Jean-Baptiste Barrière

According to our database1, Jean-Baptiste Barrière authored at least 14 papers between 1981 and 1993.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Other 

Links

On csauthors.net:

Bibliography

1993
Panel Discussion: Algorithmic Music.
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

On the Realization of NoaNoa and Près, Two Pieces for Solo Instruments and Ircam Signal Processing Workstation.
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

Integration of Aid to Composition and Performance Environments: Experiences of Interactions between Patchwork and Max-ISPW.
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

1991
A New Chant Synthesizer in C and Its Control Environment in PATCHWORK.
Proceedings of the 1991 International Computer Music Conference, 1991

1990
IRCAM: Studio Report.
Proceedings of the 1990 International Computer Music Conference, 1990

1989
A Digital Signal Multiprocessor and its Musical Application.
Proceedings of the 1989 International Computer Music Conference, 1989

1988
ESQUISSE: A Compositional Environment.
Proceedings of the 1988 International Computer Music Conference, 1988

1987
Musical Production at IRCAM in 1986-87.
Proceedings of the 1987 International Computer Music Conference, 1987

1986
Experimenting with Models of Resonance Produced by a New Technique for the Analysis of Impulsive Sounds.
Proceedings of the 1986 International Computer Music Conference, 1986

Real-time Interaction between Musicians and Computer: Live Performance Utilisations of the 4X Musical Workstation.
Proceedings of the 1986 International Computer Music Conference, 1986

1985
"Les Chants de l'Amour", a Piece for Computer Generated Tape and Mixed Choir.
Proceedings of the 1985 International Computer Music Conference, 1985

Models of Continuity between Synthesis and Processing for the Elaboration and Control of Timbre Structures.
Proceedings of the 1985 International Computer Music Conference, 1985

1982
The CHANT Project: Modelization and Production, an Environment for Composers Including the FORMES Language for Describing and Controlling Sound and Musical Processes.
Proceedings of the 1982 International Computer Music Conference, 1982

1981
Musical Synthesis: Evolution of the 'Chant' Project.
Proceedings of the 1981 International Computer Music Conference, 1981


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