Xavier Rodet

According to our database1, Xavier Rodet authored at least 138 papers between 1979 and 2013.

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Bibliography

2013
Automatic Adaptation of the Time-Frequency Resolution for Sound Analysis and Re-Synthesis.
IEEE Trans. Speech Audio Process., 2013

Musical Instrument Sound Morphing Guided by Perceptually Motivated Features.
IEEE Trans. Speech Audio Process., 2013

Mixed source model and its adapted vocal tract filter estimate for voice transformation and synthesis.
Speech Commun., 2013

2012
Analysis and modification of excitation source characteristics for singing voice synthesis.
Proceedings of the 2012 IEEE International Conference on Acoustics, 2012

A source-filter model for musical instrument sound transformation.
Proceedings of the 2012 IEEE International Conference on Acoustics, 2012

2011
Phase Minimization for Glottal Model Estimation.
IEEE Trans. Speech Audio Process., 2011

A Reduced Multiple Gabor Frame for Local Time Adaptation of the Spectrogram
CoRR, 2011

Intonation Conversion from Neutral to Expressive Speech.
Proceedings of the INTERSPEECH 2011, 2011

Stylization and Trajectory Modelling of Short and Long Term Speech Prosody Variations.
Proceedings of the INTERSPEECH 2011, 2011

Discrete/Continuous Modelling of Speaking Style in HMM-Based Speech Synthesis: Design and Evaluation.
Proceedings of the INTERSPEECH 2011, 2011

Reformulating Prosodic Break Model into Segmental HMMs and Information Fusion.
Proceedings of the INTERSPEECH 2011, 2011

Prosodic control of unit-selection speech synthesis: A probabilistic approach.
Proceedings of the IEEE International Conference on Acoustics, 2011

Rényi information measures for spectral change detection.
Proceedings of the IEEE International Conference on Acoustics, 2011

Objective evaluation of the Dynamic Model Selection method for spectral voice conversion.
Proceedings of the IEEE International Conference on Acoustics, 2011

Pitch transposition and breathiness modification using a glottal source model and its adapted vocal-tract filter.
Proceedings of the IEEE International Conference on Acoustics, 2011

Function of Phase-Distortion for glottal model estimation.
Proceedings of the IEEE International Conference on Acoustics, 2011

Improved estimation of the amplitude envelope of time-domain signals using true envelope cepstral smoothing.
Proceedings of the IEEE International Conference on Acoustics, 2011

Sound morphing by feature interpolation.
Proceedings of the IEEE International Conference on Acoustics, 2011

2010
Multiple Fundamental Frequency Estimation and Polyphony Inference of Polyphonic Music Signals.
IEEE Trans. Speech Audio Process., 2010

Joint prosodic and segmental unit selection for expressive speech synthesis.
Proceedings of the Seventh ISCA Tutorial and Research Workshop on Speech Synthesis, 2010

HMM-based prosodic structure model using rich linguistic context.
Proceedings of the INTERSPEECH 2010, 2010

Expectations for discourse genre identification: a prosodic study.
Proceedings of the INTERSPEECH 2010, 2010

Dynamic model selection for spectral voice conversion.
Proceedings of the INTERSPEECH 2010, 2010

Automatic Timbral Morphing Of Musical Instruments Sounds By High-Level Descriptors.
Proceedings of the 2010 International Computer Music Conference, 2010

A HMM-based speech synthesis system using a new glottal source and vocal-tract separation method.
Proceedings of the IEEE International Conference on Acoustics, 2010

Joint estimate of shape and time-synchronization of a glottal source model by phase flatness.
Proceedings of the IEEE International Conference on Acoustics, 2010

An Entropy Based Method for Local Time-Adaptation of the Spectrogram.
Proceedings of the Exploring Music Contents - 7th International Symposium, 2010

2009
Purging Musical Instrument Sample Databases Using Automatic Musical Instrument Recognition Methods.
IEEE Trans. Speech Audio Process., 2009

A multi-level context-dependent prosodic model applied to durational modeling.
Proceedings of the INTERSPEECH 2009, 2009

Evolutionary Spectral Envelope Morphing by Spectral Shape Descriptors.
Proceedings of the 2009 International Computer Music Conference, 2009

Applying improved spectral modeling for High Quality voice conversion.
Proceedings of the IEEE International Conference on Acoustics, 2009

2008
IRCAM Corpus Tools: Managing speech corpora.
Trait. Autom. des Langues, 2008

Adaptive Threshold Determination for Spectral Peak Classification.
Comput. Music. J., 2008

IrcamCorpusTools: an Extensible Platform for Spoken Corpora Exploitation.
Proceedings of the International Conference on Language Resources and Evaluation, 2008

