Mathieu Barthet

Orcid: 0000-0002-9869-1668

According to our database1, Mathieu Barthet authored at least 77 papers between 2005 and 2024.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Dataset
Other 

Links

On csauthors.net:

Bibliography

2024
MoodLoopGP: Generating Emotion-Conditioned Loop Tablature Music with Multi-granular Features.
Proceedings of the Artificial Intelligence in Music, Sound, Art and Design, 2024

2023
Do You Hear What I Hear?
Computer, December, 2023

"It's cleaner, definitely": Collaborative Process in Audio Production.
Comput. Support. Cooperative Work., September, 2023

Semantic integration of audio content providers through the Audio Commons Ontology.
J. Web Semant., July, 2023

Examining Emotion Perception Agreement in Live Music Performance.
IEEE Trans. Affect. Comput., 2023

AI (r)evolution - where are we heading? Thoughts about the future of music and sound technologies in the era of deep learning.
CoRR, 2023

Combining Vision and EMG-Based Hand Tracking for Extended Reality Musical Instruments.
CoRR, 2023

ProgGP: From GuitarPro Tablature Neural Generation To Progressive Metal Production.
CoRR, 2023

ShredGP: Guitarist Style-Conditioned Tablature Generation.
CoRR, 2023

AI as mediator between composers, sound designers, and creative media producers.
CoRR, 2023

Reducing Sensing Errors in a Mixed Reality Musical Instrument.
Proceedings of the 29th ACM Symposium on Virtual Reality Software and Technology, 2023

Real-Time Percussive Technique Recognition and Embedding Learning for the Acoustic Guitar.
Proceedings of the 24th International Society for Music Information Retrieval Conference, 2023

Affective gaming using adaptive speed controlled by biofeedback.
Proceedings of the International Conference on Multimodal Interaction, 2023

GTR-CTRL: Instrument and Genre Conditioning for Guitar-Focused Music Generation with Transformers.
Proceedings of the Artificial Intelligence in Music, Sound, Art and Design, 2023

LooperGP: A Loopable Sequence Model for Live Coding Performance Using GuitarPro Tablature.
Proceedings of the Artificial Intelligence in Music, Sound, Art and Design, 2023

Collaboration on the Tracks: Ethnographically-Informed Design for Computer-Assisted Music Collaboration between Producers and Performers.
Proceedings of the Creativity and Cognition, 2023

Affective Conditional Modifiers in Adaptive Video Game Music.
Proceedings of the 18th International Audio Mostly Conference, 2023

Invoke: A Collaborative Virtual Reality Tool for Spatial Audio Production Using Voice-Based Trajectory Sketching.
Proceedings of the 18th International Audio Mostly Conference, 2023

2022
Mixed Reality Musical Interface: Exploring Ergonomics and Adaptive Hand Pose Recognition for Gestural Control.
Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

Emotion-driven Harmonisation And Tempo Arrangement of Melodies Using Transfer Learning.
Proceedings of the 23rd International Society for Music Information Retrieval Conference, 2022

Design of Emotion-Driven Game Interaction Using Biosignals.
Proceedings of the HCI in Games, 2022

2021
Sketching sounds: an exploratory study on sound-shape associations.
CoRR, 2021

An Audio-Driven System For Real-Time Music Visualisation.
CoRR, 2021

Guitar augmentation for Percussive Fingerstyle: Combining self-reflexive practice and user-centred design.
Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

DadaGP: A Dataset of Tokenized GuitarPro Songs for Sequence Models.
Proceedings of the 22nd International Society for Music Information Retrieval Conference, 2021

2020
Musical Smart City: Perspectives on Ubiquitous Sonification.
CoRR, 2020

Percussive Fingerstyle Guitar through the Lens of NIME: an Interview Study.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

2019
Co-Design of Musical Haptic Wearables for Electronic Music Performer's Communication.
IEEE Trans. Hum. Mach. Syst., 2019

Groove Explorer: An Intelligent Visual Interface for Drum Loop Library Navigation.
Proceedings of the Joint Proceedings of the ACM IUI 2019 Workshops co-located with the 24th ACM Conference on Intelligent User Interfaces (ACM IUI 2019), 2019

Shaping Sounds: The Role of Gesture in Collaborative Spatial Music Composition.
Proceedings of the 2019 ACM SIGCHI Conference on Creativity and Cognition, 2019

Haptification of performer's control gestures in live electronic music performance.
Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound, 2019

Modelling Musical Similarity for Drum Patterns: A Perceptual Evaluation.
Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound, 2019

The Impact of Audio Effects Processing on the Perception of Brightness and Warmth.
Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound, 2019

2018
Real-Time Hit Classification in a Smart Cajón.
Frontiers ICT, 2018

Internet of Musical Things: Vision and Challenges.
IEEE Access, 2018

Embodied Interactions with E-Textiles and the Internet of Sounds for Performing Arts.
Proceedings of the Twelfth International Conference on Tangible, 2018

Playsound.space: enhancing a live music performance tool with semantic recommendations.
Proceedings of the 1st International Workshop on Semantic Applications for Audio and Music, 2018

