Fabio Morreale

Orcid: 0000-0002-4512-4897

According to our database1, Fabio Morreale authored at least 36 papers between 2013 and 2023.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Dataset
Other 

Links

Online presence:

On csauthors.net:

Bibliography

2023
Perceptive vs reflective: spectator interpretation of multimodal artworks.
Pers. Ubiquitous Comput., October, 2023

Designing accessible musical instruments by addressing musician-instrument relationships.
Frontiers Comput. Sci., 2023

Data Collection in Music Generation Training Sets: A Critical Analysis.
Proceedings of the 24th International Society for Music Information Retrieval Conference, 2023

2022
Share Your Values! Community-Driven Embedding of Ethics in Research.
Proceedings of the CHI '22: CHI Conference on Human Factors in Computing Systems, New Orleans, LA, USA, 29 April 2022, 2022

2021
Where Does the Buck Stop? Ethical and Political Issues with AI in Music Creation.
Trans. Int. Soc. Music. Inf. Retr., 2021

The Singing Gallery: Combining Music and Static Visual Artworks.
Proceedings of the AM '21: Audio Mostly 2021, 2021

2020
A NIME Of The Times: Developing an Outward-Looking Political Agenda For This Community.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Design for auditory imagery: altering instruments to explore performer fluency.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

"My Library Has Just Been Obliterated": Producing New Norms of Use Via Software Update.
Proceedings of the CHI '20: CHI Conference on Human Factors in Computing Systems, 2020

2019
The Influence of Coauthorship in the Interpretation of Multimodal Interfaces.
Wirel. Commun. Mob. Comput., 2019

Magpick: an Augmented Guitar Pick for Nuanced Control.
Proceedings of the 19th International Conference on New Interfaces for Musical Expression, 2019

ARCAA: a Framework to Analyse the Artefact Ecology in Computer Music Performance.
Proceedings of the ARTECH 2019: 9th International Conference on Digital and Interactive Arts, 2019

Making Sense of Sensors: Discovery Through Craft Practice With an Open-Ended Sensor Material.
Proceedings of the 2019 on Designing Interactive Systems Conference, DIS 2019, San Diego, 2019

Musical Instruments for Novices: Comparing NIME, HCI and Crowdfunding Approaches.
Proceedings of the New Directions in Music and Human-Computer Interaction, 2019

2018
NIME Identity from the Performer's Perspective.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Democratising DMIs: the relationship of expertise and control intimacy.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

When is a Guitar not a Guitar? Cultural Form, Input Modality and Expertise.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

2017
Design for longevity: ongoing use of instruments from nime 2010-14.
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

The finer the musician, the smaller the details: nimecraft under the microscope.
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

In-the-moment and Beyond: Combining Post-hoc and Real-Time Data for the Study of Audience Perception of Electronic Music Performance.
Proceedings of the Human-Computer Interaction - INTERACT 2017, 2017

Divesting Control to the Machine in Digital Art.
Proceedings of the Electronic Visualisation and the Arts, 2017

Constraining Control in Mixed-Initiative Musical Interfaces.
Proceedings of the CHI'17 Workshop on Mixed-Initiative Creative Interfaces co-located with ACM CHI Conference on Human Factors in Computing Systems (CHI 2017), 2017

Building a Maker Community Around an Open Hardware Platform.
Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems, 2017

Designing a Musical Playground in the Kindergarten.
Proceedings of the HCI 2017, 2017

2016
Collaborating with an Autonomous Agent to Generate Affective Music.
Comput. Entertain., 2016

A Quality Adaptive Multimodal Affect Recognition System for User-Centric Multimedia Indexing.
Proceedings of the 2016 ACM on International Conference on Multimedia Retrieval, 2016

Multisensory experiences for singers: a first tangible prototype.
Proceedings of the 2016 ACM International Joint Conference on Pervasive and Ubiquitous Computing and Proceedings of the 2016 ACM International Symposium on Wearable Computers, 2016

Beatfield: An Open-Meaning Audiovisual Exploration.
Proceedings of the COOP 2016: Proceedings of the 12th International Conference on the Design of Cooperative Systems, 2016

Supporting Singers with Tangible and Visual Feedback.
Proceedings of the International Working Conference on Advanced Visual Interfaces, 2016

2015
Designing New Experiences of Music Making.
PhD thesis, 2015

Evaluating Visitor Experiences with Interactive Art.
Proceedings of the 11th Biannual Conference on Italian SIGCHI Chapter, 2015

2014
Collaborative creativity: The Music Room.
Pers. Ubiquitous Comput., 2014

Musical Interface Design: An Experience-oriented Framework.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

Twitterradio: translating tweets into music.
Proceedings of the CHI Conference on Human Factors in Computing Systems, 2014

2013
Opening Musical Creativity to Non-Musicians.
Proceedings of the CHItaly 2013 Doctoral Consortium co-located with the 10th International Conference of the Italian SIGCHI Chapter (CHItaly 2013), 2013

The music room.
Proceedings of the 2013 ACM SIGCHI Conference on Human Factors in Computing Systems, 2013


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