Automatic Phoneme Segmentation with Relaxed Textual Constraints.
Proceedings of the International Conference on Language Resources and Evaluation, 2008

MCIpa: A Music Content Information Player and Annotator for Discovering Music.
Proceedings of the ISMIR 2008, 2008

A method for automatic and dynamic estimation of discourse genre typology with prosodic features.
Proceedings of the INTERSPEECH 2008, 2008

Extending efficient spectral envelope modeling to Mel-frequency based representation.
Proceedings of the IEEE International Conference on Acoustics, 2008

French prominence: A probabilistic framework.
Proceedings of the IEEE International Conference on Acoustics, 2008

Short-time Viterbi for online HMM decoding: Evaluation on a real-time phone recognition task.
Proceedings of the IEEE International Conference on Acoustics, 2008

2007
On cepstral and all-pole based spectral envelope modeling with unknown model order.
Pattern Recognit. Lett., 2007

Computer-Aided Orchestration Based on Probabilistic Instruments Models and Genetic Exploration.
Proceedings of the 2007 International Computer Music Conference, 2007

All-Pole Spectral Envelope Modelling with Order Selection for Harmonic Signals.
Proceedings of the IEEE International Conference on Acoustics, 2007

An Evolutionary Approach to Computer-Aided Orchestration.
Proceedings of the Applications of Evolutinary Computing, 2007

2006
On the measurement of the instantaneous frequency and amplitude of partials in vocal vibrato.
IEEE Trans. Speech Audio Process., 2006

The Significance of the Non-Harmonic "Noise" Versis the Harmonic Series for Musical Instrument Recognition.
Proceedings of the ISMIR 2006, 2006

Improving Lpc Spectral Envelope Extraction Of Voiced Speech By True-Envelope Estimation.
Proceedings of the 2006 IEEE International Conference on Acoustics Speech and Signal Processing, 2006

Globally Optimal Short-Time Dynamic Time Warping, Application to Score to Audio Alignment.
Proceedings of the 2006 IEEE International Conference on Acoustics Speech and Signal Processing, 2006

2005
Sound Navigation in PHASE Installation: Producing Music as Performing a Game Using Haptic Feedback.
Proceedings of the Virtual Storytelling, 2005

Sound and music control using haptic and visual feedback in the PHASE installation.
Proceedings of the New Interfaces for Musical Expression, 2005

The phase Project : Haptic and Visual Interaction for Music Exploration.
Proceedings of the 2005 International Computer Music Conference, 2005

Real Time signal Transposition with envelope Preservation in the phase vocoder.
Proceedings of the 2005 International Computer Music Conference, 2005

Multiple fundamental frequency estimation of polyphonic music signals.
Proceedings of the 2005 IEEE International Conference on Acoustics, 2005

2004
Instrument identification in solo and ensemble music using Independent Subspace Analysis.
Proceedings of the ISMIR 2004, 2004

Panel: Standards from the Computer Music Community.
Proceedings of the 2004 International Computer Music Conference, 2004

Signal decomposition by means of classification of spectral peaks.
Proceedings of the 2004 International Computer Music Conference, 2004

Improving score to audio alignment: Percussion alignment and Precise Onset Estimation.
Proceedings of the 2004 International Computer Music Conference, 2004

Instrument Recognition Beyond Separate Notes - Indexing Continuous Recordings.
Proceedings of the 2004 International Computer Music Conference, 2004

Sound Analysis and Processing with AudioSculpt 2.
Proceedings of the 2004 International Computer Music Conference, 2004

Music Transcription with ISA and HMM.
Proceedings of the Independent Component Analysis and Blind Signal Separation, 2004

Underdetermined Source Separation with Structured Source Priors.
Proceedings of the Independent Component Analysis and Blind Signal Separation, 2004

A new approach to spectral peak classification.
Proceedings of the 2004 12th European Signal Processing Conference, 2004

2003
PCA-based branch and bound search algorithms for computing K nearest neighbors.
Pattern Recognit. Lett., 2003

Improving polyphonic and poly-instrumental music to score alignment.
Proceedings of the ISMIR 2003, 2003

The importance of cross database evaluation in musical instrument sound classification: A critical approach.
Proceedings of the ISMIR 2003, 2003

Signal-based Music Structure Discovery for Music Audio Summary Generation.
Proceedings of the 2003 International Computer Music Conference, 2003

Studies and Improvements in Automatic Classification of Musical Sound Samples.
Proceedings of the 2003 International Computer Music Conference, 2003

Discrete Cepstrum Coefficients as Perceptual Features.
Proceedings of the 2003 International Computer Music Conference, 2003

Real-time FOF and FOG synthesis in MSP and its integration with PSOLA.
Proceedings of the 2003 International Computer Music Conference, 2003

