Eduardo Reck Miranda

According to our database1, Eduardo Reck Miranda authored at least 110 papers between 1993 and 2018.

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Bibliography

2018
Unconsciously interactive Films in a cinema environment - a demonstrative case study.
Digital Creativity, 2018

Composing with Biomemristors: Is Biocomputing the New Technology of Computer Music?
Computer Music Journal, 2018

2017
Affective Calibration of Musical Feature Sets in an Emotionally Intelligent Music Composition System.
TAP, 2017

A knowledge-based, data-driven method for action-sound mapping.
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

A comparison of fitness functions in a genetic algorithm for acoustic-articulatory parameter inversion of vowels.
Proceedings of the Genetic and Evolutionary Computation Conference, 2017

Affective brain Computer Music Interfacing: a Case Study of Use by an Individualwith Huntington's disease.
Proceedings of the From Vision to Reality, 2017

On Unconventional Computing for Sound and Music.
Proceedings of the Guide to Unconventional Computing for Music, 2017

Experiments in Sound and Music Quantum Computing.
Proceedings of the Guide to Unconventional Computing for Music, 2017

An Approach to Building Musical Bioprocessors with Physarum polycephalum Memristors.
Proceedings of the Guide to Unconventional Computing for Music, 2017

2015
Dynamic Time Warping for Music Conducting Gestures Evaluation.
IEEE Trans. Multimedia, 2015

Investigating Perceived Emotional Correlates of Rhythmic Density in Algorithmic Music Composition.
TAP, 2015

A Multi-Agent Emotional Society Whose Melodies Represent its Emergent Social Hierarchy and Are Generated by Agent Communications.
J. Artificial Societies and Social Simulation, 2015

A Hybrid Computer Case Study for Unconventional Virtual Computing.
IJUC, 2015

Wireless Interactive Sonification of Large Water Waves to Demonstrate the Facilities of a Large-Scale Research Wave Tank.
Computer Music Journal, 2015

Towards an Evolutionary Computational Approach to Articulatory Vocal Synthesis with PRAAT.
Proceedings of the Evolutionary and Biologically Inspired Music, Sound, Art and Design, 2015

Music with Unconventional Computing: Towards a Step Sequencer from Plasmodium of Physarum Polycephalum.
Proceedings of the Evolutionary and Biologically Inspired Music, Sound, Art and Design, 2015

Analysis of Mimed Violin Performance Movements of Neophytes - Patterns, Periodicities, Commonalities and Individualities.
Proceedings of the Music, Mind, and Embodiment - 11th International Symposium, 2015

3CMS: An Interactive Decision System for Live Performance.
Proceedings of the Music, Mind, and Embodiment - 11th International Symposium, 2015

Music and Dementia: Two Case-Studies.
Proceedings of the Music, Mind, and Embodiment - 11th International Symposium, 2015

The Hybrid Brain Computer Music Interface - Integrating Brainwave Detection Methods for Extended Control in Musical Performance Systems.
Proceedings of the Music, Mind, and Embodiment - 11th International Symposium, 2015

BioComputer Music: Generating Musical Responses with Physarum polycephalum-Based Memristors.
Proceedings of the Music, Mind, and Embodiment - 11th International Symposium, 2015

Music with Unconventional Computing: Granular Synthesis with the Biological Computing Substrate Physarum Polycephalum.
Proceedings of the Music, Mind, and Embodiment - 11th International Symposium, 2015

Identifying music-induced emotions from EEG for use in brain-computer music interfacing.
Proceedings of the 2015 International Conference on Affective Computing and Intelligent Interaction, 2015

2014
Pulsed Melodic Affective Processing: Musical structures for increasing transparency in emotional computation.
Simulation, 2014

Editorial.
IJUC, 2014

Harnessing the Intelligence of Physarum Polycephalum for Unconventional Computing-Aided Musical Composition.
IJUC, 2014

Unconventional Computation and Teaching: Proposal for MUSIC, a Tone-Based Scripting Language for Accessibility, Computation and Education.
IJUC, 2014

Towards Harmonic Extensions of Pulsed Melodic Affective Processing - Further Musical Structures for Increasing Transparency in Emotional Computation.
IJUC, 2014

Histogram Mapping Synthesis: A Cellular Automata-Based Technique for Flexible Sound Design.
Computer Music Journal, 2014

Timbre morphing: near real-time hybrid synthesis in a musical installation.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

Use of Body Motion to Enhance Traditional Musical Instruments.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

The Space Between Us. A Live Performance with Musical Score Generated via Emotional Levels Measured in EEG of One Performer and an Audience Member.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

Gesture in performance with traditional musical instruments and electronics: Use of embodied music cognition and multimodal motion capture to design gestural mapping strategies.
Proceedings of the International Workshop on Movement and Computing, 2014

Evaluation Perceptual Separation in an Pilot System for Affective Composition.
Proceedings of the Music Technology meets Philosophy, 2014

