Marcelo M. Wanderley

Orcid: 0000-0002-9169-4313

Affiliations:
  • McGill University, Input Devices and Music Interaction Laboratory, Montreal, Canada


According to our database1, Marcelo M. Wanderley authored at least 158 papers between 1998 and 2023.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

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Bibliography

2023
Analysis of Accessible Digital Musical Instruments through the lens of disability models: a case study with instruments targeting d/Deaf people.
Frontiers Comput. Sci., 2023

2022
From Fiction to Function: Imagining New Instruments through Design Workshops.
Comput. Music. J., 2022

Feeling the Effort of Classical Musicians - A Pipeline from Electromyography to Smartphone Vibration for Live Music Performance.
Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

Introducing the t-Tree: Using Multiple t-Sticks for Performance and Installation.
Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

ForceHost: an open-source toolchain for generating firmware embedding the authoring and rendering of audio and force-feedback haptics.
Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

Slapbox: Redesign of a Digital Musical Instrument Towards Reliable Long-Term Practice.
Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

Mapper4Live: Using Control Structures to Embed Complex Mapping Tools into Ableton Live.
Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

2021
Touching the audience: musical haptic wearables for augmented and participatory live music performances.
Pers. Ubiquitous Comput., 2021

Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review.
Multimodal Technol. Interact., 2021

A multi-sensor human gait dataset captured through an optical system and inertial measurement units.
CoRR, 2021

Making Mappings: Design Criteria for Live Performance.
Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple Pendulum.
Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

Comparative Latency Analysis of Optical and Inertial Motion Capture Systems for Gestural Analysis and Musical Performance.
Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

Embracing Less Common Evaluation Strategies for Studying User Experience in NIME.
Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

Interpolating Audio and Haptic Control Spaces.
Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

The T-Stick Music Creation Project: An approach to building a creative community around a DMI.
Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

MapLooper: Live-looping of distributed gesture-to-sound mappings.
Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

A Visualization Tool to Explore Interactive Sound Installations.
Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

Documentation and Replicability in the NIME Community.
Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

Interaction Strategies in Composition for Karlax and Acoustic Instruments.
Proceedings of the Music in the AI Era - 15th International Symposium, 2021

The IDMIL Digital Audio Workbench: An interactive online application for teaching digital audio concepts.
Proceedings of the AM '21: Audio Mostly 2021, 2021

Projeto: Cerrado: Unfolding Spaces.
Proceedings of the ARTECH 2021: 10th International Conference on Digital and Interactive Arts, Aveiro, Portugal, October 13, 2021

The Ragpicking DMI Design: The Case for Green Computer Music.
Proceedings of the ARTECH 2021: 10th International Conference on Digital and Interactive Arts, Aveiro, Portugal, October 13, 2021

2020
Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming Gestures.
Sensors, 2020

Haptic and audio interaction design.
J. Multimodal User Interfaces, 2020

Defining a vibrotactile toolkit for digital musical instruments: characterizing voice coil actuators, effects of loading, and equalization of the frequency response.
J. Multimodal User Interfaces, 2020

Making Mappings: Examining the Design Process.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

The Scalability of WiFi for Mobile Embedded Sensor Interfaces.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Reinventing the Noisebox: Designing Embedded Instruments for Active Musicians.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

A NIME Of The Times: Developing an Outward-Looking Political Agenda For This Community.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

TorqueTuner: A self contained module for designing rotary haptic force feedback for digital musical instruments.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

A Visualization Tool for the CIRMMT Distinguished Lecture Series.
Proceedings of the Human Interface and the Management of Information. Designing Information, 2020

Expanding and Embedding a High-Level Gesture Vocabulary for Digital and Augmented Musical Instruments.
Proceedings of the Human Interface and the Management of Information. Interacting with Information, 2020

An Intermediate Mapping Layer for Interactive Sequencing.
Proceedings of the Human Interface and the Management of Information. Interacting with Information, 2020

Open Source DMIs: Towards a Replication Certification for Online Shared Projects of Digital Musical Instruments.
Proceedings of the HCI International 2020 - Late Breaking Papers: User Experience Design and Case Studies, 2020

2019
Staying Together: A Bidirectional Delay-Coupled Approach to Joint Action.
Cogn. Sci., 2019

Small Dynamic Neural Networks for Gesture Classification with The Rulers (a Digital Musical Instrument).
Proceedings of the 19th International Conference on New Interfaces for Musical Expression, 2019

Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface.
Proceedings of the 19th International Conference on New Interfaces for Musical Expression, 2019

Rebuilding and Reinterpreting a Digital Musical Instrument - The Sponge.
Proceedings of the 19th International Conference on New Interfaces for Musical Expression, 2019