Instantaneous frequency and amplitude of vibrato in singing voice.
Proceedings of the 2003 IEEE International Conference on Acoustics, 2003

2002
Toward Automatic Music Audio Summary Generation from Signal Analysis.
Proceedings of the ISMIR 2002, 2002

Automatically selecting signal descriptors for SoundClassification.
Proceedings of the 2002 International Computer Music Conference, 2002

2001
Trumpet and Trumpet Player: a Highly nonlinear Interaction studied in the Framework of nonlinear Dynamics.
Int. J. Bifurc. Chaos, 2001

Gestural Control at IRCAM.
Proceedings of the 2001 International Computer Music Conference, 2001

Trumpet and Trumpet Player: Model and Simulation in a Musical Context.
Proceedings of the 2001 International Computer Music Conference, 2001

Detection and modeling of fast attack transients.
Proceedings of the 2001 International Computer Music Conference, 2001

Automatic Estimation of Control Parameters: An Instance-Based Learning Approach.
Proceedings of the 2001 International Computer Music Conference, 2001

2000
On the Choice of Transducer Technologies for Specific Musical Functions.
Proceedings of the 2000 International Computer Music Conference, 2000

Air Flow Related Improvements for Basic Physical Models of Brass Instruments.
Proceedings of the 2000 International Computer Music Conference, 2000

Synthesizing a choir in real-time using Pitch Synchronous Overlap Add (PSOLA).
Proceedings of the 2000 International Computer Music Conference, 2000

1999
Nonlinear Dynamics in Physical Models: From Basic Models to True Musical-Instrument Models.
Comput. Music. J., 1999

Nonlinear Dynamics in Physical Models: Simple Feedback-Loop Systems and Properties.
Comput. Music. J., 1999

Friction and Application to Real-time Physical Modeling of a Violin.
Proceedings of the 1999 International Computer Music Conference, 1999

Gestural Control of a Real-Time Physical Model of a Bowed String Instrument.
Proceedings of the 1999 International Computer Music Conference, 1999

Spectral Envelope Estimation and Representation for Sound Analysis-Synthesis.
Proceedings of the 1999 International Computer Music Conference, 1999

SINOLA: A New Analysis/Synthesis Method using Spectrum Peak Shape Distortion, Phase and Reassigned Spectrum.
Proceedings of the 1999 International Computer Music Conference, 1999

Inversion of a Physical Model of a Trumpet.
Proceedings of the 1999 International Computer Music Conference, 1999

1998
Study of spectro-temporal parameters in musical performance for expressive instrument synthesis.
Proceedings of the IEEE International Conference on Systems, Man and Cybernetics, 1998

New Applications of the Sound Description Interchange Format.
Proceedings of the 1998 International Computer Music Conference, 1998

Features extraction and temporal segmentation of acoustic signals.
Proceedings of the 1998 International Computer Music Conference, 1998

Timbre Recognition with Combined Stationary and Temporal Features.
Proceedings of the 1998 International Computer Music Conference, 1998

1997
Comparison of Real Trumpet Playing, Latex Model of Lips and Computer Model.
Proceedings of the 1997 International Computer Music Conference, 1997

The Diphone program: New features, new synthesis methods and experience of musical use.
Proceedings of the 1997 International Computer Music Conference, 1997

Statistical Modeling of Sound Aperiodicities.
Proceedings of the 1997 International Computer Music Conference, 1997

1996
Physical Models of Trumpet-like Instruments, Detailed Behavior and Model Improvements.
Proceedings of the 1996 International Computer Music Conference, 1996

Macintosh Graphical Interface and Improvements to Generalized Diphone Control and Synthesis.
Proceedings of the 1996 International Computer Music Conference, 1996

Xspect: A New X/Motif Signal Visualization and Editing Program.
Proceedings of the 1996 International Computer Music Conference, 1996

Sound Signals Decomposition Using a High Resolution Matching Pursuit.
Proceedings of the 1996 International Computer Music Conference, 1996

1995
One and Two Mass Model Oscillations for Voice and Instruments.
Proceedings of the 1995 International Computer Music Conference, 1995

Defining Spectral Surfaces.
Proceedings of the 1995 International Computer Music Conference, 1995

1994
Stability/Instability of Periodic Solutions and Chaos in Physical Modles of Musical Instruments.
Proceedings of the 1994 International Computer Music Conference, 1994

Efficient Fourier Synthesis of Nonstationary Sinusoids.
Proceedings of the 1994 International Computer Music Conference, 1994

Real-Time Additive Synthesis Controlled by a Mixture of Neural-Networks and Direct Manipulation of Physical and Perceptual Attributes.
Proceedings of the 1994 International Computer Music Conference, 1994

