Jacob Harrison

Orcid: 0000-0003-3617-2800

According to our database1, Jacob Harrison authored at least 12 papers between 2017 and 2023.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Dataset
Other 

Links

On csauthors.net:

Bibliography

2023
FPIC: A Novel Semantic Dataset for Optical PCB Assurance.
ACM J. Emerg. Technol. Comput. Syst., April, 2023

2021
On malicious implants in PCBs throughout the supply chain.
Integr., 2021

DMI Apprenticeship: Sharing and Replicating Musical Artefacts.
Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

Cross-Pollinating Ecological Perspectives in ADMI Design and Evaluation.
Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

2020
Instruments and access: the role of instruments in music and disability.
PhD thesis, 2020

Digital Musical Instruments as Research Products.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Enumeration of Ampicillin-Resistant E. Coli in Blood Using Droplet Microfluidics and High-Speed Image Processing.
Proceedings of the 17th IEEE International Symposium on Biomedical Imaging, 2020

2019
Accessible Instruments in the Wild: Engaging with a Community of Learning-Disabled Musicians.
Proceedings of the Extended Abstracts of the 2019 CHI Conference on Human Factors in Computing Systems, 2019

Musical Instruments for Novices: Comparing NIME, HCI and Crowdfunding Approaches.
Proceedings of the New Directions in Music and Human-Computer Interaction, 2019

2018
Democratising DMIs: the relationship of expertise and control intimacy.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

When is a Guitar not a Guitar? Cultural Form, Input Modality and Expertise.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

2017
An adapted bass guitar for one-handed playing.
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017


  Loading...