James W. Beauchamp

According to our database1, James W. Beauchamp authored at least 23 papers between 1965 and 2013.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Dataset
Other 

Links

On csauthors.net:

Bibliography

2013
Discrimination of Sustained Musical Instrument tones resynthesized with piecewise-linear Approximation of harmonic amplitude envelopes.
Proceedings of the 39th International Computer Music Conference, 2013

2012
Second Fiddle is Important Too: Pitch Tracking Individual Voices in Polyphonic Music.
Proceedings of the 13th International Society for Music Information Retrieval Conference, 2012

2006
Harmonic Source Separation Using Prestored Spectra.
Proceedings of the Independent Component Analysis and Blind Signal Separation, 2006

2004
A Search for Best Error Metrics to Predict Discrimination of Original and Spectrally Altered Musical Instrument Sounds.
Proceedings of the 2004 International Computer Music Conference, 2004

2003
Discrimination of Sustained Musical Instrument Sounds Resynthesized with Randomly Altered Spectra.
Proceedings of the 2003 International Computer Music Conference, 2003

1999
Analysis and Critical-Band-Based Group Wavetable Synthesis of Piano Tones.
Proceedings of the 1999 International Computer Music Conference, 1999

Armadillo: Real Time and Non-Real Time Analysis of Musical Sounds on a Power Macintosh.
Proceedings of the 1999 International Computer Music Conference, 1999

Analysis and Resynthesis of Percussion Sounds: Two Methods Compared.
Proceedings of the 1999 International Computer Music Conference, 1999

1995
Genetic Algorithm Optimization of Additive Synthesis Envelope Breakpoints and Group Synthesis Parameters.
Proceedings of the 1995 International Computer Music Conference, 1995

1994
Computer Music Project of the University of Illinois Experimental Music Studios.
Proceedings of the 1994 International Computer Music Conference, 1994

Synthesis of Trumpet Tones Using a Fixed Wavetable and a Centroid-Controlled Second Order Filter.
Proceedings of the 1994 International Computer Music Conference, 1994

1993
Timbre Breeding.
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

1992
Wavetable and FM Matching Synthesis of Musical Instrument Tones.
Proceedings of the 1992 International Computer Music Conference, 1992

Extended Nonlinear Waveshaping Analysis/Synthesis Technique.
Proceedings of the 1992 International Computer Music Conference, 1992

1989
The Computer Music Project at the University of Illinois at Urbana-Champaign: 1989.
Proceedings of the 1989 International Computer Music Conference, 1989

1985
New Computer Music Facilities at the University of Illinois at Urbana-Champaign.
Proceedings of the 1985 International Computer Music Conference, 1985

1982
A Computer Orchestra.
Proceedings of the 1982 International Computer Music Conference, 1982

1981
Tutorials.
Proceedings of the 1981 International Computer Music Conference, 1981

Data Reduction and Resynthesis of Connected Solo Passages using Frequency, Amplitude, and "Brightness" Detection and the Nonlinear Synthesis Technique.
Proceedings of the 1981 International Computer Music Conference, 1981

1978
Using the PLATO/TI980A Music Synthesis System: The PLACOMP Language.
Proceedings of the 1978 International Computer Music Conference, 1978

Brass Tone Synthesis by Spectrum Evolution Matching with Nonlinear Functions.
Proceedings of the 1978 International Computer Music Conference, 1978

1975
The TI 980A Computer-Controlled Music Synthesizer.
Proceedings of the 1975 International Computer Music Conference, 1975

1965
Electronic Instrumentation for the Synthesis, Control, and Analysis of Harmonic Musical Tones
PhD thesis, 1965


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