Carlos Agón

Proceedings of the Discrete Geometry and Mathematical Morphology, 2024

2022

Mathematical Morphology Operators for Harmonic Analysis.

[BibT_eX]

[DOI]

Gonzalo Romero-García

Isabelle Bloch

Proceedings of the Mathematics and Computation in Music - 8th International Conference, 2022

Computational Analysis of Musical Structures Based on Morphological Filters.

[BibT_eX]

[DOI]

Proceedings of the Mathematics and Computation in Music - 8th International Conference, 2022

2018

Musical Descriptions Based on Formal Concept Analysis and Mathematical Morphology.

[BibT_eX]

[DOI]

Proceedings of the Graph-Based Representation and Reasoning, 2018

2017

Interactive computer-aided composition with constraints.

[BibT_eX]

[DOI]

Pierre Talbot

Proceedings of the 2017 International Computer Music Conference, 2017

2015

NTCCRT: A concurrent constraint framework for real-time interaction (extended version).

[BibT_eX]

[DOI]

CoRR, 2015

Gelisp: A Library to Represent Musical CSPs and Search Strategies.

[BibT_eX]

[DOI]

CoRR, 2015

2014

PaperComposer: creating interactive paper interfaces for music composition.

[BibT_eX]

[DOI]

Proceedings of the 26th Conference on l'Interaction Homme-Machine, 2014

Modulus p Rhythmic Tiling Canons and some implementations in Open Music visual programming language.

[BibT_eX]

[DOI]

Hélianthe Caure

Proceedings of the Music Technology meets Philosophy, 2014

Structured observation with polyphony: a multifaceted tool for studying music composition.

[BibT_eX]

[DOI]

Proceedings of the Designing Interactive Systems Conference 2014, DIS '14, Vancouver, BC, 2014

2013

Multiobjective Time Series Matching for Audio Classification and Retrieval.

[BibT_eX]

[DOI]

IEEE Trans. Speech Audio Process., 2013

2012

Time-series data mining.

[BibT_eX]

[DOI]

ACM Comput. Surv., 2012

Interactive paper substrates to support musical creation.

[BibT_eX]

[DOI]

Proceedings of the CHI Conference on Human Factors in Computing Systems, 2012

2011

OMChroma: Compositional Control of Sound Synthesis.

[BibT_eX]

[DOI]

Marco Stroppa

Comput. Music. J., 2011

Visual programming and music score generation with OpenMusic.

[BibT_eX]

[DOI]

Proceedings of the 2011 IEEE Symposium on Visual Languages and Human-Centric Computing, 2011

InkSplorer: Exploring Musical Ideas on Paper and Computer.

[BibT_eX]

[DOI]

Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

OpenMusic: visual programming environment for music composition, analysis and research.

[BibT_eX]

[DOI]

Proceedings of the 19th International Conference on Multimedia 2011, Scottsdale, AZ, USA, November 28, 2011

2010

Composition Of Sound Mixtures With Spectral Maquettes.

[BibT_eX]

[DOI]

Proceedings of the 2010 International Computer Music Conference, 2010

Processing Sound And Music Description Data Using Openmusic.

[BibT_eX]

[DOI]

Proceedings of the 2010 International Computer Music Conference, 2010

Dynamic Musical Orchestration Using Genetic Algorithms and a Spectro-Temporal Description of Musical Instruments.

[BibT_eX]

[DOI]

Grégoire Carpentier

Proceedings of the Applications of Evolutionary Computation, 2010

2009

Visual Lisp/CLOS programming in OpenMusic.

[BibT_eX]

[DOI]

High. Order Symb. Comput., 2009

Ntccrt: A Concurrent Constraint Framework for Real-Time Interaction.

[BibT_eX]

[DOI]

Mauricio Toro-Bermúdez

Camilo Rueda

Proceedings of the 2009 International Computer Music Conference, 2009

2008

Scores, Programs, and Time Representation: The Sheet Object in OpenMusic.

[BibT_eX]

[DOI]

Comput. Music. J., 2008

OpenMusic: Design and Implementation Aspects of a Visual Programming Language.

[BibT_eX]

[DOI]

Proceedings of the 1st European Lisp Symposium (ELS'08), 2008

2006

Fourier Oracles for Computer-Aided Improvisation.

[BibT_eX]

[DOI]

Proceedings of the 2006 International Computer Music Conference, 2006

2005

Symbolic control of sound synthesis in Computer Assisted Composition.

[BibT_eX]

[DOI]

Marco Stroppa

Proceedings of the 2005 International Computer Music Conference, 2005

Tiling the (Musical) Line with polynomials: some Theoretical and implementational Aspects.

[BibT_eX]

[DOI]

Emmanuel Amiot

Proceedings of the 2005 International Computer Music Conference, 2005

2004

On some theoretical and computational aspects of Anatol Vieru's periodic sequences.

[BibT_eX]

[DOI]

D. T. Vuza

Soft Comput., 2004

SDIF sound description data representation and manipulation in computer assisted composition.

[BibT_eX]

[DOI]

Proceedings of the 2004 International Computer Music Conference, 2004

2003

Implementing algebraic methods in OpenMusic.

[BibT_eX]

[DOI]

Proceedings of the 2003 International Computer Music Conference, 2003

2002

Representation and Rendering of Rhythm Structures.

[BibT_eX]

[DOI]

Karim Haddad

Proceedings of the Second International Conference on WEB Delivering of Music, 2002

Programmation visuelle et editeurs musicaux pour la composition assistée par ordinateur.

[BibT_eX]

[DOI]

Proceedings of the 14th French-speaking conference on Human-computer interaction, 2002

Tiling problems in music composition: Theory and Implementation.

[BibT_eX]

[DOI]

Emmanuel Amiot

Proceedings of the 2002 International Computer Music Conference, 2002

2001

Recherche adaptative et contraintes musicales.

[BibT_eX]

Charlotte Truchet

Proceedings of the Programmation en logique avec contraintes, Actes des JFPLC'2001, 24 avril, 2001

2000

High Level Musical Control of Sound Synthesis in OpenMusic.

[BibT_eX]

[DOI]

Marco Stroppa

Proceedings of the 2000 International Computer Music Conference, 2000

1999

Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic.

[BibT_eX]

[DOI]

Comput. Music. J., 1999

1998

Objects, Time and Constraints in OpenMusic.

[BibT_eX]

[DOI]

Proceedings of the 1998 International Computer Music Conference, 1998

1997

An Object Oriented Visual Environment For Musical Composition.

[BibT_eX]

[DOI]

Proceedings of the 1997 International Computer Music Conference, 1997

1996

OpenMusic Architecture.

[BibT_eX]

[DOI]