Ivica Ico Bukvic

According to our database1, Ivica Ico Bukvic authored at least 34 papers between 2001 and 2022.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

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PhD thesis 
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Links

On csauthors.net:

Bibliography

2022
Latency-, Sync-, and Bandwidth-Agnostic Tightly-Timed Telematic and Crowdsourced Musicking Made Possible Using L2Ork Tweeter.
Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

2021
Music Computing and Computational Thinking: A Case Study.
Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

2020
Cinemacraft: exploring fidelity cues in collaborative virtual world interactions.
Virtual Real., 2020

New Interfaces for Spatial Musical Expression.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

The impact of scaling the production of a new interface for musical expression on its design: a story of L2Orkmotes.
Proceedings of the AM'20, 15th International Audio Mostly Conference, Graz, 2020

Perception of spatial data properties in an immersive multi-layered auditory environment.
Proceedings of the AM'20, 15th International Audio Mostly Conference, Graz, 2020

2019
Introducing Locus: a NIME for Immersive Exocentric Aural Environments.
Proceedings of the 19th International Conference on New Interfaces for Musical Expression, 2019

2018
L2OrkMote: Reimagining a Low-Cost Wearable Controller for a Live Gesture-Centric Music Performance.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Introducing a K-12 Mechatronic NIME Kit.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Compel: a Crowdsourced Community-building Repository for Reproducible Computer Music.
Proceedings of the 2018 International Computer Music Conference, 2018

2017
Glasstra: exploring the use of an inconspicuous head mounted display in a live technology-mediated music performance.
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

Cinemacraft: Immersive Live Machinima as an Empathetic Musical Storytelling Platform.
Proceedings of the 2017 International Computer Music Conference, 2017

2016
Small Data, Big Impact.
IEEE Multim., 2016

Genesis of the Cube: The Design and Deployment of an HDLA-Based Performance and Research Facility.
Comput. Music. J., 2016

Introducing D4: An Interactive 3D Audio Rapid Prototyping and Transportable Rendering Environment Using High Density Loudspeaker Arrays.
Proceedings of the 2016 International Computer Music Conference, 2016

2015
Fusality: an open framework for cross-platform mirror world installations.
Proceedings of the 20th International Conference on 3D Web Technology, 2015

Aegis audio engine: Integrating a real-time analog signal processing, pattern recognition, and a procedural sound trackin a live twelve-perfomer spectacle with crowd participation.
Proceedings of the 21st International Conference on Auditory Display, 2015

2014
Pd-L2Ork Raspberry Pi Toolkit as a Comprehensive Arduino Alternative in K-12 and Production Scenarios.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

OPERAcraft: Blurring the Lines between Real and Virtual.
Proceedings of the Music Technology meets Philosophy, 2014

2013
Form, function and performances in a musical instrument MAKErs camp.
Proceedings of the 44th ACM Technical Symposium on Computer Science Education, 2013

Lantern Field: Exploring Participatory Design of a Communal, Spatially Responsive Installation.
Proceedings of the 13th International Conference on New Interfaces for Musical Expression, 2013

2012
Granular Learning Objects for Instrument Design and Collaborative Performance in K-12 Education.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

2011
Using gaming engine for virtual prototyping and impact assessment of complex interactive art installations.
Proceedings of the 2011 International Computer Music Conference, 2011

2010
Introducing L2Ork: Linux Laptop Orchestra.
Proceedings of the 10th International Conference on New Interfaces for Musical Expression, 2010

Perception And Interpretation Of Concurrent Aural Shapes Using Dream Interface.
Proceedings of the 2010 International Computer Music Conference, 2010

2009
Elemental & Cyrene Reefs.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

Sonification design guidelines to enhance program comprehension.
Proceedings of the 17th IEEE International Conference on Program Comprehension, 2009

μ Max-Unity3D Interoperability Toolkit.
Proceedings of the 2009 International Computer Music Conference, 2009

2008
Investigating Artistic potential of the Dream Interface: the Aural Painting.
Proceedings of the 2008 International Computer Music Conference, 2008

2007
Munger1~: towards a Cross-Platform Swissarmy Knife of Real-Time Granular synthesis.
Proceedings of the 2007 International Computer Music Conference, 2007

2004
University of Cincinnati, College-Conservatory of Music Center for Computer Music - (ccm)<sup>2</sup> in 2004.
Proceedings of the 2004 International Computer Music Conference, 2004

Linux as a Mature Digital Audio Workstation in Academic Electroacoustic Studios - Is Linux Ready for Prime Time?
Proceedings of the 2004 International Computer Music Conference, 2004

2002
RTMix: a Real-Time Interactive Electroacoustic Music Performance, Composition and Coaching Interface.
Proceedings of the 2002 International Computer Music Conference, 2002

2001
University of Cincinnati College Conservatory of Music Center for Computer Music.
Proceedings of the 2001 International Computer Music Conference, 2001


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