Claude Cadoz

James Leonard

Traitement du Signal, 2015

Lutherie virtuelle et interaction instrumentale. Une approche physique de l'instrument de musique numérique.

[BibT_eX]

[DOI]

Traitement du Signal, 2015

Visual representation in genesis as a tool for physical modeling, sound synthesis and musical composition.

[BibT_eX]

[DOI]

Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

Physical modelling concepts for a collection of multisensory virtual musical instruments.

[BibT_eX]

[DOI]

James Leonard

Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

2014

Understanding and Tuning Mass-Interaction Networks Through Their Modal Representation.

[BibT_eX]

[DOI]

Proceedings of the Music Technology meets Philosophy, 2014

Tangibility, Presence, Materiality, Reality in Artistic Creation with Digital Technology.

[BibT_eX]

[DOI]

Alexandros Kontogeorgakopoulos

Iannis Zannos

Proceedings of the Music Technology meets Philosophy, 2014

Exploring the Role of Dynamic Audio-Haptic Coupling in Musical Gestures on Simulated Instruments.

[BibT_eX]

[DOI]

Proceedings of the Haptics: Neuroscience, Devices, Modeling, and Applications, 2014

2013

Groupe ACROE-ICA Ingénierie pour la création artistique : geste, musique, mouvement, image.

[BibT_eX]

[DOI]

Tech. Sci. Informatiques, 2013

Interactive Physical Design and Haptic Playing of Virtual Musical Instruments.

[BibT_eX]

[DOI]

Proceedings of the 39th International Computer Music Conference, 2013

A Virtual Reality Platform for Musical Creation: GENESIS-RT.

[BibT_eX]

[DOI]

Proceedings of the Sound, Music, and Motion - 10th International Symposium, 2013

2012

Force-feedback interaction with a neural oscillator model: for shared human-robot control of a virtual percussion instrument.

[BibT_eX]

[DOI]

Edgar Berdahl

EURASIP J. Audio Speech Music. Process., 2012

2010

Haptics in computer music : a paradigm shift

[BibT_eX]

[DOI]

CoRR, 2010

2009

G3 : GENESIS software envrionment update

[BibT_eX]

[DOI]

CoRR, 2009

Organizing Mass-Interaction Physical Models: the CORDIS-ANIMA Musical Instrumentarium.

[BibT_eX]

[DOI]

Olivier Tache

Alexandros Kontogeorgakopoulos

Proceedings of the 2009 International Computer Music Conference, 2009

G³: GENESIS Software Environment Update.

[BibT_eX]

[DOI]

Proceedings of the 2009 International Computer Music Conference, 2009

2008

Using the cordis-Anima Formalism for the Physical Modeling of the Greek zournas Shawm.

[BibT_eX]

[DOI]

Panagiotis Tzevelekos

Georgios Kouroupetroglou

Proceedings of the 2008 International Computer Music Conference, 2008

2007

Production of Immersive Musical Architectures by Physical Modelling of Self Sustained oscillating Structures.

[BibT_eX]

[DOI]

François Poyer

Alexandros Kontogeorgakopoulos

Proceedings of the 2007 International Computer Music Conference, 2007

Physical Modelling as a Proposed Framework for the conception, the Design and the Implementation of sound Transformations.

[BibT_eX]

[DOI]

Proceedings of the 2007 International Computer Music Conference, 2007

2006

Generation of Complex Sound Sequences using Physical Models with Dynamical Structures.

[BibT_eX]

[DOI]

Olivier Tache

Proceedings of the 2006 International Computer Music Conference, 2006

A basic gesture and motion format for virtual reality multisensory applications.

[BibT_eX]

Proceedings of the GRAPP 2006: Proceedings of the First International Conference on Computer Graphics Theory and Applications, 2006

2005

A Goals-Based Review of Physical Modelling.

[BibT_eX]

[DOI]

Proceedings of the 2005 International Computer Music Conference, 2005

2003

ACROE-ICA. Artistic Creation and Computer Interactive Multisensory Simulation Force Feedback Gesture Transducers.

[BibT_eX]

[DOI]

Proceedings of the New Interfaces for Musical Expression, 2003

2002

GENESIS: A Friendly Musician-Oriented Environment for Mass-Interaction Physical Modeling.

