Elaine Chew

Orcid: 0000-0002-8342-1024

According to our database1, Elaine Chew authored at least 74 papers between 2002 and 2023.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

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Bibliography

2023
Do You Hear What I Hear?
Computer, December, 2023

Examining Emotion Perception Agreement in Live Music Performance.
IEEE Trans. Affect. Comput., 2023

Triangle Simplex Plots for Representing and Classifying Heart Rate Variability.
Proceedings of the Computing in Cardiology, 2023

Time Delay Stability Analysis of Pairwise Interactions Amongst Ensemble-Listener RR Intervals and Expressive Music Features.
Proceedings of the Computing in Cardiology, 2023

2022
Adaptive Scattering Transforms for Playing Technique Recognition.
IEEE ACM Trans. Audio Speech Lang. Process., 2022

Viva Contemporary! Mobile Music Laboratory.
Proceedings of the MM '22: The 30th ACM International Conference on Multimedia, Lisboa, Portugal, October 10, 2022

Automated Musical Rhythm Transcription of ECG RR Interval Time Series as a Tool for Representing Rhythm Variations and Annotation Anomalies in Arrhythmia Heartbeat Classifications.
Proceedings of the Computing in Cardiology, 2022

2020
Playing Technique Recognition by Joint Time-Frequency Scattering.
Proceedings of the 2020 IEEE International Conference on Acoustics, 2020

2019
MorpheuS: Generating Structured Music with Constrained Patterns and Tension.
IEEE Trans. Affect. Comput., 2019

Adaptive Time-Frequency Scattering for Periodic Modulation Recognition in Music Signals.
Proceedings of the 20th International Society for Music Information Retrieval Conference, 2019

Towards emotion based music generation: A tonal tension model based on the spiral array.
Proceedings of the 41th Annual Meeting of the Cognitive Science Society, 2019

Atrial Fibrillation Stratification Via Super-Resolution Analysis of Fibrillatory Waves.
Proceedings of the 46th Computing in Cardiology, 2019

Detecting Low Frequency Oscillations in Cardiovascular Signals Using Gradient Frequency Neural Networks.
Proceedings of the 46th Computing in Cardiology, 2019

Cardiac Response to Live Music Performance: Computing Techniques for Feature Extraction and Analysis.
Proceedings of the 46th Computing in Cardiology, 2019

2017
A Functional Taxonomy of Music Generation Systems.
ACM Comput. Surv., 2017

Automatic Interpretation of Music Structure Analyses: A Validated Technique for Post-Hoc Estimation of the Rationale for an Annotation.
Proceedings of the 18th International Society for Music Information Retrieval Conference, 2017

Probabilistic transcription of sung melody using a pitch dynamic model.
Proceedings of the 2017 IEEE International Conference on Acoustics, 2017

IMMA-Emo: A Multimodal Interface for Visualising Score- and Audio-synchronised Emotion Annotations.
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, 2017

2016
Computational Music Structure Analysis (Dagstuhl Seminar 16092).
Dagstuhl Reports, 2016

AVA: An Interactive System for Visual and Quantitative Analyses of Vibrato and Portamento Performance Styles.
Proceedings of the 17th International Society for Music Information Retrieval Conference, 2016

An Optimization-Based Approach to Key Segmentation.
Proceedings of the IEEE International Symposium on Multimedia, 2016

AVA: A Graphical User Interface for Automatic Vibrato and Portamento Detection and Analysis.
Proceedings of the 2016 International Computer Music Conference, 2016

2015
Logistic Modeling of Note Transitions.
Proceedings of the Mathematics and Computation in Music - 5th International Conference, 2015

A Change-Point Approach Towards Representing Musical Dynamics.
Proceedings of the Mathematics and Computation in Music - 5th International Conference, 2015

2014
Audio Properties of Perceived Boundaries in Music.
IEEE Trans. Multim., 2014

Practical Implications of Dynamic Markings in the Score: Is Piano Always Piano?.
Proceedings of the AES International Conference on Semantic Audio 2014, 2014

Towards Seamless Network Music Performance: Predicting an Ensemble's Expressive Decisions for Distributed Performance.
Proceedings of the 15th International Society for Music Information Retrieval Conference, 2014

Improvising with Digital Auto-Scaffolding: How Mimi Changes and Enhances the Creative Process.
Proceedings of the Digital Da Vinci - Computers in Music, 2014

Mathematical and Computational Modeling of Tonality - Theory and Applications.
International Series in Operations Research and Management Science 204, Springer, ISBN: 978-1-4614-9474-4, 2014

2013
Mimi4x: an interactive audio-visual installation for high-level structural improvisation.
Int. J. Arts Technol., 2013

Using quadratic programming to estimate feature relevance in structural analyses of music.
Proceedings of the ACM Multimedia Conference, 2013

Conceptual and Experiential Representations of Tempo: Effects on Expressive Performance Comparisons.
Proceedings of the Mathematics and Computation in Music - 4th International Conference, 2013

A Study of Ensemble Synchronisation Under Restricted Line of Sight.
Proceedings of the 14th International Society for Music Information Retrieval Conference, 2013

A Meta-Analysis of the MIREX Structural Segmentation Task.
Proceedings of the 14th International Society for Music Information Retrieval Conference, 2013

Intensity Shaping in Sustained Notes Encodes Metrical Cues for Synchronization in Ensemble Performance.
Proceedings of the Sound, Music, and Motion - 10th International Symposium, 2013

2012
Creating Ground Truth for Audio Key Finding: When the Title Key May Not Be the Key.
Proceedings of the 13th International Society for Music Information Retrieval Conference, 2012

