Michael Krzyzaniak

According to our database1, Michael Krzyzaniak authored at least 11 papers between 2014 and 2022.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

Legend:

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In proceedings 
Article 
PhD thesis 
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Links

On csauthors.net:

Bibliography

2022
What Makes Interactive Art Engaging?
Frontiers Comput. Sci., 2022

Professor Plucky: Expressive body movement in human-robot musical ensembles.
Proceedings of the MOCO '22: 8th International Conference on Movement and Computing, Chicago, IL, USA, June 22, 2022

A mini acoustic chamber for small-scale sound experiments.
Proceedings of the AM '22: AudioMostly 2022, St. Pölten, 2022

How to build pipe organ robots.
Proceedings of the AM '22: AudioMostly 2022, St. Pölten, 2022

2020
Words to Music Synthesis.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

2019
Six types of audio that DEFY reality!: A taxonomy of audio augmented reality with examples.
Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound, 2019

2018
Interactive Learning of Timbral Rhythms for Percussion Robots.
Comput. Music. J., 2018

2016
Touching Data Through Personal Devices: Engaging Somatic Practice and Haptic Design in Felt Experiences of Personal Data.
Proceedings of the 3rd International Symposium on Movement and Computing, 2016

2015
Realtime classification of hand-drum strokes.
Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

Towards realtime measurement of connectedness in human movement.
Proceedings of the 2nd International Workshop on Movement and Computing, 2015

2014
Separation: Short Range Repulsion. Implementation of an Automated Aesthetic Synchronization System for a Dance Performance.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014


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