Effects of different bow stroke styles on body movements of a viola player: an exploratory study.
Proceedings of the Music Technology meets Philosophy, 2014

Affective Jukebox: A Confirmatory Study of EEG Emotional Correlates in Response to Musical Stimuli.
Proceedings of the Music Technology meets Philosophy, 2014

An Immersive Media Model of Amyotrophic Lateral Sclerosis.
Proceedings of the Electronic Visualisation and the Arts, 2014

Changes in music tempo entrain movement related brain activity.
Proceedings of the 36th Annual International Conference of the IEEE Engineering in Medicine and Biology Society, 2014

2013
Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesis.
Proceedings of the Sound, Music, and Motion - 10th International Symposium, 2013

Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach.
Proceedings of the Guide to Computing for Expressive Music Performance, 2013

An Overview of Computer Systems for Expressive Music Performance.
Proceedings of the Guide to Computing for Expressive Music Performance, 2013

Pulsed Melodic Processing - The Use of Melodies in Affective Computations for Increased Processing Transparency.
Proceedings of the Music and Human-Computer Interaction., 2013

2012
Special issue on evolutionary music.
Soft Comput., 2012

Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control.
Proceedings of the From Sounds to Music and Emotions - 9th International Symposium, 2012

2011
Constraint programming systems for modeling music theories and composition.
ACM Comput. Surv., 2011

Cellular automata dynamic control for sound design with histogram mapping synthesis and the multitype voter model.
Proceedings of the 2011 International Computer Music Conference, 2011

Reproducibility and random access in sound synthesis.
Proceedings of the 2011 International Computer Music Conference, 2011

Prioritizing Audio Features Selection Using Analysis Hierarchy Process As A Mean To Extend User Control In Concatenative Sound Synthesis.
Proceedings of the 2011 International Computer Music Conference, 2011

A musical instrument using in vitro neural networks.
Proceedings of the 2011 International Computer Music Conference, 2011

Unconventional Computing for Music: Sound Synthesis with Slime Mould.
Proceedings of the 2011 International Computer Music Conference, 2011

Cloud chamber: a performance involving real time two-way interaction between subatomic radioactive particles and violinist.
Proceedings of the 2011 International Computer Music Conference, 2011

Combining EEG Frontal asymmetry studies with affective algorithmic composition and expressive performance models.
Proceedings of the 2011 International Computer Music Conference, 2011

Emergent Construction of melodic pitch and hierarchy through agents communicating emotion without melodic intelligence.
Proceedings of the 2011 International Computer Music Conference, 2011

Developing methods for computer programming by musical performance and composition.
Proceedings of the 2011 International Computer Music Conference, 2011

Application of multi-agent whale modeling to an interactive saxophone and whales duet.
Proceedings of the 2011 International Computer Music Conference, 2011

Towards using expressive performance algorithms for typist emotion detection.
Proceedings of the 2011 International Computer Music Conference, 2011

Neurogranular Synthesis: Granular Synthesis Controlled by a Pulse-Coupled Network of Spiking Neurons.
Proceedings of the Applications of Evolutionary Computation, 2011

Order dependent feature selection in Concatenative Sound Synthesis using Analytical Hierarchy Process.
Proceedings of EUROCON 2011, 2011

2010
Plymouth brain-computer music interfacing project: from EEG audio mixers to composition informed by cognitive neuroscience.
IJART, 2010

Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach.
Computer Music Journal, 2010

Constraint Application with Higher-Order Programming for Modeling Music Theories.
Computer Music Journal, 2010

Musical interaction patterns: communicating computer music knowledge in a multidisciplinary project.
Proceedings of the 28th Annual International Conference on Design of Communication, 2010

Patterns for the design of musical interaction with everyday mobile devices.
Proceedings of the IX Symposium on Human Factors in Computing Systems, 2010

Evolutionary Sound Synthesis: Rendering Spectrograms from Cellular Automata Histograms.
Proceedings of the Applications of Evolutionary Computation, 2010

Game of Life Music.
Proceedings of the Game of Life Cellular Automata., 2010

2009
A survey of computer systems for expressive music performance.
ACM Comput. Surv., 2009

GLM and SVM analyses of neural response to tonal and atonal stimuli: new techniques and a comparison.
Connect. Sci., 2009

Computer Music Meets Unconventional Computing: Towards Sound Synthesis with In Vitro Neuronal Networks.
Computer Music Journal, 2009

Hearing Thinking.
Proceedings of the Applications of Evolutionary Computing, 2009

2008
Digital Sound Synthesis for Multimedia Audio.
Proceedings of the Wiley Encyclopedia of Computer Science and Engineering, 2008

Emergent songs by social robots.
J. Exp. Theor. Artif. Intell., 2008

Letter from the Guest Editors.
J. Braz. Comp. Soc., 2008

Spectral synthesis and control with Cellular Automata.
Proceedings of the 2008 International Computer Music Conference, 2008