Maximum a Posteriori Estimation of Piecewise Arcs in Tempo Time-Series.
Proceedings of the From Sounds to Music and Emotions - 9th International Symposium, 2012

2011
Generating and Evaluating Musical Harmonizations That Emulate Style.
Comput. Music. J., 2011

Performer-centered visual feedback for human-machine improvisation.
Comput. Entertain., 2011

Emergent Formal Structures of Factor Oracle-Driven Musical Improvisations.
Proceedings of the Mathematics and Computation in Music - Third International Conference, 2011

A Preplexity Based Cover Song Matching System for Short Length Queries.
Proceedings of the 12th International Society for Music Information Retrieval Conference, 2011

Neo-Riemannian Cycle Detection with Weighted Finite-State Transducers.
Proceedings of the 12th International Society for Music Information Retrieval Conference, 2011

2010
Quantifying the Benefits of Using an Interactive Decision Support Tool for Creating Musical Accompaniment in a Particular Style.
Proceedings of the 11th International Society for Music Information Retrieval Conference, 2010

2008
Distributed musical performances: Architecture and stream management.
ACM Trans. Multim. Comput. Commun. Appl., 2008

Challenging Uncertainty in Query by Humming Systems: A Fingerprinting Approach.
IEEE Trans. Speech Audio Process., 2008

Evaluating and Visualizing Effectiveness of Style Emulation in Musical Accompaniment.
Proceedings of the ISMIR 2008, 2008

Supporting Musical Creativity with Unsupervised Syntactic Parsing.
Proceedings of the Creative Intelligent Systems, 2008

2007
Audio Key Finding: Considerations in System Design and Case Studies on Chopin's 24 Preludes.
EURASIP J. Adv. Signal Process., 2007

Quantitative and visual analysis of the impact of music on perceived emotion of film.
Comput. Entertain., 2007

Visual Feedback in Performer-Machine Interaction for Musical Improvisation.
Proceedings of the Seventh International Conference on New Interfaces for Musical Expression, 2007

Statistical Modeling and Retrieval of Polyphonic Music.
Proceedings of the IEEE 9th Workshop on Multimedia Signal Processing, 2007

Visualizing Music: Tonal Progressions and Distributions.
Proceedings of the 8th International Conference on Music Information Retrieval, 2007

A Dynamic Programming Approach to the Extraction of Phrase Boundaries from Tempo Variations in Expressive Performances.
Proceedings of the 8th International Conference on Music Information Retrieval, 2007

2006
Slicing It All Ways: Mathematical Models for Tonal Induction, Approximation, and Segmentation Using the Spiral Array.
INFORMS J. Comput., 2006

An Architectural Framework for Interactive Music Systems.
Proceedings of the New Interfaces for Musical Expression, 2006

Music Summarization Via Key Distributions: Analyses of Similarity Assessment Across Variations.
Proceedings of the ISMIR 2006, 2006

The Effect of Key and Tempo on Audio Onset Detection Using Machine Learning Techniques: A Sensitivity Analysis.
Proceedings of the Eigth IEEE International Symposium on Multimedia (ISM 2006), 2006

From driving to expressive music performance: ensuring tempo smoothness.
Proceedings of the International Conference on Advances in Computer Entertainment Technology, 2006

2005
Creating data resources for designing usercentric frontends for query-by-humming systems.
Multim. Syst., 2005

Real-Time Pitch Spelling Using the Spiral Array.
Comput. Music. J., 2005

Interactive multi-scale visualizations of tonal evolution in MuSA.RT Opus 2.
Comput. Entertain., 2005

Foreword to special issue on music visualization.
Comput. Entertain., 2005

ESP: A Driving Interface for Expression Synthesis.
Proceedings of the New Interfaces for Musical Expression, 2005

Fuzzy Analysis in Pitch-Class Determination for Polyphonic Audio Key Finding.
Proceedings of the ISMIR 2005, 2005

A Dynamic Programming Approach to Adaptive Tatum Assignment for Rhythm Transcription.
Proceedings of the Seventh IEEE International Symposium on Multimedia (ISM 2005), 2005

Key Distributions as Musical Fingerprints for Similarity Assessment.
Proceedings of the Seventh IEEE International Symposium on Multimedia (ISM 2005), 2005

Polyphonic Audio Key Finding Using the Spiral Array CEG Algorithm.
Proceedings of the 2005 IEEE International Conference on Multimedia and Expo, 2005

2004
A statistical approach to retrieval under user-dependent uncertainty in query-by-humming systems.
Proceedings of the 6th ACM SIGMM International Workshop on Multimedia Information Retrieval, 2004

Separating Voices in Polyphonic Music: A Contig Mapping Approach.
Proceedings of the Computer Music Modeling and Retrieval: Second International Symposium, 2004

2003
From remote media immersion to Distributed Immersive Performance.
Proceedings of the 2003 ACM SIGMM Workshop on Experiential Telepresence, 2003

MuSA.RT: music on the spiral array. real-time.
Proceedings of the Eleventh ACM International Conference on Multimedia, 2003

Creating data resources for designing user-centric frontends for query by humming systems.
Proceedings of the 5th ACM SIGMM International Workshop on Multimedia Information Retrieval, 2003

Determining context-defining windows: Pitch spelling using the spiral array.
Proceedings of the ISMIR 2003, 2003

2002
The Spiral Array: An Algorithm for Determining Key Boundaries.
Proceedings of the Music and Artificial Intelligence, Second International Conference, 2002


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