Carlos Guedes

Orcid: 0000-0002-1898-2183

According to our database1, Carlos Guedes authored at least 35 papers between 2003 and 2023.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of five.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
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Links

Online presence:

On csauthors.net:

Bibliography

2023
A Multimodal Methodology for Music Field Recording and Archival.
Proceedings of the 10th International Conference on Digital Libraries for Musicology, 2023

2022
Critiquing Task- versus Goal-oriented Approaches: A Case for Makam Recognition.
Proceedings of the 23rd International Society for Music Information Retrieval Conference, 2022

2020
Developinimmersive VR experience for visualizing cross-cultural relationships in music.
Proceedings of the 2020 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops, 2020

Exploring Music Collections: An Interactive, Dimensionality Reduction Approach to Visualizing Songbanks.
Proceedings of the IUI '20: 25th International Conference on Intelligent User Interfaces, 2020

2017
Real-Time Composition, why it still matters: A look at recent developments and potentially new and interesting applications.
Proceedings of the 2017 International Computer Music Conference, 2017

Automatic musical key estimation with adaptive mode bias.
Proceedings of the 2017 IEEE International Conference on Acoustics, 2017

Composing and Improvising. In Real Time.
Proceedings of the Music Technology with Swing - 13th International Symposium, 2017

A Hierarchical Harmonic Mixing Method.
Proceedings of the Music Technology with Swing - 13th International Symposium, 2017

2016
Harmony Generation Driven by a Perceptually Motivated Tonal Interval Space.
Comput. Entertain., 2016

2015
Conchord: An Application for Generating Musical Harmony by Navigating in the Tonal Interval Space.
Proceedings of the Music, Mind, and Embodiment - 11th International Symposium, 2015

2014
A computer-mediated Interface for Jazz Piano Comping.
Proceedings of the Music Technology meets Philosophy, 2014

Considering Roughness to Describe and Generate Vertical Musical Structure in Content-Based Algorithmic-Assisted Audio Composition.
Proceedings of the Music Technology meets Philosophy, 2014

2013
Syncopation as Transformation.
Proceedings of the Sound, Music, and Motion - 10th International Symposium, 2013

2012
New Interaction Paradigms to Fight the Digital Divide: A Pilot Case Study Regarding Multi-Touch Technology.
Proceedings of the 4th International Conference on Software Development for Enhancing Accessibility and Fighting Info-exclusion, 2012

Optical music recognition: state-of-the-art and open issues.
Int. J. Multim. Inf. Retr., 2012

GimmeDaBlues app for iOS: overview and ongoing developments.
Proceedings of the SIGGRAPH Asia 2012 Symposium on Apps, Singapore, November 28, 2012

On Measuring Syncopation to Drive an Interactive Music System.
Proceedings of the 13th International Society for Music Information Retrieval Conference, 2012

EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data.
Proceedings of the From Sounds to Music and Emotions - 9th International Symposium, 2012

2011
Automatic Rhythmic Performance in Max/MSP: the kin.rhythmicator.
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

Complexity Driven Recombination of MIDI Loops.
Proceedings of the 12th International Society for Music Information Retrieval Conference, 2011

2010
Reflections on Music Programming for Conferences: The Case of SMC 2009.
Comput. Music. J., 2010

A Real-Time Human Body Skeletonization Algorithm For Max/Msp/Jitter.
Proceedings of the 2010 International Computer Music Conference, 2010

2009
Staff Detection with Stable Paths.
IEEE Trans. Pattern Anal. Mach. Intell., 2009

2008
Staff Line Detection and Removal with Stable Paths.
Proceedings of the SIGMAP 2008, 2008

Echo locations.
Proceedings of the International Conference on Computer Graphics and Interactive Techniques, 2008

Studio Report: Digitópia at Casa da Música.
Proceedings of the 2008 International Computer Music Conference, 2008

Integrated Recognition System for Music Scores.
Proceedings of the 2008 International Computer Music Conference, 2008

A connected path approach for staff detection on a music score.
Proceedings of the International Conference on Image Processing, 2008

2007
Establishing a Musical Channel of Communication between Dancers and Musicians in Computer-Mediated Collaborations in Dance Performance.
Proceedings of the Seventh International Conference on New Interfaces for Musical Expression, 2007

Particulate matters: generating particle flows from human movement.
Proceedings of the 15th International Conference on Multimedia 2007, 2007

Controlling Aural and Visual Particle Systems through Human movement.
Proceedings of the 2007 International Computer Music Conference, 2007

Studio Report: the Program in Electronic Music Composition and Musical production at the School of the arts of the Polytechnic Institute of Castelo Branco.
Proceedings of the 2007 International Computer Music Conference, 2007

Translating Dance movement into Musical rhythm in Real Time: New Possibilities for Computer-Mediated Collaboration in Interactive Dance Performance.
Proceedings of the 2007 International Computer Music Conference, 2007

2005
The M-Objects: a Small Library for Musical rhythm Generation and Musical Tempo control from Dance movement in Real Time.
Proceedings of the 2005 International Computer Music Conference, 2005

2003
Controlling Musical Tempo from Dance Movement in Real-Time: A Possible Approach.
Proceedings of the 2003 International Computer Music Conference, 2003


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