Henkjan Honing

According to our database1, Henkjan Honing authored at least 28 papers between 1986 and 2020.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Other 

Links

Homepages:

On csauthors.net:

Bibliography

2020
Beat-based and Memory-based Temporal Expectations in Rhythm: Similar Perceptual Effects, Different Underlying Mechanisms.
J. Cogn. Neurosci., 2020

2013
Hooked: A Game For Discovering What Makes Music Catchy.
Proceedings of the 14th International Society for Music Information Retrieval Conference, 2013

Designing Games with a Purpose for Data Collection in Music Research. Emotify and Hooked: Two Case Studies.
Proceedings of the Games and Learning Alliance - Second International Conference, 2013

2012
Cognition and the Evolution of Music: Pitfalls and Prospects.
Top. Cogn. Sci., 2012

2009
Model cortical responses for the detection of perceptual onsets and beat tracking in singing.
Connect. Sci., 2009

2007
The Role of ICT in Music Research: A Bridge too far?
Int. J. Humanit. Arts Comput., 2007

2006
Evaluating and Extending Computational Models of Rhythmic Syncopation in Music.
Proceedings of the 2006 International Computer Music Conference, 2006

2005
Timing is Tempo-Specific.
Proceedings of the 2005 International Computer Music Conference, 2005

2003
The Final Ritard: On Music, Motion, and Kinematic Models.
Comput. Music. J., 2003

2001
From Time to Time: The Representation of Timing and Tempo.
Comput. Music. J., 2001

Spectral analysis of timing profiles of piano performances.
Proceedings of the 2001 International Computer Music Conference, 2001

Refined Knowledge-Based ƒ0 Tracking: Comparing Three Frequency Extraction Methods.
Proceedings of the 2001 International Computer Music Conference, 2001

2000
Make Me a Match: An Evaluation of Different Approaches to Score - Performance Matching.
Comput. Music. J., 2000

On tempo tracking: Tempogram Representation and Kalman filtering.
Proceedings of the 2000 International Computer Music Conference, 2000

1997
Robust Score-Performance Matching: Taking Advantage of Structural Information.
Proceedings of the 1997 International Computer Music Conference, 1997

1996
Physical Motion as a Metaphor for Timing in Music: The Final Ritard.
Proceedings of the 1996 International Computer Music Conference, 1996

1995
Towards Algorithmic Descriptions of Continuous Modulations of Musical Parameters.
Proceedings of the 1995 International Computer Music Conference, 1995

1994
Advanced issues in beat induction modeling: syncopation, tempo and timing.
Proceedings of the 1994 International Computer Music Conference, 1994

Rulebased models of initial beat induction and an analysis of their behavior.
Proceedings of the 1994 International Computer Music Conference, 1994

Foot-tapping: a brief intoduction to beat induction.
Proceedings of the 1994 International Computer Music Conference, 1994

1993
A microworld approach to the formalization of musical knowledge.
Comput. Humanit., 1993

On Continuous Musical Control of Discrete Musical Objects.
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

1992
Expresso, a Strong and Small Editor for Expression.
Proceedings of the 1992 International Computer Music Conference, 1992

1991
Generalized Time Functions.
Proceedings of the 1991 International Computer Music Conference, 1991

Tempo Curves Considered Harmful.
Proceedings of the 1991 International Computer Music Conference, 1991

1990
POCO: An Environment for Analysing, Modifying and Generating Expression in Music.
Proceedings of the 1990 International Computer Music Conference, 1990

1989
A Connectionist Quantizer.
Proceedings of the 1989 International Computer Music Conference, 1989

1986
LOCO: Composition Microworlds in LOGO.
Proceedings of the 1986 International Computer Music Conference, 1986


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