A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation.
Proceedings of the 19th International Conference on New Interfaces for Musical Expression, 2019

The Design of the Body: Suit: Score, a Full-Body Vibrotactile Musical Score.
Proceedings of the Human Interface and the Management of Information. Information in Intelligent Systems, 2019

Smart Mandolin and Musical Haptic Gilet: effects of vibro-tactile stimuli during live music performance.
Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound, 2019

HCI, Music and Art: An Interview with Wendy Mackay.
Proceedings of the New Directions in Music and Human-Computer Interaction, 2019

A Design Workbench for Interactive Music Systems.
Proceedings of the New Directions in Music and Human-Computer Interaction, 2019

Understanding Music Interaction, and Why It Matters.
Proceedings of the New Directions in Music and Human-Computer Interaction, 2019

2018
Generalized Multi-Instance Control Mapping for Interactive Media Systems.
IEEE Multim., 2018

ZenStates: Easy-to-Understand Yet Expressive Specifications for Creative Interactive Environments.
Proceedings of the 2018 IEEE Symposium on Visual Languages and Human-Centric Computing, 2018

The T-Stick: Maintaining a 12 year-old Digital Musical Instrument.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

NIME Identity from the Performer's Perspective.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

GuitarAMI and GuiaRT: two independent yet complementary projects on augmented nylon guitars.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

The Digital Orchestra Toolbox for Max.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp.
Proceedings of the 5th International Conference on Movement and Computing, 2018

Kinetic Analysis of Hip Motion During Piano Playing.
Proceedings of the 5th International Conference on Movement and Computing, 2018

Haptic display of melodic intervals for musical applications.
Proceedings of the 2018 IEEE Haptics Symposium, 2018

2017
Enriched Multimodal Representations of Music Performances: Online Access and Visualization.
IEEE Multim., 2017

A Method and Toolkit for Digital Musical Instruments: Generating Ideas and Prototypes.
IEEE Multim., 2017

Design of hardware systems for professional artistic applications.
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

Exploring playfulness in nime design: the case of live looping tools.
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

Individuality in Piano Performance Depends on Skill Learning.
Proceedings of the 4th International Conference on Movement Computing, 2017

The Vibropixels: A Scalable Wireless Tactile Display System.
Proceedings of the Human Interface and the Management of Information: Information, Knowledge and Interaction Design, 2017

2016
Quantitative Evaluation of Percussive Gestures by Ranking Trainees versus Teacher.
Proceedings of the 3rd International Symposium on Movement and Computing, 2016

Prynth: A Framework for Self-contained Digital Music Instruments.
Proceedings of the Bridging People and Sound - 12th International Symposium, 2016


2015
Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models.
IEEE ACM Trans. Audio Speech Lang. Process., 2015

Distributed tools for interactive design of heterogeneous signal networks.
Multim. Tools Appl., 2015

Interactive lighting in the pearl: considerations and implementation.
Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

Pratical evaluation of synthesis performance on the beaglebone black.
Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

What does 'evaluation' mean for the nime community?
Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

Designing dmis for popular music in the brazilian northeast: lessons learned.
Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

Feature Extraction and Expertise Analysis of Pianists' Motion-Captured Finger Gestures.
Proceedings of the Looking Back, 2015

Composition Techniques for the Ilinx Vibrotactile Garment.
Proceedings of the Looking Back, 2015

Estimation of Guitar Fingering and Plucking Controls Based on Multimodal Analysis of Motion, Audio and Musical Score.
Proceedings of the Music, Mind, and Embodiment - 11th International Symposium, 2015

2014
Velocity Estimation Algorithms for Audio-Haptic Simulations Involving Stick-Slip.
IEEE Trans. Haptics, 2014

A Comprehensive Review of Sensors and Instrumentation Methods in Devices for Musical Expression.
Sensors, 2014

Automatic detection of musicians' ancillary gestures based on video analysis.
Expert Syst. Appl., 2014

Editors' Notes.
Comput. Music. J., 2014

Mapping Control Structures for Sound Synthesis: Functional and Topological Perspectives.
Comput. Music. J., 2014

In-House Development of Paper Force Sensors for Musical Applications.
Comput. Music. J., 2014

Composing for DMIs Entoa, a Dedicate Piece for Intonaspacio.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

Brahms, Bodies and Backpropagation: Artificial Neural Networks for Movement Classification in Musical Performance.
Proceedings of the International Workshop on Movement and Computing, 2014

Handedness in Percussion Sight-Reading.
Proceedings of the International Workshop on Movement and Computing, 2014

