Pieter-Jan Maes

Orcid: 0000-0002-9237-3298

According to our database1, Pieter-Jan Maes authored at least 14 papers between 2010 and 2023.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
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Links

Online presence:

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Bibliography

2023
Concert experiences in virtual reality environments.
Virtual Real., September, 2023

The virtual drum circle: polyrhythmic music interactions in extended reality.
CoRR, 2023

2022
Mutual beta power modulation in dyadic entrainment.
NeuroImage, 2022

2021
Art and Science Interaction Lab - A highly flexible and modular interaction science research facility.
CoRR, 2021

2019
The SoundBike: musical sonification strategies to enhance cyclists' spontaneous synchronization to external music.
J. Multimodal User Interfaces, 2019

Design and validation of an auditory biofeedback system for modification of running parameters.
J. Multimodal User Interfaces, 2019

2018
A biofeedback music-sonification system for gait retraining.
Proceedings of the 5th International Conference on Movement and Computing, 2018

2017
Beating-Time Gestures Imitation Learning for Humanoid Robots.
EAI Endorsed Trans. Creative Technol., 2017

2014
Expressive Body Movement Responses to Music Are Coherent, Consistent, and Low Dimensional.
IEEE Trans. Cybern., 2014

The Surprising Character of Music: A Search for Sparsity in Music Evoked Body Movements.
Proceedings of the Analysis of Large and Complex Data, 2014

2013
The "Conducting Master": An Interactive, Real-Time Gesture Monitoring System Based on Spatiotemporal Motion Templates.
Int. J. Hum. Comput. Interact., 2013

2012
Dance-the-Music: an educational platform for the modeling, recognition and audiovisual monitoring of dance steps using spatiotemporal motion templates.
EURASIP J. Adv. Signal Process., 2012

2011
The "One-Person Choir": A Multidisciplinary Approach to the Development of an Embodied Human-Computer Interface.
Comput. Music. J., 2011

2010
From expressive gesture to sound.
J. Multimodal User Interfaces, 2010


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