Live Repurposing of Sounds: MIR Explorations with Personal and Crowdsourced Databases.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Surveying the Compositional and Performance Practices of Audiovisual Practitioners.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Demo of interactions between a performer playing a Smart Mandolin and audience members using Musical Haptic Wearables.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Playsound.space: Inclusive Free Music Improvisations Using Audio Commons.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Towards a Semantic Architecture for the Internet of Musical Things.
Proceedings of the 23rd Conference of Open Innovations Association, 2018

Jamming with a Smart Mandolin and Freesound-based Accompaniment.
Proceedings of the 23rd Conference of Open Innovations Association, 2018

Jam with Jamendo: Querying a Large Music Collection by Chords from a Learner's Perspective.
Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion, 2018

2017
Open Symphony: Creative Participation for Audiences of Live Music Performances.
IEEE Multim., 2017

Mood Visualiser: Augmented Music Visualisation Gauging Audience Arousal.
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, 2017

Open Band: A Platform for Collective Sound Dialogues.
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, 2017

Datascaping: Data Sonification as a Narrative Device in Soundscape Composition.
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, 2017

User Requirements for Live Sound Visualization System Using Multitrack Audio.
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, 2017

FEATUR.UX.AV: A Live Sound Visualization System Using Multitrack Audio.
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, 2017

IMMA-Emo: A Multimodal Interface for Visualising Score- and Audio-synchronised Emotion Annotations.
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, 2017

Designing Computationally Creative Musical Performance Systems.
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, 2017

2016
Genre-Adaptive Semantic Computing and Audio-Based Modelling for Music Mood Annotation.
IEEE Trans. Affect. Comput., 2016

A Web Application for Audience Participation in Live Music Performance: The Open Symphony Use Case.
Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 2016

residUUm: user mapping and performance strategies for multilayered live audiovisual generation.
Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 2016

User Experience in an Interactive Music Virtual Reality System: An Exploratory Study.
Proceedings of the Bridging People and Sound - 12th International Symposium, 2016

A Participatory Live Music Performance with the Open Symphony System.
Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems, 2016

2015
Moodplay: an interactive mood-based musical experience.
Proceedings of the Audio Mostly 2015 on Interaction With Sound, 2015

2014
Evaluation and Improvement of the Mood Conductor Interactive System.
Proceedings of the AES International Conference on Semantic Audio 2014, 2014

A Framework for Automatic Ontology Generation Based on Semantic Audio Analysis.
Proceedings of the AES International Conference on Semantic Audio 2014, 2014

Selection of Audio Features for Music Emotion Recognition Using Production Music.
Proceedings of the AES International Conference on Semantic Audio 2014, 2014


2013
Automatic Ontology Generation for Musical Instruments Based on Audio Analysis.
IEEE Trans. Speech Audio Process., 2013

The Role of Audio and Tags in Music Mood Prediction: A Study Using Semantic Layer Projection.
Proceedings of the 14th International Society for Music Information Retrieval Conference, 2013

Design and Evaluation of Semantic Mood Models for Music Recommendation using Editorial Tags.
Proceedings of the 14th International Society for Music Information Retrieval Conference, 2013

Semantic models of musical mood: Comparison between crowd-sourced and curated editorial tags.
Proceedings of the 2013 IEEE International Conference on Multimedia and Expo Workshops, 2013

Demo paper: The BBC Desktop Jukebox music recommendation system: A large scale trial with professional users.
Proceedings of the 2013 IEEE International Conference on Multimedia and Expo Workshops, 2013

Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Framework.
Proceedings of the Sound, Music, and Motion - 10th International Symposium, 2013

Mood Conductor: Emotion-Driven Interactive Music Performance.
Proceedings of the 2013 Humaine Association Conference on Affective Computing and Intelligent Interaction, 2013

2012
Music Emotion Recognition: From Content- to Context-Based Models.
Proceedings of the From Sounds to Music and Emotions - 9th International Symposium, 2012

2011
Knowledge Representation Issues in Musical Instrument Ontology Design.
Proceedings of the 12th International Society for Music Information Retrieval Conference, 2011

Ethnographic Observations of Musicologists at the British Library: Implications for Music Information Retrieval.
Proceedings of the 12th International Society for Music Information Retrieval Conference, 2011

2010
Towards the Automatic Generation of a Semantic Web Ontology for Musical Instruments.
Proceedings of the Semantic Multimedia, 2010

Speech/Music Discrimination in Audio Podcast Using Structural Segmentation and Timbre Recognition.
Proceedings of the Exploring Music Contents - 7th International Symposium, 2010

2007
The effect of Timbre in Clarinet Interpretation.
Proceedings of the 2007 International Computer Music Conference, 2007

Improving Musical Expressiveness by Time-Varying Brightness Shaping.
Proceedings of the Computer Music Modeling and Retrieval. Sense of Sounds, 2007

2005
On the Relative Influence of even and odd harmonics in Clarinet Timbre.
Proceedings of the 2005 International Computer Music Conference, 2005


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