Alain Bonardi

According to our database1, Alain Bonardi authored at least 36 papers between 1999 and 2018.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Dataset
Other 

Links

On csauthors.net:

Bibliography

2018
On the Documentation of Electronic Music.
Comput. Music. J., 2018

Electronic Music Documentations, Practices and Models.
Proceedings of the 2018 International Computer Music Conference, 2018

2014
L'intérêt des patrons dans la gestion des connaissances liées à la création sonore.
Proceedings of the IC 2014 : 25es Journées francophones d'Ingénierie des Connaissances (Proceedings of the 25th French Knowledge Engineering Conference), 2014

2013
Copier/coller, ou recopier ? La transmission entre artistes des œuvres musicales avec dispositif numérique.
Tech. Sci. Informatiques, 2013

Prescrire une modélisation par les patrons : exemple des patrons de création pour la représentation des processus de production sonore.
Proceedings of the IC 2013 : 24es Journées francophones d'Ingénierie des Connaissances (Proceedings of the 24th French Knowledge Engineering Conference), 2013

2012
Modéliser les processus de création de la musique avec dispositif numérique : représenter pour rejouer et préserver les oeuvres contemporaines.
Proceedings of the IC 2012 : 23es journées Ingénierie des Connaissances (Proceedings of the 23rd French Knowledge Engineering Conference), 2012

2010
Interactions médiatisées sur scène.
Tech. Sci. Informatiques, 2010

Introducing Fuzzy Logic And Computing With Words Paradigms In Realtime Processes For Performance Arts.
Proceedings of the 2010 International Computer Music Conference, 2010

Toward An Organology Of Virtual Instruments In Computer Music.
Proceedings of the 2010 International Computer Music Conference, 2010

2009
Considering Stage Direction as Building Informed Virtual Environments.
J. Virtual Real. Broadcast., 2009

Interagir avec un contenu opératique : le projet d'opéra virtuel interactif Virtualis
CoRR, 2009

Music-ripping: des pratiques qui provoquent la musicologie
CoRR, 2009

How Do Interactive Virtual Operas Shift Relationships between Music, Text and Image?
CoRR, 2009

Similarité en intension vs en extension : à la croisée de l'informatique et du théâtre
CoRR, 2009

2008
The preservation, emulation, migration, and virtualization of live electronics for performing arts: An overview of musical and technical issues.
ACM Journal on Computing and Cultural Heritage, 2008

Préservation de processus temps réel. Vers un document numérique.
Document Numérique, 2008

Digital Music Collections: a Place of Knowledge Emergence?
Proceedings of the 2008 International Computer Music Conference, 2008

Ontology Management for Preservation of Interactive Multimedia performances.
Proceedings of the 2008 International Computer Music Conference, 2008

Our Research for lost Route to Root.
Proceedings of the 2008 International Computer Music Conference, 2008

ReCollection: a Disposal/Formal Requirement-Based Tool to Support Sustainable Collection Making.
Proceedings of the Supplementary Proceedings of the 16th International Conference on Conceptual Structures, 2008

Vers des environnements homme-machine pour ressaisir les intentions dans la création scénique. (Towards human to computer environments to re-grasp the intentions in creative performing arts).
, 2008

2007
Taking Lessons from Cognitive Psychologists to Design our Content Browsing Tools?
Proceedings of the First International Conference on Research Challenges in Information Science, 2007

Human Actors and Virtual Agents Playing Together to Transform Stage Direction Practices.
Proceedings of the Intelligent Virtual Agents, 7th International Conference, 2007

Digital Preservation of Interactive Multimedia performances.
Proceedings of the 2007 International Computer Music Conference, 2007

2006
Towards a Virtual Assistant for Performers and Stage Directors.
Proceedings of the New Interfaces for Musical Expression, 2006

2005
Similarité en intension versus similarité en extension. A la croisée de l'informatique et du thzâtre.
Rev. d'Intelligence Artif., 2005

2004
A Style of Theater Production Inspired by Interactive Content Data Mining.
Proceedings of the Style and Meaning in Language, 2004

Reconcile art and culture on the web.
Proceedings of the 6th International Conference on Electronic Commerce, 2004

2003
New tools and practices for electronic music distribution.
Proceedings of the 1st Intenational Symposium on Information and Communication Technologies, 2003

2002
Knowledge Discovery as Applied to Music: Will Music Web Retrieval Revolutionize Musicology?
Proceedings of the Discovery Science, 5th International Conference, 2002

2001
Similarity in Computational Music: A Musicologist's Approach.
Proceedings of the First International Conference on WEB Delivering of Music (WEDELMUSIC '01), 2001

Towards Interactive Operas: the Virtualis Project.
Proceedings of the International Cultural Heritage Informatics Meeting: Proceedings from ICHIM 2001. Politechnico di Milano, Milan, Italy, September 3-7, 2001, 2001

2000
Creating "Hypermusic Spaces".
Proceedings of the Computer-Assisted Information Retrieval (Recherche d'Information et ses Applications), 2000

IR for Contemporary Music: What the Musicologist Needs.
Proceedings of the ISMIR 2000, 2000

1999
Towards Digital "Musical Actions".
Proceedings of the 1999 International Computer Music Conference, 1999

Composing interactive virtual operas.
Proceedings of the 3rd Conference on Creativity & Cognition, 1999


  Loading...