A High-Level Review of Mappings in Musical iOS Applications.
Proceedings of the Music Technology meets Philosophy, 2014

Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System.
Proceedings of the Music Technology meets Philosophy, 2014

2013
Trumpet Augmentation and Technological Symbiosis.
Comput. Music. J., 2013

Alternatives in Network transport Protocols for audio Streaming Applications.
Proceedings of the 39th International Computer Music Conference, 2013

Perceptual and Technological Issues in the Design of Vibrotactile-Augmented Interfaces for Music Technology and Media.
Proceedings of the Haptic and Audio Interaction Design - 8th International Workshop, 2013

Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound.
Proceedings of the Sound, Music, and Motion - 10th International Symposium, 2013

Vibrotactile Feedback for an Open Air Music Controller.
Proceedings of the Sound, Music, and Motion - 10th International Symposium, 2013

Libmapper: (a library for connecting things).
Proceedings of the 2013 ACM SIGCHI Conference on Human Factors in Computing Systems, 2013

2012
Hybrid inverse motion control for virtual characters interacting with sound synthesis - Application to percussion motion.
Vis. Comput., 2012

A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

Exploring audio and tactile qualities of instrumentality with bowed string simulations.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

Optoelectronic Acquisition and Control Board for Musical Applications.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

A Dimension Space for Evaluating Collaborative Musical Performance Systems.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

Bowing a vibration-enhanced force feedback device.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

Learning and extraction of violin instrumental controls from audio signal.
Proceedings of the second international ACM workshop on Music information retrieval with user-centered and multimodal strategies, 2012

2011
Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises.
Comput. Music. J., 2011

Examining the Effects of Embedded Vibrotactile Feedback on the Feel of a Digital Musical Instrument.
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

Noise-free haptic interaction with a bowed-string acoustic model.
Proceedings of the IEEE World Haptics Conference, 2011

2010
Soundcatcher: Explorations In Audio-Looping And Time-Freezing Using An Open-Air Gestural Controller.
Proceedings of the 2010 International Computer Music Conference, 2010

An Embedded Hardware Platform For Fungible Interfaces.
Proceedings of the 2010 International Computer Music Conference, 2010

2009
A run-time programmable simulator to enable multi-modal interaction with rigid-body systems.
Interact. Comput., 2009

Real-Time Phase Vocoder Manipulation by Runner's Pace.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

From Real to Virtual: A Comparison of Input Devices for Percussion Tasks.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

Haptic Feedback for Different Strokes Using DIMPLE.
Proceedings of the 2009 International Computer Music Conference, 2009

Audio-Haptic Interaction with the Digital Waveguide Bowed String.
Proceedings of the 2009 International Computer Music Conference, 2009

The CIRMMT/McGill Digital Orchestra Project.
Proceedings of the 2009 International Computer Music Conference, 2009

Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis.
Proceedings of the 2009 International Computer Music Conference, 2009

Methods for Effective Sonification of Clarinetists' Ancillary Gestures.
Proceedings of the Gesture in Embodied Communication and Human-Computer Interaction, 2009

2008
Enhancing the Visualization of Percussion Gestures by Virtual Character Animation.
Proceedings of the 8th International Conference on New Interfaces for Musical Expression, 2008

2007
Defining a Control Standard for Easily Integrating Haptic Virtual Environments with Existing Audio / Visual Systems.
Proceedings of the Seventh International Conference on New Interfaces for Musical Expression, 2007

Control Strategies for Navigation of Complex Sonic Spaces Transformation of Resonant Models.
Proceedings of the Seventh International Conference on New Interfaces for Musical Expression, 2007

The T-Stick: From Musical Interface to Musical Instrument.
Proceedings of the Seventh International Conference on New Interfaces for Musical Expression, 2007

fMRI-Compatible Electronic Controllers.
Proceedings of the Seventh International Conference on New Interfaces for Musical Expression, 2007

Extraction of gestural Meaning from a Fabric-Based Instrument.
Proceedings of the 2007 International Computer Music Conference, 2007

From controller to sound: Tools for Collaborative Development of Digital Musical Instruments.
Proceedings of the 2007 International Computer Music Conference, 2007

Indirect Acquisition of Fingerings of harmonic Notes on the Flute.
Proceedings of the 2007 International Computer Music Conference, 2007

A Systematic Approach to Musical vibrotactile feedback.
Proceedings of the 2007 International Computer Music Conference, 2007

String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study.
Proceedings of the Gesture-Based Human-Computer Interaction and Simulation, 2007

