Mathieu Barthet

According to our database, Mathieu Barthet authored at least 51 papers between 2005 and 2020.

Collaborative distances:

• Dijkstra number of five.
• Erdős number of four.

2020

Musical Smart City: Perspectives on Ubiquitous Sonification.

Pedro Sarmento, Ove Holmqvist, Mathieu Barthet

CoRR, 2020

2019

Co-Design of Musical Haptic Wearables for Electronic Music Performer's Communication.

Luca Turchet, Mathieu Barthet

IEEE Trans. Hum. Mach. Syst., 2019

Groove Explorer: An Intelligent Visual Interface for Drum Loop Library Navigation.

Fred Bruford, Mathieu Barthet, SKoT McDonald, Mark B. Sandler

Proceedings of the Joint Proceedings of the ACM IUI 2019 Workshops co-located with the 24th ACM Conference on Intelligent User Interfaces (ACM IUI 2019), 2019

Shaping Sounds: The Role of Gesture in Collaborative Spatial Music Composition.

Thomas Deacon, Nick Bryan-Kinns, Patrick G. T. Healey, Mathieu Barthet

Proceedings of the 2019 ACM SIGCHI Conference on Creativity and Cognition, 2019

Haptification of performer's control gestures in live electronic music performance.

Luca Turchet, Mathieu Barthet

Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound, 2019

Modelling Musical Similarity for Drum Patterns: A Perceptual Evaluation.

Fred Bruford, Mathieu Barthet, SKoT McDonald, Mark B. Sandler

Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound, 2019

The Impact of Audio Effects Processing on the Perception of Brightness and Warmth.

Gary Bromham, David Moffat, Mathieu Barthet, Anne Danielsen, György Fazekas

Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound, 2019

2018

Real-Time Hit Classification in a Smart Cajón.

Luca Turchet, Andrew P. McPherson, Mathieu Barthet

Frontiers ICT, 2018

Internet of Musical Things: Vision and Challenges.

Luca Turchet, Carlo Fischione, Georg Essl, Damián Keller, Mathieu Barthet

IEEE Access, 2018

Embodied Interactions with E-Textiles and the Internet of Sounds for Performing Arts.

Sophie Skach, Anna Xambó, Luca Turchet, Ariane Stolfi, Rebecca Stewart, Mathieu Barthet

Proceedings of the Twelfth International Conference on Tangible, 2018

Playsound.space: enhancing a live music performance tool with semantic recommendations.

Fabio Viola, Ariane Stolfi, Alessia Milo, Miguel Ceriani, Mathieu Barthet, György Fazekas

Proceedings of the 1st International Workshop on Semantic Applications for Audio and Music, 2018

Live Repurposing of Sounds: MIR Explorations with Personal and Crowdsourced Databases.

Anna Xambó, Gerard Roma, Alexander Lerch, Mathieu Barthet, György Fazekas

Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Surveying the Compositional and Performance Practices of Audiovisual Practitioners.

Anna Weisling, Anna Xambó, Ireti Olowe, Mathieu Barthet

Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Demo of interactions between a performer playing a Smart Mandolin and audience members using Musical Haptic Wearables.

Luca Turchet, Mathieu Barthet

Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Playsound.space: Inclusive Free Music Improvisations Using Audio Commons.

Ariane de Souza Stolfi, Miguel Ceriani, Luca Turchet, Mathieu Barthet

Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Towards a Semantic Architecture for the Internet of Musical Things.

Luca Turchet, Fabio Viola, György Fazekas, Mathieu Barthet

Proceedings of the 23rd Conference of Open Innovations Association, 2018

Jamming with a Smart Mandolin and Freesound-based Accompaniment.

Luca Turchet, Mathieu Barthet

Proceedings of the 23rd Conference of Open Innovations Association, 2018

Jam with Jamendo: Querying a Large Music Collection by Chords from a Learner's Perspective.

Anna Xambó, Johan Pauwels, Gerard Roma, Mathieu Barthet, György Fazekas

Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion, 2018

2017

Open Symphony: Creative Participation for Audiences of Live Music Performances.

Yongmeng Wu, Leshao Zhang, Nick Bryan-Kinns, Mathieu Barthet

IEEE Multim., 2017

Mood Visualiser: Augmented Music Visualisation Gauging Audience Arousal.

Anand Subramaniam, Mathieu Barthet

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, 2017

Open Band: A Platform for Collective Sound Dialogues.

Ariane Stolfi, Mathieu Barthet, Fábio Goródscy, Antonio Deusany de Carvalho Junior

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, 2017

Datascaping: Data Sonification as a Narrative Device in Soundscape Composition.

Jon Pigrem, Mathieu Barthet

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, 2017

User Requirements for Live Sound Visualization System Using Multitrack Audio.

Ireti Olowe, Mick Grierson, Mathieu Barthet

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, 2017

FEATUR.UX.AV: A Live Sound Visualization System Using Multitrack Audio.

Ireti Olowe, Mathieu Barthet, Mick Grierson

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, 2017

IMMA-Emo: A Multimodal Interface for Visualising Score- and Audio-synchronised Emotion Annotations.

Dorien Herremans, Simin Yang, Ching-Hua Chuan, Mathieu Barthet, Elaine Chew

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, 2017

Designing Computationally Creative Musical Performance Systems.

Callum Goddard, Mathieu Barthet, Geraint A. Wiggins

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, 2017

2016

Genre-Adaptive Semantic Computing and Audio-Based Modelling for Music Mood Annotation.

Pasi Saari, György Fazekas, Tuomas Eerola, Mathieu Barthet, Olivier Lartillot, Mark B. Sandler

IEEE Trans. Affect. Comput., 2016

A Web Application for Audience Participation in Live Music Performance: The Open Symphony Use Case.

