Gérard Assayag

According to our database1, Gérard Assayag authored at least 54 papers between 1985 and 2022.

Collaborative distances:



In proceedings 
PhD thesis 


On csauthors.net:


Creative Improvised Interaction with Generative Musical Systems.
Proceedings of the 5th IEEE International Conference on Multimedia Information Processing and Retrieval, 2022

Cross-modal variational inference for bijective signal-symbol translation.
CoRR, 2020

Learning of Hierarchical Temporal Structures for Guided Improvisation.
Comput. Music. J., 2020

Probabilistic Factor Oracles for Multidimensional Machine Improvisation.
Comput. Music. J., 2018

DYC12 agents: merging the "free", "reactive", and "scenario-based" music generation paradigms.
Proceedings of the 2017 International Computer Music Conference, 2017

ImproteK: Introducing Scenarios into Human-Computer Music Improvisation.
Comput. Entertain., 2016

NTCCRT: A concurrent constraint framework for real-time interaction (extended version).
CoRR, 2015

Gelisp: A Library to Represent Musical CSPs and Search Strategies.
CoRR, 2015

Emergence of synchrony in an Adaptive Interaction Model.
CoRR, 2015

Tech. Sci. Informatiques, 2014

Creative Symbolic Interaction.
Proceedings of the Music Technology meets Philosophy, 2014

Towards a Hybrid Temporal Paradigm for Musical Composition and Performance: The Case of Musical Interpretation.
Comput. Music. J., 2013

OMaxist Dialectics: Capturing, Visualizing and Expanding Improvisations.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

Music Design with Audio Oracle Using Information Rate.
Proceedings of the Musical Metacreation, 2012

Sample Orchestrator : gestion par le contenu d'échantillons sonores.
Traitement du Signal, 2011

On the Information Geometry of Audio Streams With Applications to Similarity Computing.
IEEE Trans. Speech Audio Process., 2011

Audio Oracle Analysis of Musical Information Rate.
Proceedings of the 5th IEEE International Conference on Semantic Computing (ICSC 2011), 2011

OpenMusic: visual programming environment for music composition, analysis and research.
Proceedings of the 19th International Conference on Multimedia 2011, Scottsdale, AZ, USA, November 28, 2011

Solving the musical orchestration problem using multiobjective constrained optimization with a genetic local search approach.
J. Heuristics, 2010

Interaction with Machine Improvisation.
Proceedings of the Structure of Style, 2010

Visual Lisp/CLOS programming in OpenMusic.
High. Order Symb. Comput., 2009

Ntccrt: A Concurrent Constraint Framework for Real-Time Interaction.
Proceedings of the 2009 International Computer Music Conference, 2009

An Overview of FORCES: An INRIA Project on Declarative Formalisms for Emergent Systems.
Proceedings of the Logic Programming, 25th International Conference, 2009

OpenMusic: Design and Implementation Aspects of a Visual Programming Language.
Proceedings of the 1st European Lisp Symposium (ELS'08), 2008

Iscore: a system for writing interaction.
Proceedings of the Third International Conference on Digital Interactive Media in Entertainment and Arts, 2008

Audio Oracle: a New Algorithm for Fast Learning of audio Structures.
Proceedings of the 2007 International Computer Music Conference, 2007

Guidage: a Fast audio Query Guided assemblage.
Proceedings of the 2007 International Computer Music Conference, 2007

Navigating the Oracle: a Heuristic Approach.
Proceedings of the 2007 International Computer Music Conference, 2007

An Evolutionary Approach to Computer-Aided Orchestration.
Proceedings of the Applications of Evolutinary Computing, 2007

Anticipatory Model of Musical Style Imitation Using Collaborative and Competitive Reinforcement Learning.
Proceedings of the Anticipatory Behavior in Adaptive Learning Systems, 2006

Using Factor Oracles for Machine Improvisation.
Soft Comput., 2004

Soft Comput., 2004

Using Machine-Learning Methods for Musical Style Modeling.
Computer, 2003

Representation and Rendering of Rhythm Structures.
Proceedings of the Second International Conference on WEB Delivering of Music, 2002

Programmation visuelle et editeurs musicaux pour la composition assistée par ordinateur.
Proceedings of the 14th French-speaking conference on Human-computer interaction, 2002

Integrating Constraints and Concurrent Objects in Musical Applications: A Calculus and its Visual Language.
Constraints An Int. J., 2001

Recherche adaptative et contraintes musicales.
Proceedings of the Programmation en logique avec contraintes, Actes des JFPLC'2001, 24 avril, 2001

Visual and Adaptive Constraint Programming in Music.
Proceedings of the 2001 International Computer Music Conference, 2001

Automatic Modeling of Musical Style.
Proceedings of the 2001 International Computer Music Conference, 2001

High Level Musical Control of Sound Synthesis in OpenMusic.
Proceedings of the 2000 International Computer Music Conference, 2000

Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic.
Comput. Music. J., 1999

Guessing the Composer's Mind: Applying Universal Prediction to Musical Style.
Proceedings of the 1999 International Computer Music Conference, 1999

Universal Classification Applied to Musical Sequences.
Proceedings of the 1998 International Computer Music Conference, 1998

Objects, Time and Constraints in OpenMusic.
Proceedings of the 1998 International Computer Music Conference, 1998

An Object Oriented Visual Environment For Musical Composition.
Proceedings of the 1997 International Computer Music Conference, 1997

OpenMusic Architecture.
Proceedings of the 1996 International Computer Music Conference, 1996

Visual Programming in Music.
Proceedings of the 1995 International Computer Music Conference, 1995

Kant: a Critique of Pure Quantification.
Proceedings of the 1994 International Computer Music Conference, 1994

The Music Representation Project at IRCAM.
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

Spatializer: From Room Acoustics to Virtual Acoustics.
Proceedings of the 1992 International Computer Music Conference, 1992

Computer Printing, Storage, and Transfer of Musical Scores.
Proceedings of the 1987 International Computer Music Conference, 1987

A ToolBox for Music Notation.
Proceedings of the 1986 International Computer Music Conference, 1986

Duration Structure Generation and Recognition in Musical Writing.
Proceedings of the 1986 International Computer Music Conference, 1986

Functional Integration of Complex Instrumental Sounds in Musical Writing.
Proceedings of the 1985 International Computer Music Conference, 1985