Panagiotis Parthenios

According to our database, Panagiotis Parthenios authored at least 8 papers between 2012 and 2024.

Collaborative distances:

• Dijkstra number of five.
• Erdős number of five.

2024

An Improved Approach for Generating Digital Twins of Cultural Spaces through the Integration of Photogrammetry and Laser Scanning Technologies.

Markos Konstantakis, Georgios C. Trichopoulos, John Aliprantis, Nikitas Gavogiannis, Anna Karagianni, Panos Parthenios, Konstantinos Serraos, George Caridakis

Digit., March, 2024

2019

ARCHIMUSIC3D: Multimodal Playful Transformations between Music and Refined Urban Architectural Design.

Fotis Giariskanis, Panagiotis Parthenios, Katerina Mania

Proceedings of the 11th International Conference on Virtual Worlds and Games for Serious Applications, 2019

2018

Exploring the Possibilities of Immersive Reality Tools in Virtual Reconstruction of Monuments.

Panagiotis Parthenios, Theano Androulaki

Proceedings of the Transdisciplinary Multispectral Modeling and Cooperation for the Preservation of Cultural Heritage, 2018

2015

Sensing the Workspace: An Innovative Way to Improve Eco-Awareness at Work.

Anna Karagianni, Panagiotis Parthenios

Proceedings of the Hybrid City 2015: Data to the People, 2015

Three modes of a monument's 3D virtual reconstruction the case of Giali Tzamissi in Chania, Crete.

Panagiotis Parthenios, Alexandros Peteinarelis, Sofia Lousa, Nicky Efraimidou

Proceedings of the 2nd Digital Heritage International Congress, 2015

Integrating traditional methods with new technologies.

M. C. Manzetti, Panagiotis Parthenios, A. Sarris

Proceedings of the 2nd Digital Heritage International Congress, 2015

2014

Music as an interventional design tool for urban designers.

Stefan Petrovski, Panos Parthenios, Aineias Oikonomou, Katerina Mania

Proceedings of the Special Interest Group on Computer Graphics and Interactive Techniques Conference, 2014

2012

Visualizing the main monuments of Crete through an abstract interactive 3D model.

Panagiotis Parthenios

Proceedings of the Electronic Visualisation and the Arts, 2012