Olivier Delerue

According to our database1, Olivier Delerue authored at least 13 papers between 1998 and 2010.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Dataset
Other 

Links

On csauthors.net:

Bibliography

2010
Auditory and visual 3D virtual reality therapy for chronic subjective tinnitus: theoretical framework.
Virtual Real., 2010

2007
Creating Interactive Poly-Artistic Works: The ConceptMove Project.
Proceedings of the Virtual Storytelling. Using Virtual Reality Technologies for Storytelling, 2007

LScanner: une interface de type « peephole » pour le contrôle de la spatialisation.
Proceedings of the 19th Conference on l'Interaction Homme-Machine, 2007

Toward a Complete Open Source Software Environment for the Creation of Interactive poly-Artistic Works.
Proceedings of the 2007 International Computer Music Conference, 2007

2006
Mixage mobile.
Proceedings of the 18th International Conference of the Association Francophone d'Interaction Homme-Machine, 2006

2002
Automatic Extraction of Drum Tracks from Polyphonic Music Signals.
Proceedings of the Second International Conference on WEB Delivering of Music, 2002

2000
Dynamic Audio Mixing.
Proceedings of the 2000 International Computer Music Conference, 2000

1999
Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic.
Comput. Music. J., 1999

MusicSpace: a Constraint-Based Control System for Music Spatialization.
Proceedings of the 1999 International Computer Music Conference, 1999

Guessing the Composer's Mind: Applying Universal Prediction to Musical Style.
Proceedings of the 1999 International Computer Music Conference, 1999

1998
A Mixed 2D/3D Interface for Music Spatialization.
Proceedings of the Virtual Worlds, First International Conference, 1998

MidiSpace: A Temporal Constraint-Based Music Spatializer.
Proceedings of the 6th ACM International Conference on Multimedia '98, 1998

Objects, Time and Constraints in OpenMusic.
Proceedings of the 1998 International Computer Music Conference, 1998


  Loading...