Dan Trueman

According to our database1, Dan Trueman authored at least 21 papers between 1998 and 2020.

Collaborative distances:

Timeline

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Bibliography

2020
Preparing the Digital Piano: Introducing bitKlavier.
Comput. Music. J., 2020

Tuning Playfully: Composed and Adaptive Tunings in bitKlavier.
Comput. Music. J., 2020

2018
Social decision-making driven by artistic explore-exploit tension.
CoRR, 2018

2016
Investigating group behavior in dance: an evolutionary dynamics approach.
Proceedings of the 2016 American Control Conference, 2016

2011
Human model evaluation in interactive supervised learning.
Proceedings of the International Conference on Human Factors in Computing Systems, 2011

2010
Clapping Machine Music Variations: A Composition For Acoustic/Laptop Ensemble.
Proceedings of the 2010 International Computer Music Conference, 2010

Toward Understanding Human-Computer Interaction In Composing The Instrument.
Proceedings of the 2010 International Computer Music Conference, 2010

2009
Don't Forget the Loudspeaker - A History of Hemispherical Speakers at Princeton, Plus a DIY Guide.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

A Meta-Instrument for Interactive, On-the-Fly Machine Learning.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

2008
Erratum: The Laptop Orchestra as Classroom.
Comput. Music. J., 2008

The Laptop Orchestra as Classroom.
Comput. Music. J., 2008

Composing for Laptop Orchestra.
Comput. Music. J., 2008

The cyclotron: a Tool for Playing with Time.
Proceedings of the 2008 International Computer Music Conference, 2008

2007
Munger1~: towards a Cross-Platform Swissarmy Knife of Real-Time Granular synthesis.
Proceedings of the 2007 International Computer Music Conference, 2007

2006
PLOrk: The Princeton Laptop Orchestra, Year 1.
Proceedings of the 2006 International Computer Music Conference, 2006

2004
Re-coupling: the uBlotar synthesis instrument and the sHowl speaker-feedback controller.
Proceedings of the 2004 International Computer Music Conference, 2004

2001
Interface: electronic chamber ensemble.
Proceedings of the New Interfaces for Musical Expression, 2001

Physicality and Feedback: A Focus on the Body in the Performance of Electronic Music.
Proceedings of the 2001 International Computer Music Conference, 2001

2000
Alternative Voices for Electronic Sound: Spherical Speakers and Sensor-Speaker Arrays (SenSAs).
Proceedings of the 2000 International Computer Music Conference, 2000

1999
BoSSA: The Deconstructed Violin Reconstructed.
Proceedings of the 1999 International Computer Music Conference, 1999

1998
NBody: Interactive Multidirectional Musical Instrument Body Radiation Simulators, and a Database of Measured Impulse Responses.
Proceedings of the 1998 International Computer Music Conference, 1998


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