Andrew P. McPherson

According to our database, Andrew P. McPherson authored at least 102 papers between 2010 and 2023.

Collaborative distances:

• Dijkstra number of four.
• Erdős number of four.

2023

Differentiable Modelling of Percussive Audio with Transient and Spectral Synthesis.

Jordie Shier, Franco Caspe, Andrew Robertson, Mark Sandler, Charalampos Saitis, Andrew P. McPherson

CoRR, 2023

A Review of Differentiable Digital Signal Processing for Music & Speech Synthesis.

Ben Hayes, Jordie Shier, György Fazekas, Andrew P. McPherson, Charalampos Saitis

CoRR, 2023

Pipeline for recording datasets and running neural networks on the Bela embedded hardware platform.

Teresa Pelinski, Rodrigo Diaz, Adan L. Benito Temprano, Andrew P. McPherson

CoRR, 2023

The Body as Sound: Unpacking Vocal Embodiment through Auditory Biofeedback.

Courtney N. Reed, Andrew P. McPherson

Proceedings of the Seventeenth International Conference on Tangible, 2023

Real-Time Percussive Technique Recognition and Embedding Learning for the Acoustic Guitar.

Andrea Martelloni, Andrew P. McPherson, Mathieu Barthet

Proceedings of the 24th International Society for Music Information Retrieval Conference, 2023

Negotiating Experience and Communicating Information Through Abstract Metaphor.

Courtney N. Reed, Paul Strohmeier, Andrew P. McPherson

Proceedings of the 2023 CHI Conference on Human Factors in Computing Systems, 2023

FM Tone Transfer with Envelope Learning.

Franco Caspe, Andrew P. McPherson, Mark B. Sandler

Proceedings of the 18th International Audio Mostly Conference, 2023

When Materials Meet Sound: Discovering the Meaning of Deformable Materials in Musical Interaction.

Jianing Zheng, Andrew McPherson, Nick Bryan-Kinns

Proceedings of the 2023 ACM Designing Interactive Systems Conference, 2023

What the Sensor Knows: More-Than-Human Knowledge Co-Production in Wood Carving.

Charlotte Nordmoen, Andrew P. McPherson

Proceedings of the 2023 ACM Designing Interactive Systems Conference, 2023

2022

Dialogic Design of Accessible Digital Musical Instruments: Investigating Performer Experience.

Eevee Zayas-Garin, Andrew McPherson

Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

Being With The Waves: An Ultrasonic Art Installation Enabling Rich Interaction Without Sensors.

Nicole Robson, Andrew McPherson, Nick Bryan-Kinns

Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

Exploring Experiences with New Musical Instruments through Micro-phenomenology.

Courtney N. Reed, Charlotte Nordmoen, Andrea Martelloni, Giacomo Lepri, Nicole Robson, Eevee Zayas-Garin, Kelsey Cotton, Lia Mice, Andrew McPherson

Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

The M in NIME: Motivic analysis and the case for a musicology of NIME performances.

Lia Mice, Andrew McPherson

Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

The 10, 000 Instruments Workshop - (Im)practical Research for Critical Speculation.

Giacomo Lepri, John Bowers, Samantha Topley, Paul Stapleton, Peter Bennett, Kristina Andersen, Andrew McPherson

Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

Quantitative evaluation of aspects of embodiment in new digital musical instruments.

Andrea Guidi, Andrew McPherson

Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

DDX7: Differentiable FM Synthesis of Musical Instrument Sounds.

Franco Caspe, Andrew McPherson, Mark Sandler

Proceedings of the 23rd International Society for Music Information Retrieval Conference, 2022

Super Size Me: Interface Size, Identity and Embodiment in Digital Musical Instrument Design.

Lia Mice, Andrew P. McPherson

Proceedings of the CHI '22: CHI Conference on Human Factors in Computing Systems, New Orleans, LA, USA, 29 April 2022, 2022

Singing Knit: Soft Knit Biosensing for Augmenting Vocal Performances.

Courtney N. Reed, Sophie Skach, Paul Strohmeier, Andrew P. McPherson

Proceedings of the AHs 2022: Augmented Humans 2022, Hybrid Event / Munich, Germany, March 13, 2022

Sound -> Object -> Gesture: Physical Affordances of Virtual Materials.