A Virtual Castrato (!?).
Proceedings of the 1994 International Computer Music Conference, 1994

1993
Sound and Music from Chua's Circuit.
J. Circuits Syst. Comput., 1993

Flexible Yet Controllable Physical Models: A Nonlinear Dynamics Approach.
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

Synthesis and Control of Hundreds of Sinusoidal Partials on a Desktop Computer without Custom Hardware.
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

Generalized Diphone Control.
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

Analysis of Sound for Additive Synthesis: Tracking of Partials Using Hidden Markov Models.
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

Fundamental frequency estimation and tracking using maximum likelihood harmonic matching and HMMs.
Proceedings of the IEEE International Conference on Acoustics, 1993

Tracking of partials for additive sound synthesis using hidden Markov models.
Proceedings of the IEEE International Conference on Acoustics, 1993

Sound and Music from Chua's Circuit.
Proceedings of the Chua's Circuit: A Paradigm for Chaos, 1993

1992
State Space Models for Wind-Instrument Synthesis.
Proceedings of the 1992 International Computer Music Conference, 1992

A Physical Model of Lips and Trumpet.
Proceedings of the 1992 International Computer Music Conference, 1992

1991
Generalized functional approximation for source-filter system modeling.
Proceedings of the Second European Conference on Speech Communication and Technology, 1991

Fundamental Frequency Estimation Using a New Harmonic Matching Method.
Proceedings of the 1991 International Computer Music Conference, 1991

Estimation of fundamental frequency of musical sound signals.
Proceedings of the 1991 International Conference on Acoustics, 1991

1990
Energy and articulation rules for improving diphone speech synthesis.
Proceedings of the ESCA Workshop on Speech Synthesis, 1990

Experiments in the use of an automatic learning system for acoustic-phonetic decoding.
Proceedings of the First International Conference on Spoken Language Processing, 1990

A parametric model of speech signals: application to high quality speech synthesis by spectral and prosodic modifications.
Proceedings of the First International Conference on Spoken Language Processing, 1990

An Improved Cepstral Method for Deconvolution of Source-Filter Systems with Discrete Spectra: Application to Musical Sound Signals.
Proceedings of the 1990 International Computer Music Conference, 1990

UDI: A Unified DSP Interface for Sound Signal Analysis and Synthesis.
Proceedings of the 1990 International Computer Music Conference, 1990

1989
Vowel recognition in a data base of continuous speech: experiments with local and global identification principles.
Proceedings of the First European Conference on Speech Communication and Technology, 1989

The use of Prony's Method for the Analysis of Musical Sounds. Application to Percussive Sounds.
Proceedings of the 1989 International Computer Music Conference, 1989

1988
Dynamic Patches: Implementation and Control in the SUN-Mercury Workstation.
Proceedings of the 1988 International Computer Music Conference, 1988

Diphone Sound Synthesis Based on Spectral Envelopes and Harmonic/Noise Excitation Functions.
Proceedings of the 1988 International Computer Music Conference, 1988

1987
Speech analysis and synthesis methods based on spectral envelopes and voiced/unvoiced functions.
Proceedings of the European Conference on Speech Technology, 1987

A Sun-Mercury Music Workstation.
Proceedings of the 1987 International Computer Music Conference, 1987

Sound Synthesis by Physical Models: Application to Strings.
Proceedings of the 1987 International Computer Music Conference, 1987

1986
Adding a Graphical User Interface to FORMES.
Proceedings of the 1986 International Computer Music Conference, 1986

1985
High Quality Synthesis-by-Rule of Consonants.
Proceedings of the 1985 International Computer Music Conference, 1985

Physical Models of Instruments: A Modular Approach, Application to Strings.
Proceedings of the 1985 International Computer Music Conference, 1985

Synthesis by rule: LPC diphones and calculation of formant trajectories.
Proceedings of the IEEE International Conference on Acoustics, 1985

1984
Formes: an Object and Time Oriented System for Music Composition and Synthesis.
Proceedings of the 1984 ACM Conference on LISP and Functional Programming, 1984

1982
The CHANT Project: Modelization and Production, an Environment for Composers Including the FORMES Language for Describing and Controlling Sound and Musical Processes.
Proceedings of the 1982 International Computer Music Conference, 1982

1981
Musical Synthesis: Evolution of the 'Chant' Project.
Proceedings of the 1981 International Computer Music Conference, 1981

1980
Observation and modelling of "Formant" transitions using ISASS.
Proceedings of the IEEE International Conference on Acoustics, 1980

1979
Time domain speech synthesis-by-rules using a flexible and fast signal management system.
Proceedings of the IEEE International Conference on Acoustics, 1979


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