Leshao Zhang, Yongmeng Wu, Mathieu Barthet

Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 2016

residUUm: user mapping and performance strategies for multilayered live audiovisual generation.

Ireti Olowe, Giulio Moro, Mathieu Barthet

Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 2016

User Experience in an Interactive Music Virtual Reality System: An Exploratory Study.

Thomas Deacon, Tony Stockman, Mathieu Barthet

Proceedings of the Bridging People and Sound - 12th International Symposium, 2016

A Participatory Live Music Performance with the Open Symphony System.

Kate Hayes, Mathieu Barthet, Yongmeng Wu, Leshao Zhang, Nick Bryan-Kinns

Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems, 2016

2015

Moodplay: an interactive mood-based musical experience.

Mathieu Barthet, György Fazekas, Alo Allik, Mark B. Sandler

Proceedings of the Audio Mostly 2015 on Interaction With Sound, 2015

2014

Evaluation and Improvement of the Mood Conductor Interactive System.

Ting Lou, Mathieu Barthet, György Fazekas, Mark B. Sandler

Proceedings of the AES International Conference on Semantic Audio 2014, 2014

A Framework for Automatic Ontology Generation Based on Semantic Audio Analysis.

Sefki Kolozali, György Fazekas, Mathieu Barthet, Mark B. Sandler

Proceedings of the AES International Conference on Semantic Audio 2014, 2014

Selection of Audio Features for Music Emotion Recognition Using Production Music.

Chris Baume, György Fazekas, Mathieu Barthet, David Marston, Mark B. Sandler

Proceedings of the AES International Conference on Semantic Audio 2014, 2014

Big Data for Musicology.

Tillman Weyde, Stephen Cottrell, Jason Dykes, Emmanouil Benetos, Daniel Wolff, Dan Tidhar, Alexander Kachkaev, Mark D. Plumbley, Simon Dixon, Mathieu Barthet, Nicolas Gold, Samer A. Abdallah, Aquiles Alancar-Brayner, Mahendra Mahey, Adam Tovell

Proceedings of the 1st International Workshop on Digital Libraries for Musicology, 2014

2013

Automatic Ontology Generation for Musical Instruments Based on Audio Analysis.

Sefki Kolozali, Mathieu Barthet, György Fazekas, Mark B. Sandler

IEEE Trans. Speech Audio Process., 2013

The Role of Audio and Tags in Music Mood Prediction: A Study Using Semantic Layer Projection.

Pasi Saari, Tuomas Eerola, György Fazekas, Mathieu Barthet, Olivier Lartillot, Mark B. Sandler

Proceedings of the 14th International Society for Music Information Retrieval Conference, 2013

Design and Evaluation of Semantic Mood Models for Music Recommendation using Editorial Tags.

Mathieu Barthet, David Marston, Chris Baume, György Fazekas, Mark B. Sandler

Proceedings of the 14th International Society for Music Information Retrieval Conference, 2013

Semantic models of musical mood: Comparison between crowd-sourced and curated editorial tags.

Pasi Saari, Mathieu Barthet, György Fazekas, Tuomas Eerola, Mark B. Sandler

Proceedings of the 2013 IEEE International Conference on Multimedia and Expo Workshops, 2013

Demo paper: The BBC Desktop Jukebox music recommendation system: A large scale trial with professional users.

György Fazekas, Mathieu Barthet, Mark B. Sandler

Proceedings of the 2013 IEEE International Conference on Multimedia and Expo Workshops, 2013

Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Framework.

György Fazekas, Mathieu Barthet, Mark B. Sandler

Proceedings of the Sound, Music, and Motion - 10th International Symposium, 2013

Mood Conductor: Emotion-Driven Interactive Music Performance.

György Fazekas, Mathieu Barthet, Mark B. Sandler

Proceedings of the 2013 Humaine Association Conference on Affective Computing and Intelligent Interaction, 2013

2012

Music Emotion Recognition: From Content- to Context-Based Models.

Mathieu Barthet, György Fazekas, Mark B. Sandler

Proceedings of the From Sounds to Music and Emotions - 9th International Symposium, 2012

2011

Knowledge Representation Issues in Musical Instrument Ontology Design.

Sefki Kolozali, Mathieu Barthet, György Fazekas, Mark B. Sandler

Proceedings of the 12th International Society for Music Information Retrieval Conference, 2011

Ethnographic Observations of Musicologists at the British Library: Implications for Music Information Retrieval.

Mathieu Barthet, Simon Dixon

Proceedings of the 12th International Society for Music Information Retrieval Conference, 2011

2010

Towards the Automatic Generation of a Semantic Web Ontology for Musical Instruments.

Sefki Kolozali, Mathieu Barthet, György Fazekas, Mark B. Sandler

Proceedings of the Semantic Multimedia, 2010

Speech/Music Discrimination in Audio Podcast Using Structural Segmentation and Timbre Recognition.

Mathieu Barthet, Steven Hargreaves, Mark B. Sandler

Proceedings of the Exploring Music Contents - 7th International Symposium, 2010

2007

The effect of Timbre in Clarinet Interpretation.

Mathieu Barthet, Philippe Depalle, Richard Kronland-Martinet, Sølvi Ystad

Proceedings of the 2007 International Computer Music Conference, 2007

Improving Musical Expressiveness by Time-Varying Brightness Shaping.

Mathieu Barthet, Richard Kronland-Martinet, Sølvi Ystad

Proceedings of the Computer Music Modeling and Retrieval. Sense of Sounds, 2007

2005

On the Relative Influence of even and odd harmonics in Clarinet Timbre.

Mathieu Barthet, Philippe Guillemain, Richard Kronland-Martinet, Sølvi Ystad

Proceedings of the 2005 International Computer Music Conference, 2005