Alexis Kirke
Orcid: 0000-0001-8783-6182
According to our database1,
Alexis Kirke
authored at least 40 papers
between 1996 and 2023.
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Bibliography
2023
Proceedings of the HHAI 2023: Augmenting Human Intellect, 2023
2021
Artificially Synthesising Data for Audio Classification and Segmentation to Improve Speech and Music Detection in Radio Broadcast.
Proceedings of the IEEE International Conference on Acoustics, 2021
2020
Personalised, Multi-Modal, Affective State Detection for Hybrid Brain-Computer Music Interfacing.
IEEE Trans. Affect. Comput., 2020
Application of Optimization and Simulation to Musical Composition that Emerges Dynamically during Ensemble Singing Performance.
CoRR, 2020
2019
Applying Quantum Hardware to non-Scientific Problems: Grover's Algorithm and Rule-based Algorithmic Music Composition.
Int. J. Unconv. Comput., 2019
Application of Grover's Algorithm on the ibmqx4 Quantum Computer to Rule-based Algorithmic Music Composition.
CoRR, 2019
2018
Unconsciously interactive Films in a cinema environment - a demonstrative case study.
Digit. Creativity, 2018
2017
Affective Calibration of Musical Feature Sets in an Emotionally Intelligent Music Composition System.
ACM Trans. Appl. Percept., 2017
A comparison of fitness functions in a genetic algorithm for acoustic-articulatory parameter inversion of vowels.
Proceedings of the Genetic and Evolutionary Computation Conference, 2017
Affective brain Computer Music Interfacing: a Case Study of Use by an Individualwith Huntington's disease.
Proceedings of the From Vision to Reality, 2017
Proceedings of the Guide to Unconventional Computing for Music, 2017
Proceedings of the Guide to Unconventional Computing for Music, 2017
Proceedings of the Guide to Unconventional Computing for Music, 2017
2015
Investigating Perceived Emotional Correlates of Rhythmic Density in Algorithmic Music Composition.
ACM Trans. Appl. Percept., 2015
A Multi-Agent Emotional Society Whose Melodies Represent its Emergent Social Hierarchy and Are Generated by Agent Communications.
J. Artif. Soc. Soc. Simul., 2015
Int. J. Unconv. Comput., 2015
Wireless Interactive Sonification of Large Water Waves to Demonstrate the Facilities of a Large-Scale Research Wave Tank.
Comput. Music. J., 2015
Proceedings of the Music, Mind, and Embodiment - 11th International Symposium, 2015
Identifying music-induced emotions from EEG for use in brain-computer music interfacing.
Proceedings of the 2015 International Conference on Affective Computing and Intelligent Interaction, 2015
2014
Pulsed Melodic Affective Processing: Musical structures for increasing transparency in emotional computation.
Simul., 2014
Unconventional Computation and Teaching: Proposal for MUSIC, a Tone-Based Scripting Language for Accessibility, Computation and Education.
Int. J. Unconv. Comput., 2014
Towards Harmonic Extensions of Pulsed Melodic Affective Processing - Further Musical Structures for Increasing Transparency in Emotional Computation.
Int. J. Unconv. Comput., 2014
Proceedings of the Music Technology meets Philosophy, 2014
Proceedings of the 36th Annual International Conference of the IEEE Engineering in Medicine and Biology Society, 2014
2013
Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach.
Proceedings of the Guide to Computing for Expressive Music Performance, 2013
Proceedings of the Guide to Computing for Expressive Music Performance, 2013
Pulsed Melodic Processing - The Use of Melodies in Affective Computations for Increased Processing Transparency.
Proceedings of the Music and Human-Computer Interaction., 2013
2012
Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control.
Proceedings of the From Sounds to Music and Emotions - 9th International Symposium, 2012
2011
Cloud chamber: a performance involving real time two-way interaction between subatomic radioactive particles and violinist.
Proceedings of the 2011 International Computer Music Conference, 2011
Combining EEG Frontal asymmetry studies with affective algorithmic composition and expressive performance models.
Proceedings of the 2011 International Computer Music Conference, 2011
Emergent Construction of melodic pitch and hierarchy through agents communicating emotion without melodic intelligence.
Proceedings of the 2011 International Computer Music Conference, 2011
Proceedings of the 2011 International Computer Music Conference, 2011
Application of multi-agent whale modeling to an interactive saxophone and whales duet.
Proceedings of the 2011 International Computer Music Conference, 2011
Proceedings of the 2011 International Computer Music Conference, 2011
2010
Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach.
Comput. Music. J., 2010
2009
ACM Comput. Surv., 2009
2008
Comper: towards a Model for Generating Compositions from Expressive Music performances.
Proceedings of the 2008 International Computer Music Conference, 2008
Proceedings of the 2008 International Computer Music Conference, 2008
1996
A Short Term Memory for Neural Networks Which Allows Recognition and Reproduction of Complex Sequences of Integers with the Minimum Number of Weights.
Neural Process. Lett., 1996