Margaret Schedel

Affiliations:
  • Stony Brook University, NY, USA


According to our database1, Margaret Schedel authored at least 26 papers between 1999 and 2021.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Dataset
Other 

Links

On csauthors.net:

Bibliography

2021
Synthetic Erudition Assist Lattice.
Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

RhumbLine: Plectrohyla Exquisita - Spatial Listening of Zoomorphic Musical Robots.
Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

2020
<i>New Interfaces for Musical Expression (NIME) Conference</i>.
Comput. Music. J., 2020

2019
Sound and Video Anthology: Program Notes.
Comput. Music. J., 2019

Women's Labor: Creating NIMEs from Domestic Tools .
Proceedings of the 19th International Conference on New Interfaces for Musical Expression, 2019

2018
Color is the Keyboard: Transcoding from Visual to Sonic.
Proceedings of the Oxford Handbook of Algorithmic Music., 2018

2017
Inscribing Bodies: Notating Gesture.
Proceedings of the Music Technology with Swing - 13th International Symposium, 2017

2013
Electronic Music.
Cambridge Introductions to Music, Cambridge University Press, ISBN: 978-1-107-64817-3, 2013

2012
Electronic music and the studio.
Proceedings of the Cambridge Companion to Electronic Music., 2012

2011
Chris Salter: Entangled: Technology and the Transformation of Performance.
Comput. Music. J., 2011

Roger T. Dean, Editor: Oxford Handbook of Computer Music.
Comput. Music. J., 2011

Wekinating 000000Swan: Using Machine Learning to Create and Control Complex Artistic Systems.
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

A Demonstration of Bow Articulation Recognition with Wekinator and K-Bow.
Proceedings of the 2011 International Computer Music Conference, 2011

2010
iWalk: a tool for interacting with geo-located data through movement and gesture.
Proceedings of the 18th International Conference on Multimedia 2010, 2010

2008
Simon Emmerson: Living Electronic Music.
Comput. Music. J., 2008

Scoring an Interactive, Multimedia Performance Work.
Proceedings of the 8th International Conference on New Interfaces for Musical Expression, 2008

Scoring the Color of Waiting.
Proceedings of the 2008 International Computer Music Conference, 2008

2005
Cycling '74 radiaL Loop-Based Performance Software.
Comput. Music. J., 2005

The Bifurcators, with "Blue" Gene Tyranny: Like a Bird in the Wilderness.
Comput. Music. J., 2005

2004
University of Cincinnati, College-Conservatory of Music Center for Computer Music - (ccm)<sup>2</sup> in 2004.
Proceedings of the 2004 International Computer Music Conference, 2004

2003
Interface: ./swank.
Comput. Music. J., 2003

Freight Elevator Quartet: Fix It In Post.
Comput. Music. J., 2003

Natasha Barrett: Isostasie.
Comput. Music. J., 2003

Curtis Roads: Microsound.
Comput. Music. J., 2003

2000
ICMC '99 International Computer Music Conference, Beijing, China, 22-28 October 1999.
Comput. Music. J., 2000

1999
The Notation of Interactive Music: Limitations and Solutions.
Proceedings of the 1999 International Computer Music Conference, 1999


  Loading...