[BibT_eX]

[DOI]

Proceedings of the 2002 International Computer Music Conference, 2002

The Physical Model as Metaphor for Musical Creation: "pico..TERA", a piece generated by physical model.

[BibT_eX]

[DOI]

Proceedings of the 2002 International Computer Music Conference, 2002

2001

Physical modeling for sound synthesis with particle-interaction Networks: Study of the percussion phenomena and conception of a generic module for percussion.

[BibT_eX]

[DOI]

Patrick Fourcade

Proceedings of the 2001 International Computer Music Conference, 2001

1999

Generating Pitches in Transients by a Percussive Excitation.

[BibT_eX]

[DOI]

Patrick Fourcade

Sylvain Mangiarotti

Proceedings of the 1999 International Computer Music Conference, 1999

"From song of birds to extended virtual reed instruments": Physical Modeling of Birds' Vocal Tracks and Application to a New Kind of Sound Sustain Virtual Instruments.

[BibT_eX]

[DOI]

Sylvain Gubain

Proceedings of the 1999 International Computer Music Conference, 1999

1998

Adaptive networks for physical modeling.

[BibT_eX]

[DOI]

Nicolas Szilas

Neurocomputing, 1998

A Real-time Workstation for Physical Model of Multi-sensorial and Gesturally Controlled Instrument.

[BibT_eX]

[DOI]

Proceedings of the 1998 International Computer Music Conference, 1998

1996

The Physical Modelling of Complex Physical Structures: The Mechanical Clockwork, Motion, Image and Sound.

[BibT_eX]

[DOI]

Jamel Nouiri

Proceedings of the Computer Animation 1996, 1996

1995

Topology, Geometry, Matter of Vibrating Structures Simulated with CORDIS-ANIMA. Sound Synthesis Methods.

[BibT_eX]

[DOI]

Eric Incerti

Proceedings of the 1995 International Computer Music Conference, 1995

Musical Sounds, Animated Images with CORDIS-ANIMA and its Multimodal Interfaces.

[BibT_eX]

[DOI]

Proceedings of the 1995 International Computer Music Conference, 1995

1994

Physical Models for Music and Animated Image: The Use of CORDIS-ANIMA in "ESQUISSES"; a Music Film by ACROE.

[BibT_eX]

[DOI]

Proceedings of the 1994 International Computer Music Conference, 1994

1993

Physical Models That Learn.

[BibT_eX]

[DOI]

Nicolas Szilas

Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

1991

An Unified View of Multitude Behavior, Flexibility, Plasticity and Fractures Balls, Bubbles and Agglomerates.

[BibT_eX]

[DOI]

Proceedings of the Modeling in Computer Graphics, 1991

Computational Physics : A Modeler - Simulator for animated physical Objects.

[BibT_eX]

[DOI]

Proceedings of the 12th European Computer Graphics Conference and Exhibition, 1991

1990

Modular Modelisation and Simulation of the Instrument.

[BibT_eX]

[DOI]

Proceedings of the 1990 International Computer Music Conference, 1990

Capture, Representation and "Composition" of the Instrumental Gesture.

[BibT_eX]

[DOI]

Christophe Ramstein

Proceedings of the 1990 International Computer Music Conference, 1990

Modular Feedback Keyboard.

[BibT_eX]

[DOI]

Leszek Lisowski

Proceedings of the 1990 International Computer Music Conference, 1990

1988

Instrumental Gestures and Musical Composition.

[BibT_eX]

[DOI]

Proceedings of the 1988 International Computer Music Conference, 1988

1986

Optimized Real-Time Simulation of Objects for Musical Synthesis and Animated Image Synthesis.

[BibT_eX]

[DOI]

Proceedings of the 1986 International Computer Music Conference, 1986

1982

The Control Channels of Instrumental Playing in Computer Music - Real Time in Computer Music, Incidence on the Choice of the Basic Models.

[BibT_eX]

[DOI]

Proceedings of the 1982 International Computer Music Conference, 1982

1979

Synthèse sonore par simulation de mécanismes vibratoires. Applications aux sons musicaux. (Sound synthesis by means of simulating vibrating mechanisms. Applications to musical sounds).

[BibT_eX]

[DOI]