Lauren Hayes

Orcid: 0000-0001-5974-6761

According to our database1, Lauren Hayes authored at least 14 papers between 2011 and 2021.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
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Links

On csauthors.net:

Bibliography

2021
Addressing NIME's Prevailing Sociotechnical, Political, and Epistemological Exigencies.
Comput. Music. J., 2021

2020
Enacting Musical Worlds: Common Approaches to using NIMEs within Performance and Person-Centred Arts Practices.
CoRR, 2020

Nuanced and Interrelated Mediations and Exigencies (NIME): Addressing the Prevailing Political and Epistemological Crises.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Tableware: Social Coordination Through Computationally Augmented Everyday Objects Using Auditory Feedback.
Proceedings of the HCI International 2020 - Late Breaking Papers: Digital Human Modeling and Ergonomics, Mobility and Intelligent Environments, 2020

2019
Composing Ecosystemically in Responsive Environments with Gestural Media, Objects and Textures.
Proceedings of the Thirteenth International Conference on Tangible, 2019

2018
Live Electronic Music Performance: Embodied and Enactive Approaches.
Proceedings of the 5th International Conference on Movement and Computing, 2018

2017
Sound, Electronics, and Music: A Radical and Hopeful Experiment in Early Music Education.
Comput. Music. J., 2017

Cross-modal terrains: navigating sonic space through haptic feedback.
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

Towards an Aesthetics of Touch.
Proceedings of the 4th International Conference on Movement Computing, 2017

2016
Sound, Electronics and Music: an evaluation of early embodied education.
Proceedings of the 2016 International Computer Music Conference, 2016

2015
Enacting musical worlds: common approaches to using nimes within both performance and person-centred arts practices.
Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

Skin Music (2012): an Audio-Haptic Composition for Ears and Body.
Proceedings of the 2015 ACM SIGCHI Conference on Creativity and Cognition, 2015

2012
Performing articulation and expression through a Haptic Interface.
Proceedings of the Non-Cochlear Sound: Proceedings of the 38th International Computer Music Conference, 2012

2011
Vibrotactile Feedback-Assisted Performance.
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011


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