Gilberto Bernardes

According to our database, Gilberto Bernardes authored at least 29 papers between 2012 and 2022.

Collaborative distances:

• Dijkstra number of five.
• Erdős number of five.

2022

Assessing the Influence of Multimodal Feedback in Mobile-Based Musical Task Performance.

Alexandre Clément, Gilberto Bernardes

Multimodal Technol. Interact., 2022

Acting emotions: physiological correlates of emotional valence and arousal dynamics in theatre.

Luís Aly, Patricia Bota, Leonor Godinho, Gilberto Bernardes, Hugo Silva

Proceedings of the IMX '22: ACM International Conference on Interactive Media Experiences, Aveiro, Portugal, June 22, 2022

Emotional Machines: Toward Affective Virtual Environments.

Jorge Forero, Gilberto Bernardes, Mónica Mendes

Proceedings of the MM '22: The 30th ACM International Conference on Multimedia, Lisboa, Portugal, October 10, 2022

2021

Sound design inducing attention in the context of audiovisual immersive environments.

Inês Salselas, Rui Penha, Gilberto Bernardes

Pers. Ubiquitous Comput., 2021

Musical Control Gestures in Mobile Handheld Devices: Design Guidelines Informed by Daily User Experience.

Alexandre Clément, Luciano Moreira, Miriam Rosa, Gilberto Bernardes

Multimodal Technol. Interact., 2021

SyVMO: Synchronous Variable Markov Oracle for Modeling and Predicting Multi-part Musical Structures.

Nádia Carvalho, Gilberto Bernardes

Proceedings of the Artificial Intelligence in Music, Sound, Art and Design, 2021

Encoding, Analysing and Modeling I-Folk: A New Database of Iberian Folk Music.

Nádia Carvalho, Sara Gonzalez-Gutierrez, Javier Merchán Sánchez-Jara, Gilberto Bernardes, María Navarro-Cáceres

Proceedings of the DLfM '21: 8th International Conference on Digital Libraries for Musicology, 2021

Understanding Cross-Genre Rhythmic Audio Compatibility: A Computational Approach.

Cláudio Lemos, Diogo Cocharro, Gilberto Bernardes

Proceedings of the AM '21: Audio Mostly 2021, 2021

Leveraging Compatibility and Diversity in Computational Music Mashup Creation.

Gonçalo Bernardo, Gilberto Bernardes

Proceedings of the AM '21: Audio Mostly 2021, 2021

2020

A Computational Model of Tonal Tension Profile of Chord Progressions in the Tonal Interval Space.

María Navarro-Cáceres, Marcelo F. Caetano, Gilberto Bernardes, Mercedes Sánchez Barba, Javier Merchán Sánchez-Jara

Entropy, 2020

TIV.lib: an open-source library for the tonal description of musical audio.

António Ramires, Gilberto Bernardes, Matthew E. P. Davies, Xavier Serra

CoRR, 2020

Physics-based Concatenative Sound Synthesis of Photogrammetric models for Aural and Haptic Feedback in Virtual Environments.

Eduardo Magalhães, João Jacob, Niels C. Nilsson, Rolf Nordahl, Gilberto Bernardes

Proceedings of the 2020 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops, 2020

Towards balanced tunes: A review of symbolic music representations and their hierarchical modeling.

Nádia Carvalho, Gilberto Bernardes

Proceedings of the Eleventh International Conference on Computational Creativity, 2020

Objective Evaluation of Tonal Fitness for Chord Progressions Using the Tonal Interval Space.

María Navarro-Cáceres, Marcelo F. Caetano, Gilberto Bernardes

Proceedings of the Artificial Intelligence in Music, Sound, Art and Design, 2020

2019

Dynamic Music Generation, Audio Analysis-Synthesis Methods.

Gilberto Bernardes, Diogo Cocharro

Proceedings of the Encyclopedia of Computer Graphics and Games., 2019

Biosensing in Interactive Art: A User-Centered Taxonomy.

Luís Aly, Rui Penha, Gilberto Bernardes

Proceedings of the Encyclopedia of Computer Graphics and Games., 2019

ChordAIS: An assistive system for the generation of chord progressions with an artificial immune system.

María Navarro-Cáceres, Marcelo F. Caetano, Gilberto Bernardes, Leandro Nunes de Castro

Swarm Evol. Comput., 2019

MixMash: An Assistive Tool for Music Mashup Creation from Large Music Collections.

Catarina Maçãs, Ana Rodrigues, Gilberto Bernardes, Penousal Machado

Int. J. Art Cult. Des. Technol., 2019

AMIGO: An Assistive Musical Instrument to Engage, Create and Learn Music.

Isabela Corintha Almeida, Giordano Cabral, Gilberto Bernardes Almeida

Proceedings of the 19th International Conference on New Interfaces for Musical Expression, 2019

2018

MixMash: A Visualisation System for Musical Mashup Creation.

Catarina Maçãs, Ana Rodrigues, Gilberto Bernardes, Penousal Machado

Proceedings of the 22nd International Conference Information Visualisation, 2018

2017

Automatic musical key estimation with adaptive mode bias.

Gilberto Bernardes, Matthew E. P. Davies, Carlos Guedes

Proceedings of the 2017 IEEE International Conference on Acoustics, 2017

A Hierarchical Harmonic Mixing Method.

Gilberto Bernardes, Matthew E. P. Davies, Carlos Guedes

Proceedings of the Music Technology with Swing - 13th International Symposium, 2017

DIGIT: A Digital Foley System to Generate Footstep Sounds.

Luís Aly, Rui Penha, Gilberto Bernardes

Proceedings of the Music Technology with Swing - 13th International Symposium, 2017

2016

Harmony Generation Driven by a Perceptually Motivated Tonal Interval Space.

Gilberto Bernardes, Diogo Cocharro, Carlos Guedes, Matthew E. P. Davies

Comput. Entertain., 2016

Relational Interactive Art: A Framework for Interaction in a Social Context.

Nuno Cabrita, Gilberto Bernardes

Proceedings of the 5th Joint Symposium on Computational Aesthetics, 2016

2015

Automatic Generation of Chord Progressions with an Artificial Immune System.

María Navarro, Marcelo F. Caetano, Gilberto Bernardes, Leandro Nunes de Castro, Juan Manuel Corchado

Proceedings of the Evolutionary and Biologically Inspired Music, Sound, Art and Design, 2015

Conchord: An Application for Generating Musical Harmony by Navigating in the Tonal Interval Space.

Gilberto Bernardes, Diogo Cocharro, Carlos Guedes, Matthew E. P. Davies

Proceedings of the Music, Mind, and Embodiment - 11th International Symposium, 2015

2014

Considering Roughness to Describe and Generate Vertical Musical Structure in Content-Based Algorithmic-Assisted Audio Composition.

Gilberto Bernardes, Matthew E. P. Davies, Carlos Guedes, Bruce W. Pennycook

Proceedings of the Music Technology meets Philosophy, 2014

2012

EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data.

Gilberto Bernardes, Carlos Guedes, Bruce W. Pennycook

Proceedings of the From Sounds to Music and Emotions - 9th International Symposium, 2012