Juan Pablo Cáceres

According to our database, Juan Pablo Cáceres authored at least 11 papers between 2005 and 2024.

Collaborative distances:

• Dijkstra number of five.
• Erdős number of four.

2024

MusicHiFi: Fast High-Fidelity Stereo Vocoding.

Ge Zhu, Juan Pablo Cáceres, Zhiyao Duan, Nicholas J. Bryan

CoRR, 2024

2023

Transcription Free Filler Word Detection with Neural Semi-CRFs.

Ge Zhu, Yujia Yan, Juan Pablo Cáceres, Zhiyao Duan

Proceedings of the IEEE International Conference on Acoustics, 2023

2022

Filler Word Detection and Classification: A Dataset and Benchmark.

Ge Zhu, Juan Pablo Cáceres, Justin Salamon

Proceedings of the Interspeech 2022, 2022

2021

Neural Pitch-Shifting and Time-Stretching with Controllable LPCNet.

Max Morrison, Zeyu Jin, Nicholas J. Bryan, Juan Pablo Cáceres, Bryan Pardo

CoRR, 2021

Robocup@Home 2021 Champion Team Paper: SSPL Winner Uchile Peppers.

Rodrigo Salas, Juan Pablo Cáceres, Eduardo Loayza, Fernando Feliú, Felipe Valenzuela, Javier Ruiz-del-Solar

Proceedings of the RoboCup 2021: Robot World Cup XXIV, 2021

Context-Aware Prosody Correction for Text-Based Speech Editing.

Max Morrison, Lucas Rencker, Zeyu Jin, Nicholas J. Bryan, Juan Pablo Cáceres, Bryan Pardo

Proceedings of the IEEE International Conference on Acoustics, 2021

2011

Multi-modal musical environments for mixed-reality performance.

Robert Hamilton, Juan Pablo Cáceres, Chryssie Nanou, Chris Platz

J. Multimodal User Interfaces, 2011

2010

JackTrip/SoundWIRE Meets Server Farm.

Juan Pablo Cáceres, Chris Chafe

Comput. Music. J., 2010

2009

JackTrip: Under the Hood of an Engine for Network Audio.

Juan Pablo Cáceres, Chris Chafe

Proceedings of the 2009 International Computer Music Conference, 2009

2008

Playing the Network: the Use of Time delays as Musical Devices.

Juan Pablo Cáceres, Alain Renaud

Proceedings of the 2008 International Computer Music Conference, 2008

2005

SCUBA: The Self-Contained Unified Bass Augmenter.

Juan Pablo Cáceres, Gautham J. Mysore, Jeffrey Treviño

Proceedings of the New Interfaces for Musical Expression, 2005