Jonathan Pigrem, Andrew P. McPherson, Nick Bryan-Kinns, Robert H. Jack

Proceedings of the AM '22: AudioMostly 2022, St. Pölten, 2022

Material Matters: Exploring Materiality in Digital Musical Instruments Design.

Jianing Zheng, Nick Bryan-Kinns, Andrew P. McPherson

Proceedings of the DIS '22: Designing Interactive Systems Conference, Virtual Event, Australia, June 13, 2022

Making space for material entanglements: A diffractive analysis of woodwork and the practice of making an interactive system.

Charlotte Nordmoen, Andrew P. McPherson

Proceedings of the DIS '22: Designing Interactive Systems Conference, Virtual Event, Australia, June 13, 2022

2021

Embrace the Weirdness: Negotiating Values Inscribed into Music Technology.

Giacomo Lepri, Andrew P. McPherson

Comput. Music. J., September, 2021

An embedded multichannel sound acquisition system for drone audition.

Michael Clayton, Lin Wang, Andrew McPherson, Andrea Cavallaro

CoRR, 2021

Performer Experience on a Continuous Keyboard Instrument.

Giulio Moro, Andrew P. McPherson

Comput. Music. J., 2021

Surface Electromyography for Sensing Performance Intention and Musical Imagery in Vocalists.

Courtney N. Reed, Andrew P. McPherson

Proceedings of the TEI '21: Fifteenth International Conference on Tangible, 2021

DMI Apprenticeship: Sharing and Replicating Musical Artefacts.

Luis Zayas-Garin, Jacob Harrison, Robert Jack, Andrew McPherson

Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

Guitar augmentation for Percussive Fingerstyle: Combining self-reflexive practice and user-centred design.

Andrea Martelloni, Andrew McPherson, Mathieu Barthet

Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

A TMR Angle Sensor for Gesture Acquisition and Disambiguation on the Electric Guitar.

Adan L. Benito Temprano, Andrew McPherson

Proceedings of the AM '21: Audio Mostly 2021, 2021

2020

Surface Electromyography for Direct Vocal Control.

Courtney N. Reed, Andrew P. McPherson

Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

A NIME Of The Times: Developing an Outward-Looking Political Agenda For This Community.

Fabio Morreale, S. M. Astrid Bin, Andrew P. McPherson, Paul Stapleton, Marcelo M. Wanderley

Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

A platform for low-latency continuous keyboard sensing and sound generation.

Giulio Moro, Andrew P. McPherson

Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

From miming to NIMEing: the development of idiomatic gestural language on large scale DMIs.

Lia Mice, Andrew P. McPherson

Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Beholden to our tools: negotiating with technology while sketching digital instruments.

Andrew P. McPherson, Giacomo Lepri

Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Soma Design for NIME.

Juan Pablo Martinez-Avila, Vasiliki Tsaknaki, Pavel Karpashevich, Charles Windlin, Niklas Valenti, Kristina Höök, Andrew P. McPherson, Steve Benford

Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Percussive Fingerstyle Guitar through the Lens of NIME: an Interview Study.

Andrea Martelloni, Andrew P. McPherson, Mathieu Barthet

Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Digital Musical Instruments as Research Products.

Robert H. Jack, Jacob Harrison, Andrew P. McPherson

Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Design for auditory imagery: altering instruments to explore performer fluency.

Andrea Guidi, Fabio Morreale, Andrew P. McPherson

Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Useless, not Worthless: Absurd Making as Critical Practice.

Giacomo Lepri, Andrew P. McPherson, John Bowers

Proceedings of the DIS '20: Designing Interactive Systems Conference 2020, 2020

2019

Evolving the process of a virtual composer.

Csaba Sulyok, Andrew P. McPherson, Christopher Harte

Nat. Comput., 2019

Separating sound from source: sonic transformation of the violin through electrodynamic pickups and acoustic actuation.

Laurel Pardue, Kurijn Buys, Dan Overholt, Andrew P. McPherson, Michael Edinger

Proceedings of the 19th International Conference on New Interfaces for Musical Expression, 2019

Magpick: an Augmented Guitar Pick for Nuanced Control.

