Miller S. Puckette

According to our database, Miller S. Puckette authored at least 47 papers between 1981 and 2022.

Collaborative distances:

• Dijkstra number of five.
• Erdős number of four.

2022

Improving Choral Music Separation through Expressive Synthesized Data from Sampled Instruments.

Ke Chen, Hao-Wen Dong, Yi Luo, Julian J. McAuley, Taylor Berg-Kirkpatrick, Miller S. Puckette, Shlomo Dubnov

Proceedings of the 23rd International Society for Music Information Retrieval Conference, 2022

2019

Expediting TTS Synthesis with Adversarial Vocoding.

Paarth Neekhara, Chris Donahue, Miller S. Puckette, Shlomo Dubnov, Julian J. McAuley

Proceedings of the Interspeech 2019, 2019

Adversarial Audio Synthesis.

Chris Donahue, Julian J. McAuley, Miller S. Puckette

Proceedings of the 7th International Conference on Learning Representations, 2019

2018

Synthesizing Audio with Generative Adversarial Networks.

Chris Donahue, Julian J. McAuley, Miller S. Puckette

CoRR, 2018

Synthesizing Audio with GANs.

Chris Donahue, Julian J. McAuley, Miller S. Puckette

Proceedings of the 6th International Conference on Learning Representations, 2018

2016

Generative Audio Systems Using Power-Preserving All-Pass Filters.

Greg Surges, Tamara Smyth, Miller S. Puckette

Comput. Music. J., 2016

Extended Convolution Techniques for Cross-Synthesis.

Chris Donahue, Tom Erbe, Miller S. Puckette

Proceedings of the 2016 International Computer Music Conference, 2016

2015

Generative Feedback Networks Using Time-Varying Allpass Filters.

Greg Surges, Tamara Smyth, Miller S. Puckette

Proceedings of the Looking Back, 2015

2011

Infuriating Nonlinear Reverberator.

Miller S. Puckette

Proceedings of the 2011 International Computer Music Conference, 2011

2010

Pure Data Barcamp.

Miller S. Puckette, Hans-Christoph Steiner, Alexandre Torres Porres

Proceedings of the 2010 International Computer Music Conference, 2010

Grafting Synthesis Patches Onto Live Musical Instruments.

Miller S. Puckette

Proceedings of the 2010 International Computer Music Conference, 2010

2008

Reinventing Audio and Music Computation for Many-Core Processors.

David Wessel, Roger B. Dannenberg, Yann Orlarey, Miller S. Puckette, Peter Van Roy, Ge Wang

Proceedings of the 2008 International Computer Music Conference, 2008

Thoughts on Parallel Computing for Music.

Miller S. Puckette

Proceedings of the 2008 International Computer Music Conference, 2008

Not being there.

Miller S. Puckette

Proceedings of the 2008 International Computer Music Conference, 2008

2007

On timbre stamps and other frequency-domain filters.

Miller S. Puckette

Proceedings of the 2007 International Computer Music Conference, 2007

2006

Phase-bashed packet synthesis: a musical test.

Miller S. Puckette

Proceedings of the 2006 International Computer Music Conference, 2006

2005

Phase Bashing for sample-Based formant synthesis.

Miller S. Puckette

Proceedings of the 2005 International Computer Music Conference, 2005

2004

Low-dimensional parameter mapping using spectral envelopes.

Miller S. Puckette

Proceedings of the 2004 International Computer Music Conference, 2004

2002

Max at Seventeen.

Miller S. Puckette

Comput. Music. J., 2002

Using Pd as a score language.

Miller S. Puckette

Proceedings of the 2002 International Computer Music Conference, 2002

2001

New Public-Domain Realizations of Standard Pieces for Instruments and Live Electronics.

Miller S. Puckette

Proceedings of the 2001 International Computer Music Conference, 2001

Synthesizing Sounds with Specified, Time-Varying Spectra.

Miller S. Puckette

Proceedings of the 2001 International Computer Music Conference, 2001

1999

Philippe Manoury: Jupiter By Elizabeth McNutt, flute , Miller Puckette. computer, Mandeville Recital Hall University of California at San Diego, La Jolla, California, USA. 26 January 1999.

