Catherine Guastavino

Orcid: 0000-0002-5750-2015

According to our database1, Catherine Guastavino authored at least 31 papers between 2009 and 2022.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

Legend:

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Bibliography

2022
From Fiction to Function: Imagining New Instruments through Design Workshops.
Comput. Music. J., 2022

2021
Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review.
Multimodal Technol. Interact., 2021

A Visualization Tool to Explore Interactive Sound Installations.
Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

2020
Reinventing the Noisebox: Designing Embedded Instruments for Active Musicians.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

2018
Perceptual Thresholds for Vibration Transmitted to Road Cyclists.
Hum. Factors, 2018

2016
On the robustness of upper limits for circular auditory motion perception.
J. Multimodal User Interfaces, 2016

2015
The design and formative evaluation of nonspeech auditory feedback for an information system.
J. Assoc. Inf. Sci. Technol., 2015

Tracking moving sounds: Perception of spatial figures.
Proceedings of the 21st International Conference on Auditory Display, 2015

Does reverberation affect upper limits for auditory motion perception?
Proceedings of the 21st International Conference on Auditory Display, 2015

2014
Computational Models for Perceived Melodic Similarity in A Cappella Flamenco Singing.
Proceedings of the 15th International Society for Music Information Retrieval Conference, 2014

2013
Spectral and Spatial Multichannel Analysis/Synthesis of Interior Aircraft Sounds.
IEEE Trans. Speech Audio Process., 2013

The impact of technological advances on recording studio practices.
J. Assoc. Inf. Sci. Technol., 2013

Reducing subject tree browsing complexity.
J. Assoc. Inf. Sci. Technol., 2013

A Digital Archives Framework for the Preservation of Cultural Artifacts with Technological Components.
Int. J. Digit. Curation, 2013

Plucked String Stiffness Affects Loudness Perception.
Proceedings of the Haptic and Audio Interaction Design - 8th International Workshop, 2013

Applying the stratified model of relevance interactions to music information retrieval.
Proceedings of the Beyond the Cloud: Rethinking Information Boundaries, 2013

2012
Capitalizing on Information Organization and Information Visualization for a New-Generation Catalogue.
Libr. Trends, 2012

Archiving electroacoustic and mixed music: Significant knowledge involved in the creative process of works with spatialisation.
J. Documentation, 2012

Constructing a true LCSH tree of a science and engineering collection.
J. Assoc. Inf. Sci. Technol., 2012

Following Gesture Following: Grounding the Documentation of a Multi-Agent Music Creation Process.
Comput. Music. J., 2012

Exploiting major trends in subject hierarchies for large-scale collection visualization.
Proceedings of the Visualization and Data Analysis 2012, 2012

Digital sound processing preservation: impact on digital archives.
Proceedings of the iConference 2012, Toronto, Ontario, Canada, February 7-10, 2012, 2012

Supporting Sounds: Design and Evaluation of an Audio-Haptic Interface.
Proceedings of the Haptic and Audio Interaction Design - 7th International Conference, 2012

2011
The Tuning of Place: Sociable Spaces and Pervasive Digital Media.
J. Assoc. Inf. Sci. Technol., 2011

Binaural analysis/synthesis of interior aircraft sounds.
Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, 2011

Perceptual evaluation of interior aircraft sound models.
Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, 2011

User studies in the Music Information Retrieval Literature.
Proceedings of the 12th International Society for Music Information Retrieval Conference, 2011

Nonspeech Sound Design for a Hierarchical Information System.
Proceedings of the Human Centered Design, 2011

Moving forward: Conceptualizing comfort in information sources for enthusiast cyclists.
Proceedings of the Bridging the Gulf: Communication and Information in Society, Technology, and Work, 2011

2009
Improving the Sound Quality of Recordings Through Communication between Musicians and Sound Engineers.
Proceedings of the 2009 International Computer Music Conference, 2009

Effect of Sound Source Stimuli on the Perception of Reverberation in Large Volumes.
Proceedings of the Auditory Display, 6th International Symposium, 2009


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