Gérard Assayag

According to our database, Gérard Assayag authored at least 54 papers between 1985 and 2022.

Collaborative distances:

• Dijkstra number of four.
• Erdős number of three.

2022

Creative Improvised Interaction with Generative Musical Systems.

Shlomo Dubnov, Gérard Assayag, Vignesh Gokul

Proceedings of the 5th IEEE International Conference on Multimedia Information Processing and Retrieval, 2022

2020

Cross-modal variational inference for bijective signal-symbol translation.

Axel Chemla-Romeu-Santos, Stavros Ntalampiras, Philippe Esling, Goffredo Haus, Gérard Assayag

CoRR, 2020

Learning of Hierarchical Temporal Structures for Guided Improvisation.

Ken Déguernel, Emmanuel Vincent, Jérôme Nika, Gérard Assayag, Kamel Smaïli

Comput. Music. J., 2020

2018

Probabilistic Factor Oracles for Multidimensional Machine Improvisation.

Ken Déguernel, Emmanuel Vincent, Gérard Assayag

Comput. Music. J., 2018

2017

DYC12 agents: merging the "free", "reactive", and "scenario-based" music generation paradigms.

Jérôme Nika, Ken Déguernel, Axel Chemla-Romeu-Santos, Emmanuel Vincent, Gérard Assayag

Proceedings of the 2017 International Computer Music Conference, 2017

2016

ImproteK: Introducing Scenarios into Human-Computer Music Improvisation.

Jérôme Nika, Marc Chemillier, Gérard Assayag

Comput. Entertain., 2016

2015

NTCCRT: A concurrent constraint framework for real-time interaction (extended version).

Mauricio Toro, Camilo Rueda, Carlos Agón, Gérard Assayag

CoRR, 2015

Gelisp: A Library to Represent Musical CSPs and Search Strategies.

Mauricio Toro, Camilo Rueda, Carlos Agón, Gérard Assayag

CoRR, 2015

Emergence of synchrony in an Adaptive Interaction Model.

Kevin Sanlaville, Gérard Assayag, Frédéric Bevilacqua, Catherine Pelachaud

CoRR, 2015

2014

Introduction.

Gérard Assayag

Tech. Sci. Informatiques, 2014

Creative Symbolic Interaction.

Gérard Assayag

Proceedings of the Music Technology meets Philosophy, 2014

2013

Towards a Hybrid Temporal Paradigm for Musical Composition and Performance: The Case of Musical Interpretation.

Myriam Desainte-Catherine, Antoine Allombert, Gérard Assayag

Comput. Music. J., 2013

2012

OMaxist Dialectics: Capturing, Visualizing and Expanding Improvisations.

Benjamin R. Levy, Georges Bloch, Gérard Assayag

Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

Music Design with Audio Oracle Using Information Rate.

Shlomo Dubnov, Gérard Assayag

Proceedings of the Musical Metacreation, 2012

2011

Sample Orchestrator : gestion par le contenu d'échantillons sonores.

Hugues Vinet, Gérard Assayag, Juan José Burred, Grégoire Carpentier, Nicolas Misdariis, Geoffroy Peeters, Axel Roebel, Norbert Schnell, Diemo Schwarz, Damien Tardieu

Traitement du Signal, 2011

On the Information Geometry of Audio Streams With Applications to Similarity Computing.

Arshia Cont, Shlomo Dubnov, Gérard Assayag

IEEE Trans. Speech Audio Process., 2011

Audio Oracle Analysis of Musical Information Rate.

Shlomo Dubnov, Gérard Assayag, Arshia Cont

Proceedings of the 5th IEEE International Conference on Semantic Computing (ICSC 2011), 2011

OpenMusic: visual programming environment for music composition, analysis and research.

Jean Bresson, Carlos Agón, Gérard Assayag

Proceedings of the 19th International Conference on Multimedia 2011, Scottsdale, AZ, USA, November 28, 2011

2010

Solving the musical orchestration problem using multiobjective constrained optimization with a genetic local search approach.

Grégoire Carpentier, Gérard Assayag, Emmanuel Saint-James

J. Heuristics, 2010

Interaction with Machine Improvisation.

Gérard Assayag, Georges Bloch, Arshia Cont, Shlomo Dubnov

Proceedings of the Structure of Style, 2010

2009

Visual Lisp/CLOS programming in OpenMusic.

Jean Bresson, Carlos Agón, Gérard Assayag

High. Order Symb. Comput., 2009

Ntccrt: A Concurrent Constraint Framework for Real-Time Interaction.

Mauricio Toro-Bermúdez, Camilo Rueda, Carlos Agón, Gérard Assayag

Proceedings of the 2009 International Computer Music Conference, 2009

An Overview of FORCES: An INRIA Project on Declarative Formalisms for Emergent Systems.

Jesús Aranda, Gérard Assayag, Carlos Olarte, Jorge A. Pérez, Camilo Rueda, Mauricio Toro, Frank D. Valencia

Proceedings of the Logic Programming, 25th International Conference, 2009

2008

OpenMusic: Design and Implementation Aspects of a Visual Programming Language.

Carlos Agón, Jean Bresson, Gérard Assayag

Proceedings of the 1st European Lisp Symposium (ELS'08), 2008

Iscore: a system for writing interaction.

Antoine Allombert, Myriam Desainte-Catherine, Gérard Assayag

Proceedings of the Third International Conference on Digital Interactive Media in Entertainment and Arts, 2008

2007

Audio Oracle: a New Algorithm for Fast Learning of audio Structures.

