Emilios Cambouropoulos

Orcid: 0000-0002-6887-4287

According to our database1, Emilios Cambouropoulos authored at least 30 papers between 1996 and 2023.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

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Bibliography

2023
Visualisations of Jazz Standards Derived from Transformer-based Multi-task Learning.
Proceedings of the 27th Pan-Hellenic Conference on Progress in Computing and Informatics, 2023

2021
Symbolic Representation and Processing of Musical Structure: Stream Segments, Pitch Interval Patterns, General Chord Types.
Proceedings of the Culture and Computing. Interactive Cultural Heritage and Arts, 2021

Symbolic Encoding of Simultaneities: Re-designing the General Chord Type Representation.
Proceedings of the DLfM '21: 8th International Conference on Digital Libraries for Musicology, 2021

2019
Conceptual blending of high-level features and data-driven salience computation in melodic generation.
Cogn. Syst. Res., 2019

2018
Conceptual Blending in Melodic Harmonisation: Development and Empirical Evaluation in the Case of the CHAMELEON System.
Proceedings of the Concept Invention, 2018

2016
Modelling Cadence Perception Via Musical Parameter Tuning to Perceptual Data.
Proceedings of the Artificial Intelligence Applications and Innovations, 2016

Learning and Blending Harmonies in the Context of a Melodic Harmonisation Assistant.
Proceedings of the Artificial Intelligence Applications and Innovations, 2016

An Argument-based Creative Assistant for Harmonic Blending.
Proceedings of the Seventh International Conference on Computational Creativity, 2016

The Harmonic Musical Surface and Two Novel Chord Representation Schemes.
Proceedings of the Computational Music Analysis, 2016

2015
The Shape of Music - The Music of Shape.
Proceedings of the Third Interdisciplinary Workshop SHAPES 3.0, 2015

A Probabilistic Approach to Determining Bass Voice Leading in Melodic Harmonisation.
Proceedings of the Mathematics and Computation in Music - 5th International Conference, 2015

Conceptual Blending in Music Cadences: A Formal Model and Subjective Evaluation.
Proceedings of the 16th International Society for Music Information Retrieval Conference, 2015

Probabilistic Modular Bass Voice Leading in Melodic Harmonisation.
Proceedings of the 16th International Society for Music Information Retrieval Conference, 2015

Evaluating the General Chord Type Representation in Tonal Music and Organising GCT Chord Labels in Functional Chord Categories.
Proceedings of the 16th International Society for Music Information Retrieval Conference, 2015

Computational Invention of Cadences and Chord Progressions by Conceptual Chord-Blending.
Proceedings of the Twenty-Fourth International Joint Conference on Artificial Intelligence, 2015

Obtaining General Chord Types from Chroma Vectors.
Proceedings of the Audio Mostly 2015 on Interaction With Sound, 2015

2014
Probabilistic harmonization with fixed intermediate chord constraints.
Proceedings of the Music Technology meets Philosophy, 2014

An Idiom-independent Representation of Chords for Computational Music Analysis and Generation.
Proceedings of the Music Technology meets Philosophy, 2014

COINVENT: Towards a Computational Concept Invention Theory.
Proceedings of the Fifth International Conference on Computational Creativity, 2014

2013
Fragmentations with Pitch, Rhythm and Parallelism Constraints for Variation Matching.
Proceedings of the Sound, Music, and Motion - 10th International Symposium, 2013

2012
Melodic String Matching via Interval Consolidation and Fragmentation.
Proceedings of the Artificial Intelligence Applications and Innovations, 2012

2008
Detection of Stream Segments in Symbolic Musical Data.
Proceedings of the ISMIR 2008, 2008

2007
All maximal-pairs in step-leap representation of melodic sequence.
Inf. Sci., 2007

VISA: The Voice Integration/Segregation Algorithm.
Proceedings of the 8th International Conference on Music Information Retrieval, 2007

2005
A Pattern Extraction Algorithm for Abstract Melodic Representations that Allow Partial Overlapping of Intervallic Categories.
Proceedings of the ISMIR 2005, 2005

2002
Algorithms for Computing Approximate Repetitions in Musical Sequences.
Int. J. Comput. Math., 2002

2001
Pattern Processing in Melodic Sequences: Challenges, Caveats and Prospects.
Comput. Humanit., 2001

The Local Boundary Detection Model (LBDM) and its Application in the Study of Expressive Timing.
Proceedings of the 2001 International Computer Music Conference, 2001

2000
Beat Tracking with Musical Knowledge.
Proceedings of the ECAI 2000, 2000

1996
Musical Rhythm: A Formal Model for Determining Local Boundaries, Accents and Metre in a Melodic Surface.
Proceedings of the Music, Gestalt, and Computing, 1996


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