Elizabeth McNutt, Miller S. Puckette, Andrew May

Comput. Music. J., 1999

1998

Accuracy of frequency estimates using the phase vocoder.

Miller S. Puckette, Judith C. Brown

IEEE Trans. Speech Audio Process., 1998

Real-time audio analysis tools for Pd and MSP.

Miller S. Puckette, Theodore Apel, David Zicarelli

Proceedings of the 1998 International Computer Music Conference, 1998

1997

Pure Data.

Miller S. Puckette

Proceedings of the 1997 International Computer Music Conference, 1997

1995

Score Following Using the Sung Voice.

Miller S. Puckette

Proceedings of the 1995 International Computer Music Conference, 1995

Department of Music, University of California, San Diego.

Peter Otto, Miller S. Puckette

Proceedings of the 1995 International Computer Music Conference, 1995

1994

Is There Life After MIDI?

Miller S. Puckette

Proceedings of the 1994 International Computer Music Conference, 1994

The IRCAM "Real-Time Platform" - Evolutions and Perspectives.

François Déchelle, Maurizio De Cecco, Miller S. Puckette, David Zicarelli

Proceedings of the 1994 International Computer Music Conference, 1994

1993

Nonobvious roles for electronics in performance enhancement.

Miller S. Puckette, Zack Settel

Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

The IRCAM Signal Processign Workstation and IRCAM Max User Groups: Future Developments and Platforms.

Cort Lippe, Miller S. Puckette, Zack Settel, Vincent Puig

Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

1992

Score Following in Practice.

Miller S. Puckette, Cort Lippe

Proceedings of the 1992 International Computer Music Conference, 1992

The Ircam Signal Processing Workstation Prototyping Environment.

Maurizio De Cecco, Eric Lindemann, Miller S. Puckette

Proceedings of the Conference on Human Factors in Computing Systems, 1992

1991

The Architecture of the IRCAM Musical Workstation.

Eric Lindemann, Miller S. Puckette, Eric Viara, Maurizio De Cecco, François Déchelle, Bennett Smith

Proceedings of the Summer 1991 USENIX Conference, Nashville, TE, USA, June 1991, 1991

Musical Performance Using the IRCAM Workstations.

Cort Lippe, Miller S. Puckette

Proceedings of the 1991 International Computer Music Conference, 1991

1990

The IRCAM signal processing workstation - An environment for research in real-time musical signal processing and performance.

Eric Lindemann, Miller S. Puckette, Eric Viara, Michel Starkier

Microprocessing and Microprogramming, 1990

A Real-time Operating System for Computer Music.

Eric Viara, Miller S. Puckette

Proceedings of the 1990 International Computer Music Conference, 1990

EXPLODE: A User Interface for Sequencing and Score Following.

Miller S. Puckette

Proceedings of the 1990 International Computer Music Conference, 1990

1988

The Patcher.

Miller S. Puckette

Proceedings of the 1988 International Computer Music Conference, 1988

1987

Musical Information from a Narrowed Autocorrelation Function.

Judith C. Brown, Miller S. Puckette

Proceedings of the 1987 International Computer Music Conference, 1987

1986

Interprocess Communication and Timing in Real-Time Computer Music Performance.

Miller S. Puckette

Proceedings of the 1986 International Computer Music Conference, 1986

Software Developments for the 4X Real-time System.

Emmanuel Favreau, Michel Fingerhut, Olivier Koechlin, Patrick Potacsek, Miller S. Puckette, Robert Rowe

Proceedings of the 1986 International Computer Music Conference, 1986

1985

Synthetic Rehearsal: Training the Synthetic Performer.

Barry Vercoe, Miller S. Puckette

Proceedings of the 1985 International Computer Music Conference, 1985

1984

The M Orchestra Language.

Miller S. Puckette

Proceedings of the 1984 International Computer Music Conference, 1984

1981

A Four-Channel Reverberation Network.

John P. Stautner, Barry Vercoe, Miller S. Puckette

Proceedings of the 1981 International Computer Music Conference, 1981

A Real-time Music 11 Emulator.

Miller S. Puckette, Barry Vercoe, John P. Stautner

Proceedings of the 1981 International Computer Music Conference, 1981