Tychonas Michailidis

Orcid: 0000-0002-7196-3811

According to our database1, Tychonas Michailidis authored at least 11 papers between 2011 and 2025.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of five.

Timeline

Legend:

Book  In proceedings  Article  PhD thesis  Dataset  Other 

Links

On csauthors.net:

Bibliography

2025
Haptic Feedback to Overcome Barriers for Visually Impaired Users in Digital Audio Workstations.
Int. J. Hum. Comput. Interact., October, 2025

VR Pet Therapy for Improving the Well-Being of Adults with Autism: A Pilot Study.
Proceedings of the Human-Centered Design, Operation and Evaluation of Mobile Communications, 2025

Less is More: Designing Wearable Vibrotactile Wristbands for Blind and Visual Impaired Creatives.
Proceedings of the Human-Centered Design, Operation and Evaluation of Mobile Communications, 2025

HaptiShare: Exploring Shared Co-Located Haptic Experiences with a Mobile Multi-Party Haptic Communication Device.
Proceedings of the 27th International ACM SIGACCESS Conference on Computers and Accessibility, 2025

Vibration Or Voice? Enhancing EQ Information Accessibility for Blind Music Producers with Haptics.
Proceedings of the 27th International ACM SIGACCESS Conference on Computers and Accessibility, 2025

2023
Rethinking Instrumental Interface Design: The MetaBow.
Comput. Music. J., 2023

2020
Human-Sound Interaction: Towards a Human-Centred Sonic Interaction Design approach.
Proceedings of the MOCO '20: 7th International Conference on Movement and Computing, 2020

Implementing Remote Audio as a Diagnostics Tool for Maritime Autonomous Surface Ships.
Proceedings of the 27th Conference of Open Innovations Association, 2020

2019
Enhance Engine Room Diagnostics Through Audio-Focused VR Simulation.
Proceedings of the Human-Computer Interaction - INTERACT 2019, 2019

2018
Improvising through the senses: a performance approach with the indirect use of technology.
Digit. Creativity, 2018

2011
Tactile Feedback Tool: approaching the foot pedal problem in live electronic music.
Proceedings of the 2011 International Computer Music Conference, 2011


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