Gilberto Bernardes

According to our database1, Gilberto Bernardes authored at least 40 papers between 2012 and 2023.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of five.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Dataset
Other 

Links

Online presence:

On csauthors.net:

Bibliography

2023
Leveraging compatibility and diversity in computer-aided music mashup creation.
Pers. Ubiquitous Comput., October, 2023

Are Words Enough? On the semantic conditioning of affective music generation.
CoRR, 2023

Exploring Latent Spaces of Tonal Music using Variational Autoencoders.
CoRR, 2023

Sound Design Impacts User Experience and Attention in Serious Game.
Proceedings of the Serious Games - 9th Joint International Conference, 2023

En train d'oublier: toward affective virtual environments.
Proceedings of the 20th International Conference on Culture and Computer Science: Code and Materiality, 2023

Computational Similarity of Portuguese Folk Melodies Using Hierarchical Reduction.
Proceedings of the 10th International Conference on Digital Libraries for Musicology, 2023

2022
Assessing the Influence of Multimodal Feedback in Mobile-Based Musical Task Performance.
Multimodal Technol. Interact., 2022

Acting emotions: physiological correlates of emotional valence and arousal dynamics in theatre.
Proceedings of the IMX '22: ACM International Conference on Interactive Media Experiences, Aveiro, Portugal, June 22, 2022

Emotional Machines: Toward Affective Virtual Environments.
Proceedings of the MM '22: The 30th ACM International Conference on Multimedia, Lisboa, Portugal, October 10, 2022

Mid-level Harmonic Audio Features for Musical Style Classification.
Proceedings of the 23rd International Society for Music Information Retrieval Conference, 2022

The Singing Bridge: Sonification of a Stress-Ribbon Footbridge.
Proceedings of the ArtsIT, Interactivity and Game Creation, 2022

Desiring Machines and Affective Virtual Environments.
Proceedings of the ArtsIT, Interactivity and Game Creation, 2022

2021
Sound design inducing attention in the context of audiovisual immersive environments.
Pers. Ubiquitous Comput., 2021

Musical Control Gestures in Mobile Handheld Devices: Design Guidelines Informed by Daily User Experience.
Multimodal Technol. Interact., 2021

SyVMO: Synchronous Variable Markov Oracle for Modeling and Predicting Multi-part Musical Structures.
Proceedings of the Artificial Intelligence in Music, Sound, Art and Design, 2021

Encoding, Analysing and Modeling I-Folk: A New Database of Iberian Folk Music.
Proceedings of the DLfM '21: 8th International Conference on Digital Libraries for Musicology, 2021

Understanding Cross-Genre Rhythmic Audio Compatibility: A Computational Approach.
Proceedings of the AM '21: Audio Mostly 2021, 2021

Leveraging Compatibility and Diversity in Computational Music Mashup Creation.
Proceedings of the AM '21: Audio Mostly 2021, 2021

2020
A Computational Model of Tonal Tension Profile of Chord Progressions in the Tonal Interval Space.
Entropy, 2020

TIV.lib: an open-source library for the tonal description of musical audio.
CoRR, 2020

Physics-based Concatenative Sound Synthesis of Photogrammetric models for Aural and Haptic Feedback in Virtual Environments.
Proceedings of the 2020 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops, 2020

Examining Temporal Trends and Design Goals of Digital Music Instruments for Education in NIME: A Proposed Taxonomy.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Interfacing Sounds: Hierarchical Audio-Content Morphologies for Creative Re-purposing in earGram 2.0.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Towards balanced tunes: A review of symbolic music representations and their hierarchical modeling.
Proceedings of the Eleventh International Conference on Computational Creativity, 2020

Objective Evaluation of Tonal Fitness for Chord Progressions Using the Tonal Interval Space.
Proceedings of the Artificial Intelligence in Music, Sound, Art and Design, 2020

2019
Dynamic Music Generation, Audio Analysis-Synthesis Methods.
Proceedings of the Encyclopedia of Computer Graphics and Games., 2019

Biosensing in Interactive Art: A User-Centered Taxonomy.
Proceedings of the Encyclopedia of Computer Graphics and Games., 2019

ChordAIS: An assistive system for the generation of chord progressions with an artificial immune system.
Swarm Evol. Comput., 2019

MixMash: An Assistive Tool for Music Mashup Creation from Large Music Collections.
Int. J. Art Cult. Des. Technol., 2019

AMIGO: An Assistive Musical Instrument to Engage, Create and Learn Music.
Proceedings of the 19th International Conference on New Interfaces for Musical Expression, 2019

2018
MixMash: A Visualisation System for Musical Mashup Creation.
Proceedings of the 22nd International Conference Information Visualisation, 2018

2017
Automatic musical key estimation with adaptive mode bias.
Proceedings of the 2017 IEEE International Conference on Acoustics, 2017

A Hierarchical Harmonic Mixing Method.
Proceedings of the Music Technology with Swing - 13th International Symposium, 2017

DIGIT: A Digital Foley System to Generate Footstep Sounds.
Proceedings of the Music Technology with Swing - 13th International Symposium, 2017

2016
Harmony Generation Driven by a Perceptually Motivated Tonal Interval Space.
Comput. Entertain., 2016

Relational Interactive Art: A Framework for Interaction in a Social Context.
Proceedings of the 5th Joint Symposium on Computational Aesthetics, 2016

2015
Automatic Generation of Chord Progressions with an Artificial Immune System.
Proceedings of the Evolutionary and Biologically Inspired Music, Sound, Art and Design, 2015

Conchord: An Application for Generating Musical Harmony by Navigating in the Tonal Interval Space.
Proceedings of the Music, Mind, and Embodiment - 11th International Symposium, 2015

2014
Considering Roughness to Describe and Generate Vertical Musical Structure in Content-Based Algorithmic-Assisted Audio Composition.
Proceedings of the Music Technology meets Philosophy, 2014

2012
EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data.
Proceedings of the From Sounds to Music and Emotions - 9th International Symposium, 2012


  Loading...