Anil Çamci

Orcid: 0000-0003-3184-4778

Affiliations:
  • University of Michigan, Department of Performing Arts Technology, Ann Arbor, MI, USA


According to our database1, Anil Çamci authored at least 22 papers between 2012 and 2022.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

Legend:

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Links

Online presence:

On csauthors.net:

Bibliography

2022
Latent Drummer: A New Abstraction for Modular Sequencers.
Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

Augmented Touch: A Mounting Adapter for Oculus Touch Controllers that Enables New Hyperreal Instruments.
Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

2021
Music in Extended Realities.
IEEE Access, 2021

Chord Embeddings: Analyzing What They Capture and Their Role for Next Chord Prediction and Artist Attribute Prediction.
Proceedings of the Artificial Intelligence in Music, Sound, Art and Design, 2021

2020
Cross-platform and Cross-reality Design of Immersive Sonic Environments.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Exploring the Affordances of VR for Musical Interaction Design with VIMEs.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Capturing kinetic wave demonstrations for sound control.
Proceedings of the AM'20, 15th International Audio Mostly Conference, Graz, 2020

Teaching immersive media at the "dawn of the new everything".
Proceedings of the AM'20, 15th International Audio Mostly Conference, Graz, 2020

2019
Some Considerations on Creativity Support for VR Audio.
Proceedings of the IEEE Conference on Virtual Reality and 3D User Interfaces, 2019

Applying Game Mechanics to Networked Music HCI Systems.
Proceedings of the New Directions in Music and Human-Computer Interaction, 2019

2018
Triplexer: An Expression Pedal with New Degrees of Freedom.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

GrainTrain: A Hand-drawn Multi-touch Interface for Granular Synthesis.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

2017
INVISO: A Cross-platform User Interface for Creating Virtual Sonic Environments.
Proceedings of the 30th Annual ACM Symposium on User Interface Software and Technology, 2017

Biostomp: a biocontrol system for embodied performance using mechanomyography.
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

2016
Spectral Landscapes: Visualizing Electromagnetic Interactions.
IEEE Computer Graphics and Applications, 2016

PORTAL: An Audiovisual Laser Performance System.
Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 2016

Networked Virtual Environments as Collaborative Music Spaces.
Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 2016

A Web-based System for Designing Interactive Virtual Soundscapes.
Proceedings of the 2016 International Computer Music Conference, 2016

Diegetic Affordances and Affect in Electronic Music.
Proceedings of the 2016 International Computer Music Conference, 2016

Distractions: Interactive Visualizations on a Kinetic Sculpture Using Infrasound Vibrations.
Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems, 2016

2015
Interactive Virtual Soundscapes: A Research Report.
Proceedings of the Looking Back, 2015

2012
A Cognitive Approach to Electronic Music: Theoretical and Experiment-Based Perspectives.
Proceedings of the Non-Cochlear Sound: Proceedings of the 38th International Computer Music Conference, 2012


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