: A Survey of the History, Aesthetics and Technology of Live Performance of Algorithmic Electronic Dance Music.

Nick Collins, Alex McLean

Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

Improving OMR for Digital Music Libraries with Multiple Recognisers and Multiple Sources.

Víctor Padilla Martín-Caro, Alan Marsden, Alex McLean, Kia Ng

Proceedings of the 1st International Workshop on Digital Libraries for Musicology, 2014

Making programming languages to dance to: live coding with tidal.

Alex McLean

Proceedings of the 2nd ACM SIGPLAN international workshop on Functional art, 2014

Big Data Optical Music Recognition with Multi Images and Multi Recognisers.

Kia Ng, Alex McLean, Alan Marsden

Proceedings of the Electronic Visualisation and the Arts, 2014

The Colour of Music: Real-time Music Visualisation with Synaesthetic Sound-colour Mapping.

Kia Ng, Joanne L. Armitage, Alex McLean

Proceedings of the Electronic Visualisation and the Arts, 2014

2013

Collaboration and learning through live coding (Dagstuhl Seminar 13382).

Alan F. Blackwell, Alex McLean, James Noble, Julian Rohrhuber

Dagstuhl Reports, 2013

Paralinguistic Microphone.

Alex McLean, Eunjoo Shin, Kia Ng

Proceedings of the 13th International Conference on New Interfaces for Musical Expression, 2013

Live Music-Making: A Rich Open Task Requires a Rich Open Interface.

Dan Stowell, Alex McLean

Proceedings of the Music and Human-Computer Interaction., 2013

2012

Live Notation: acoustic resonance?

Alex McLean, Hester Reeve

Proceedings of the Non-Cochlear Sound: Proceedings of the 38th International Computer Music Conference, 2012

2011

Artist-programmers and programming languages for the arts.

Christopher Alex McLean

PhD thesis, 2011

Texture: Visual Notation for Live Coding of Pattern.

Alex McLean, Geraint A. Wiggins

Proceedings of the 2011 International Computer Music Conference, 2011

2010

Unifying Conceptual Spaces: Concept Formation in Musical Creative Systems.

Jamie Forth, Geraint A. Wiggins, Alex McLean

Minds Mach., 2010

Bricolage Programming in the Creative Arts.

Alex McLean, Geraint A. Wiggins

Proceedings of the 22nd Annual Workshop of the Psychology of Programming Interest Group, 2010

Petrol: Reactive Pattern Language For Improvised Music.

Alex McLean, Geraint A. Wiggins

Proceedings of the 2010 International Computer Music Conference, 2010

Live Coding Towards Computational Creativity.

Alex McLean, Geraint A. Wiggins

Proceedings of the International Conference on Computational Creativity, 2010

Visualisation of live code.

Alex McLean, Dave Griffiths, Nick Collins, Geraint A. Wiggins

Proceedings of the Electronic Visualisation and the Arts, 2010

2009

Words , Movement and Timbre.

Alex McLean, Geraint A. Wiggins

Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

Embodied creativity.

Alex McLean

Proceedings of the Computational Creativity: An Interdisciplinary Approach, 12.07., 2009

2008

Vocable synthesis.

Alex McLean, Geraint A. Wiggins

Proceedings of the 2008 International Computer Music Conference, 2008

2007

Apollonius diagrams and the Representation of Sounds and Music.

Alex McLean, Frederic F. Leymarie, Geraint A. Wiggins

Proceedings of the 4th International Symposium on Voronoi Diagrams in Science and Engineering, 2007