Autonomous Development of singing-like Intonations by interacting babbling robots.
Proceedings of the 2008 International Computer Music Conference, 2008

Comper: towards a Model for Generating Compositions from Expressive Music performances.
Proceedings of the 2008 International Computer Music Conference, 2008

An Instance Based Model for Generating Expressive Performance during Composition.
Proceedings of the 2008 International Computer Music Conference, 2008

Equipping Artificial Guitar Players with Biomechanical Constrains: a Case Study of Precision and Speed.
Proceedings of the 2008 International Computer Music Conference, 2008

Higher-order Constraint applicators for Music Constraint Programming.
Proceedings of the 2008 International Computer Music Conference, 2008

Constraint-Based Composition in Realtime.
Proceedings of the 2008 International Computer Music Conference, 2008

Cellular automata sound synthesis: from histograms to spectrograms.
Proceedings of the Automata 2008: Theory and Applications of Cellular Automata, 2008

2007
Musicianship for Robots with Style.
Proceedings of the Seventh International Conference on New Interfaces for Musical Expression, 2007

2006
Towards an Evolution Model of Expressive Music Performance.
Proceedings of the Sixth International Conference on Intelligent Systems Design and Applications (ISDA 2006), 2006

Evolving musical performance profiles using genetic algorithms with structural fitness.
Proceedings of the Genetic and Evolutionary Computation Conference, 2006

An Idiomatic Plucked String Player.
Proceedings of the Nineteenth International Florida Artificial Intelligence Research Society Conference, 2006

A Connectionist Architecture for the Evolution of Rhythms.
Proceedings of the Applications of Evolutionary Computing, 2006

2005
Iterative sound synthesis by means of cross-coupled digital oscillators.
Digital Creativity, 2005

Toward Direct Brain-Computer Musical Interfaces.
Proceedings of the New Interfaces for Musical Expression, 2005

Orb3 - Adaptive Interface for Realtime Sound Synthesis & Diffusion within Socially Mediated Spaces.
Proceedings of the New Interfaces for Musical Expression, 2005

Evolving Emotional Behaviour for Expressive Performance of Music.
Proceedings of the Intelligent Virtual Agents, 5th International Working Conference, 2005

Composition as Game Strategy: Making Music by Playing Board Games against Evolved Artificial Neural Networks.
Proceedings of the 2005 International Computer Music Conference, 2005

Granular synthesis of sounds through Markov Chains with fuzzy control.
Proceedings of the 2005 International Computer Music Conference, 2005

Plymouth brain-Computer Music Interface Project: Intelligent assistive Technology for Music-Making.
Proceedings of the 2005 International Computer Music Conference, 2005

Orb3 - Musical robots within an Adaptive Social Composition System.
Proceedings of the 2005 International Computer Music Conference, 2005

Granular Sampling Using a Pulse-Coupled Network of Spiking Neurons.
Proceedings of the Applications of Evolutionary Computing, 2005

Music Knowledge Analysis: Towards an Efficient Representation for Composition.
Proceedings of the Current Topics in Artificial Intelligence, 2005

2004
At the Crossroads of Evolutionary Computation and Music: Self-Programming Synthesizers, Swarm Orchestras and the Origins of Melody.
Evolutionary Computation, 2004

Composition for Ubiquitous Responsive Sound Environments.
Proceedings of the 2004 International Computer Music Conference, 2004

Cellular Automata in MIDI based Computer Music.
Proceedings of the 2004 International Computer Music Conference, 2004

2003
On the evolution of music in a society of self-taught digital creatures.
Digital Creativity, 2003

On Harnessing the Electroencephalogram for the Musical Braincap.
Computer Music Journal, 2003

2002
Emergent Sound Repertoires in Virtual Societies.
Computer Music Journal, 2002

Artificial Life Models for Musical Applications: Workshop Report.
Artificial Life, 2002

Voices of Artificial Life: On Making Music with Computer Models of Nature.
Proceedings of the 2002 International Computer Music Conference, 2002

Mimetic Development of Intonation.
Proceedings of the Music and Artificial Intelligence, Second International Conference, 2002

Sounds of artificial life.
Proceedings of the 4th Conference on Creativity & Cognition, 2002

2000
The Art of Rendering Sounds from Emergent Behaviour: Cellular Automata Granular Synthesis.
Proceedings of the 26th EUROMICRO 2000 Conference, 2000

Regarding Music, Machines, Intelligence and the Brain: An Introduction to Music and AI.
Proceedings of the Readings in Music and Artificial Intelligence, 2000

1996
Machine Learning of Sound Attributes: Computer-Assistance in Concept Formation and Musical Invention.
Proceedings of the 1996 International Computer Music Conference, 1996

1995
Cellular Automata Synthesis of Acoustic Particles.
Proceedings of the 1995 International Computer Music Conference, 1995

1993
Music Representation - Between the Musician and the Computer.
Proceedings of the Music Education: An Artificial Intelligence Approach, 1993


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