Carlos Agón

Orcid: 0000-0001-7926-2537

According to our database1, Carlos Agón authored at least 42 papers between 1994 and 2024.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

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On csauthors.net:

Bibliography

2024
A Model of Scores as Abstract Syntactic Trees.
Proceedings of the Mathematics and Computation in Music - 9th International Conference, 2024

The Maquette Monad.
Proceedings of the 12th ACM SIGPLAN International Workshop on Functional Art, 2024

Mathematical Morphology Applied to Feature Extraction in Music Spectrograms.
Proceedings of the Discrete Geometry and Mathematical Morphology, 2024

2022
Mathematical Morphology Operators for Harmonic Analysis.
Proceedings of the Mathematics and Computation in Music - 8th International Conference, 2022

Computational Analysis of Musical Structures Based on Morphological Filters.
Proceedings of the Mathematics and Computation in Music - 8th International Conference, 2022

2018
Musical Descriptions Based on Formal Concept Analysis and Mathematical Morphology.
Proceedings of the Graph-Based Representation and Reasoning, 2018

2017
Interactive computer-aided composition with constraints.
Proceedings of the 2017 International Computer Music Conference, 2017

2015
NTCCRT: A concurrent constraint framework for real-time interaction (extended version).
CoRR, 2015

Gelisp: A Library to Represent Musical CSPs and Search Strategies.
CoRR, 2015

2014
PaperComposer: creating interactive paper interfaces for music composition.
Proceedings of the 26th Conference on l'Interaction Homme-Machine, 2014

Modulus p Rhythmic Tiling Canons and some implementations in Open Music visual programming language.
Proceedings of the Music Technology meets Philosophy, 2014

Structured observation with polyphony: a multifaceted tool for studying music composition.
Proceedings of the Designing Interactive Systems Conference 2014, DIS '14, Vancouver, BC, 2014

2013
Multiobjective Time Series Matching for Audio Classification and Retrieval.
IEEE Trans. Speech Audio Process., 2013

2012
Time-series data mining.
ACM Comput. Surv., 2012

Interactive paper substrates to support musical creation.
Proceedings of the CHI Conference on Human Factors in Computing Systems, 2012

2011
OMChroma: Compositional Control of Sound Synthesis.
Comput. Music. J., 2011

Visual programming and music score generation with OpenMusic.
Proceedings of the 2011 IEEE Symposium on Visual Languages and Human-Centric Computing, 2011

InkSplorer: Exploring Musical Ideas on Paper and Computer.
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

OpenMusic: visual programming environment for music composition, analysis and research.
Proceedings of the 19th International Conference on Multimedia 2011, Scottsdale, AZ, USA, November 28, 2011

2010
Composition Of Sound Mixtures With Spectral Maquettes.
Proceedings of the 2010 International Computer Music Conference, 2010

Processing Sound And Music Description Data Using Openmusic.
Proceedings of the 2010 International Computer Music Conference, 2010

Dynamic Musical Orchestration Using Genetic Algorithms and a Spectro-Temporal Description of Musical Instruments.
Proceedings of the Applications of Evolutionary Computation, 2010

2009
Visual Lisp/CLOS programming in OpenMusic.
High. Order Symb. Comput., 2009

Ntccrt: A Concurrent Constraint Framework for Real-Time Interaction.
Proceedings of the 2009 International Computer Music Conference, 2009

2008
Scores, Programs, and Time Representation: The Sheet Object in OpenMusic.
Comput. Music. J., 2008

OpenMusic: Design and Implementation Aspects of a Visual Programming Language.
Proceedings of the 1st European Lisp Symposium (ELS'08), 2008

2006
Fourier Oracles for Computer-Aided Improvisation.
Proceedings of the 2006 International Computer Music Conference, 2006

2005
Symbolic control of sound synthesis in Computer Assisted Composition.
Proceedings of the 2005 International Computer Music Conference, 2005

Tiling the (Musical) Line with polynomials: some Theoretical and implementational Aspects.
Proceedings of the 2005 International Computer Music Conference, 2005

2004
On some theoretical and computational aspects of Anatol Vieru's periodic sequences.
Soft Comput., 2004

SDIF sound description data representation and manipulation in computer assisted composition.
Proceedings of the 2004 International Computer Music Conference, 2004

2003
Implementing algebraic methods in OpenMusic.
Proceedings of the 2003 International Computer Music Conference, 2003

2002
Representation and Rendering of Rhythm Structures.
Proceedings of the Second International Conference on WEB Delivering of Music, 2002

Programmation visuelle et editeurs musicaux pour la composition assistée par ordinateur.
Proceedings of the 14th French-speaking conference on Human-computer interaction, 2002

Tiling problems in music composition: Theory and Implementation.
Proceedings of the 2002 International Computer Music Conference, 2002

2001
Recherche adaptative et contraintes musicales.
Proceedings of the Programmation en logique avec contraintes, Actes des JFPLC'2001, 24 avril, 2001

2000
High Level Musical Control of Sound Synthesis in OpenMusic.
Proceedings of the 2000 International Computer Music Conference, 2000

1999
Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic.
Comput. Music. J., 1999

1998
Objects, Time and Constraints in OpenMusic.
Proceedings of the 1998 International Computer Music Conference, 1998

1997
An Object Oriented Visual Environment For Musical Composition.
Proceedings of the 1997 International Computer Music Conference, 1997

1996
OpenMusic Architecture.
Proceedings of the 1996 International Computer Music Conference, 1996

1994
Kant: a Critique of Pure Quantification.
Proceedings of the 1994 International Computer Music Conference, 1994


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