Shlomo Dubnov, Gérard Assayag, Arshia Cont

Proceedings of the 2007 International Computer Music Conference, 2007

Guidage: a Fast audio Query Guided assemblage.

Arshia Cont, Shlomo Dubnov, Gérard Assayag

Proceedings of the 2007 International Computer Music Conference, 2007

Navigating the Oracle: a Heuristic Approach.

Gérard Assayag, Georges Bloch

Proceedings of the 2007 International Computer Music Conference, 2007

An Evolutionary Approach to Computer-Aided Orchestration.

Grégoire Carpentier, Damien Tardieu, Gérard Assayag, Xavier Rodet, Emmanuel Saint-James

Proceedings of the Applications of Evolutinary Computing, 2007

2006

Anticipatory Model of Musical Style Imitation Using Collaborative and Competitive Reinforcement Learning.

Arshia Cont, Shlomo Dubnov, Gérard Assayag

Proceedings of the Anticipatory Behavior in Adaptive Learning Systems, 2006

2004

Using Factor Oracles for Machine Improvisation.

Gérard Assayag, Shlomo Dubnov

Soft Comput., 2004

Preface.

Gérard Assayag, Vittorio Cafagna, Marc Chemillier

Soft Comput., 2004

2003

Using Machine-Learning Methods for Musical Style Modeling.

Shlomo Dubnov, Gérard Assayag, Olivier Lartillot, Gill Bejerano

Computer, 2003

2002

Representation and Rendering of Rhythm Structures.

Carlos Agón, Karim Haddad, Gérard Assayag

Proceedings of the Second International Conference on WEB Delivering of Music, 2002

Programmation visuelle et editeurs musicaux pour la composition assistée par ordinateur.

Carlos Agón, Gérard Assayag

Proceedings of the 14th French-speaking conference on Human-computer interaction, 2002

2001

Integrating Constraints and Concurrent Objects in Musical Applications: A Calculus and its Visual Language.

Camilo Rueda, Gloria Alvarez, Luis Quesada, Gabriel Tamura, Frank D. Valencia, Juan Francisco Díaz, Gérard Assayag

Constraints An Int. J., 2001

Recherche adaptative et contraintes musicales.

Charlotte Truchet, Carlos Agón, Gérard Assayag

Proceedings of the Programmation en logique avec contraintes, Actes des JFPLC'2001, 24 avril, 2001

Visual and Adaptive Constraint Programming in Music.

Charlotte Truchet, Gérard Assayag, Philippe Codognet

Proceedings of the 2001 International Computer Music Conference, 2001

Automatic Modeling of Musical Style.

Olivier Lartillot, Shlomo Dubnov, Gérard Assayag, Gill Bejerano

Proceedings of the 2001 International Computer Music Conference, 2001

2000

High Level Musical Control of Sound Synthesis in OpenMusic.

Carlos Agón, Marco Stroppa, Gérard Assayag

Proceedings of the 2000 International Computer Music Conference, 2000

1999

Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic.

Gérard Assayag, Camilo Rueda, Mikael Laurson, Carlos Agón, Olivier Delerue

Comput. Music. J., 1999

Guessing the Composer's Mind: Applying Universal Prediction to Musical Style.

Gérard Assayag, Shlomo Dubnov, Olivier Delerue

Proceedings of the 1999 International Computer Music Conference, 1999

1998

Universal Classification Applied to Musical Sequences.

Shlomo Dubnov, Gérard Assayag, Ran El-Yaniv

Proceedings of the 1998 International Computer Music Conference, 1998

Objects, Time and Constraints in OpenMusic.

Carlos Agón, Gérard Assayag, Olivier Delerue, Camilo Rueda

Proceedings of the 1998 International Computer Music Conference, 1998

1997

An Object Oriented Visual Environment For Musical Composition.

Gérard Assayag, Carlos Agón, Joshua Fineberg, Peter Hanappe

Proceedings of the 1997 International Computer Music Conference, 1997

1996

OpenMusic Architecture.

Gérard Assayag, Carlos Agón

Proceedings of the 1996 International Computer Music Conference, 1996

1995

Visual Programming in Music.

Gérard Assayag

Proceedings of the 1995 International Computer Music Conference, 1995

1994

Kant: a Critique of Pure Quantification.

Carlos Agón, Gérard Assayag, Joshua Fineberg, Camilo Rueda

Proceedings of the 1994 International Computer Music Conference, 1994

1993

The Music Representation Project at IRCAM.

Gérard Assayag, Camilo Rueda

Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

1992

Spatializer: From Room Acoustics to Virtual Acoustics.

Georges Bloch, Gérard Assayag, Olivier Warusfel, Jean-Pascal Jullien

Proceedings of the 1992 International Computer Music Conference, 1992

1987

Computer Printing, Storage, and Transfer of Musical Scores.

Gérard Assayag, Dan Timis

Proceedings of the 1987 International Computer Music Conference, 1987

1986

A ToolBox for Music Notation.

Gérard Assayag, Dan Timis

Proceedings of the 1986 International Computer Music Conference, 1986

Duration Structure Generation and Recognition in Musical Writing.

Emmanuel Amiot, Gérard Assayag, Claudy Malherbe, André Riotte

Proceedings of the 1986 International Computer Music Conference, 1986

1985

Functional Integration of Complex Instrumental Sounds in Musical Writing.

Claudy Malherbe, Gérard Assayag, Michèle Castellengo

Proceedings of the 1985 International Computer Music Conference, 1985