Improving the Believability of Virtual Characters Using Qualitative Gesture Analysis.
Proceedings of the Gesture-Based Human-Computer Interaction and Simulation, 2007

Gesture Control of Sound Spatialization for Live Musical Performance.
Proceedings of the Gesture-Based Human-Computer Interaction and Simulation, 2007

A Network-Based Framework for Collaborative Development and Performance of Digital Musical Instruments.
Proceedings of the Computer Music Modeling and Retrieval. Sense of Sounds, 2007

2006
SensorWiki.org: A Collaborative Resource for Researchers and Interface Designers.
Proceedings of the New Interfaces for Musical Expression, 2006

Vibrotactile Feedback in Digital Musical Instruments.
Proceedings of the New Interfaces for Musical Expression, 2006

Paper FSRs and Latex/Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors.
Proceedings of the New Interfaces for Musical Expression, 2006

Visual Methods for the Retrieval of Guitarist Fingering.
Proceedings of the New Interfaces for Musical Expression, 2006

Ssynth: a Real Time Additive Synthesizer With Flexible Control.
Proceedings of the 2006 International Computer Music Conference, 2006

The LoM Mapping Toolbox for Max/MSP/Jitter.
Proceedings of the 2006 International Computer Music Conference, 2006

On the Development of a System for Gesture Control of Spatialization.
Proceedings of the 2006 International Computer Music Conference, 2006

2005
Gyrotyre. A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel.
Proceedings of the New Interfaces for Musical Expression, 2005

On the Use of Flute Air Jet as A Musical Control Variable.
Proceedings of the New Interfaces for Musical Expression, 2005

Towards a Dimension Space for Musical Artifacts.
Proceedings of the New Interfaces for Musical Expression, 2005

Developing Tools for Studying Musical gestures within the Max/MSP/jitter Environment.
Proceedings of the 2005 International Computer Music Conference, 2005

Implementation of the Discrete Hidden Markov Model in Max/MSP Environment.
Proceedings of the Eighteenth International Florida Artificial Intelligence Research Society Conference, 2005

Evaluation of Sensors as Input Devices for Computer Music Interfaces.
Proceedings of the Computer Music Modeling and Retrieval, Third International Symposium, 2005

Building Low-Cost Music Controllers.
Proceedings of the Computer Music Modeling and Retrieval, Third International Symposium, 2005

2004
Gestural control of sound synthesis.
Proc. IEEE, 2004

On the Choice of Mappings Based On Geometric Properties.
Proceedings of the New Interfaces for Musical Expression, 2004

The Music Technology Program at McGill University.
Proceedings of the 2004 International Computer Music Conference, 2004

Recognition, Analysis and Performance with Expressive Conducting Gestures.
Proceedings of the 2004 International Computer Music Conference, 2004

2003
Indirect Acquisition of Instrumental Gesture Based on Signal, Physical and Perceptual Information.
Proceedings of the New Interfaces for Musical Expression, 2003

Performance Gestures of Musicians: What Structural and Emotional Information Do They Convey?
Proceedings of the Gesture-Based Communication in Human-Computer Interaction, 2003

2002
Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI.
Comput. Music. J., 2002

The Importance of Parameter Mapping in Electronic Instrument Design.
Proceedings of the New Interfaces for Musical Expression, 2002

2001
The jMax Digitizing Tablet.
Proceedings of the New Interfaces for Musical Expression, 2001

Input Devices for Musical Expression: Borrowing Tools from HCI.
Proceedings of the New Interfaces for Musical Expression, 2001

Gestural Control at IRCAM.
Proceedings of the 2001 International Computer Music Conference, 2001

Quantitative Analysis of Non-obvious Performer Gestures.
Proceedings of the Gesture and Sign Languages in Human-Computer Interaction, 2001

2000
On the Choice of Transducer Technologies for Specific Musical Functions.
Proceedings of the 2000 International Computer Music Conference, 2000

Towards a Model for Instrumental Mapping in Expert Musical Interaction.
Proceedings of the 2000 International Computer Music Conference, 2000

1999
Improving Instrumental Sound Synthesis by Modeling the Effects of Performer Gesture.
Proceedings of the 1999 International Computer Music Conference, 1999

Gestural Control of a Real-Time Physical Model of a Bowed String Instrument.
Proceedings of the 1999 International Computer Music Conference, 1999

Non-obvious Performer Gestures in Instrumental Music.
Proceedings of the Gesture-Based Communication in Human-Computer Interaction, 1999

1998
ESCHER-modeling and performing composed instruments in real-time.
Proceedings of the IEEE International Conference on Systems, Man and Cybernetics, 1998


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