Tamara Smyth

According to our database, Tamara Smyth authored at least 15 papers between 2001 and 2021.

Collaborative distances:

• Dijkstra number of four.
• Erdős number of four.

2021

On the Role of Lip Reflection/Transmission in the Relationship Between LPC and Waveguide Vocal Tract Models.

Tamara Smyth, Devansh Zurale

Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, 2021

2016

Generative Audio Systems Using Power-Preserving All-Pass Filters.

Greg Surges, Tamara Smyth, Miller S. Puckette

Comput. Music. J., 2016

2015

Generative Feedback Networks Using Time-Varying Allpass Filters.

Greg Surges, Tamara Smyth, Miller S. Puckette

Proceedings of the Looking Back, 2015

Specifying Sounding Frequency of a Voice Model during Live Interactive Saxophone Performance.

Jennifer Hsu, Tamara Smyth

Proceedings of the Looking Back, 2015

2014

Toward Real-Time Estimation of Tonehole Configuration.

Tamara Smyth, Cheng-i Wang

Proceedings of the Music Technology meets Philosophy, 2014

2011

Trombone Synthesis by Model and Measurement.

Tamara Smyth, Frederick S. Scott

EURASIP J. Adv. Signal Process., 2011

2009

Estimating the Reed Pulse from Clarinet Recordings.

Tamara Smyth, Jonathan S. Abel

Proceedings of the 2009 International Computer Music Conference, 2009

2008

Voice synthesis usingthe generalized pressure-Controlled valve.

Tamara Smyth, Alireza Fathi

Proceedings of the 2008 International Computer Music Conference, 2008

2007

Extending the generalized Reed Model with measured Reflection Functions.

Tamara Smyth, Jonathan S. Abel

Proceedings of the 2007 International Computer Music Conference, 2007

2006

Handheld Acoustic Filter Bank for Musical Control.

Tamara Smyth

Proceedings of the New Interfaces for Musical Expression, 2006

Exploring the Virtual Reed Parameter Space Using Haptic Feedback.

Tamara Smyth, Thomas N. Smyth, Arthur E. Kirkpatrick

Proceedings of the IEEE 8th Workshop on Multimedia Signal Processing, 2006

2005

A generalized parametric Reed Model for Virtual Musical Instruments.

Tamara Smyth, Jonathan S. Abel, Julius O. Smith III

Proceedings of the 2005 International Computer Music Conference, 2005

2004

A Novel Face-tracking Mouth Controller and its Application to Interacting with Bioacoustic Models.

Gamhewage C. de Silva, Tamara Smyth, Michael J. Lyons

Proceedings of the New Interfaces for Musical Expression, 2004

2002

Creating Sustained Tones with the Cicada's Rapid Sequential Buckling Mechanism.

Tamara Smyth, Julius O. Smith III

Proceedings of the New Interfaces for Musical Expression, 2002

2001

A Musical Instrument Based on a Bioacoustic Model of a Cicada.

Tamara Smyth, Julius O. Smith III

Proceedings of the 2001 International Computer Music Conference, 2001