Fabio Morreale, Andrea Guidi, Andrew P. McPherson

Proceedings of the 19th International Conference on New Interfaces for Musical Expression, 2019

Fictional instruments, real values: discovering musical backgrounds with non-functional prototypes.

Giacomo Lepri, Andrew P. McPherson

Proceedings of the 19th International Conference on New Interfaces for Musical Expression, 2019

Embodied Cognition in Performers of Large Acoustic Instruments as a Method of Designing New Large Digital Musical Instruments.

Lia Mice, Andrew P. McPherson

Proceedings of the Perception, Representations, Image, Sound, Music, 2019

Failing with Style: Designing for Aesthetic Failure in Interactive Performance.

Adrian Hazzard, Chris Greenhalgh, Maria Kallionpää, Steve Benford, Anne Veinberg, Zubin Kanga, Andrew P. McPherson

Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems, 2019

Accessible Instruments in the Wild: Engaging with a Community of Learning-Disabled Musicians.

Jacob Harrison, Alan Chamberlain, Andrew P. McPherson

Proceedings of the Extended Abstracts of the 2019 CHI Conference on Human Factors in Computing Systems, 2019

Bricolage in a hybrid digital lutherie context: a workshop study.

Jack Armitage, Andrew P. McPherson

Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound, 2019

Making Sense of Sensors: Discovery Through Craft Practice With an Open-Ended Sensor Material.

Charlotte Nordmoen, Jack Armitage, Fabio Morreale, Rebecca Stewart, Andrew P. McPherson

Proceedings of the 2019 on Designing Interactive Systems Conference, DIS 2019, San Diego, 2019

Making Up Instruments: Design Fiction for Value Discovery in Communities of Musical Practice.

Giacomo Lepri, Andrew P. McPherson

Proceedings of the 2019 on Designing Interactive Systems Conference, DIS 2019, San Diego, 2019

The Poetry of Strange Connections: An Interview with Bill Verplank.

Andrew P. McPherson, Bill Verplank

Proceedings of the New Directions in Music and Human-Computer Interaction, 2019

Musical Instruments for Novices: Comparing NIME, HCI and Crowdfunding Approaches.

Andrew P. McPherson, Fabio Morreale, Jacob Harrison

Proceedings of the New Directions in Music and Human-Computer Interaction, 2019

Music, Design and Ethnography: An Interview with Steve Benford.

Andrew P. McPherson, Steve Benford

Proceedings of the New Directions in Music and Human-Computer Interaction, 2019

Understanding Music Interaction, and Why It Matters.

Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew P. McPherson, Marcelo M. Wanderley

Proceedings of the New Directions in Music and Human-Computer Interaction, 2019

2018

Hackable Instruments: Supporting Appropriation and Modification in Digital Musical Interaction.

Victor Zappi, Andrew P. McPherson

Frontiers ICT, 2018

Real-Time Hit Classification in a Smart Cajón.

Luca Turchet, Andrew P. McPherson, Mathieu Barthet

Frontiers ICT, 2018

Do We Speak Sensor? Cultural Constraints of Embodied Interaction .

Jon Pigrem, Andrew P. McPherson

Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

NIME Identity from the Performer's Perspective.

Fabio Morreale, Andrew P. McPherson, Marcelo M. Wanderley

Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Mirroring the past, from typewriting to interactive art: an approach to the re-design of a vintage technology.

Giacomo Lepri, Andrew P. McPherson

Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Democratising DMIs: the relationship of expertise and control intimacy.

Robert H. Jack, Jacob Harrison, Fabio Morreale, Andrew P. McPherson

Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

When is a Guitar not a Guitar? Cultural Form, Input Modality and Expertise.

Jacob Harrison, Robert H. Jack, Fabio Morreale, Andrew P. McPherson

Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Risky business: Disfluency as a design strategy.

S. M. Astrid Bin, Nick Bryan-Kinns, Andrew P. McPherson

Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

Crafting Digital Musical Instruments: An Exploratory Workshop Study.

Jack Armitage, Andrew P. McPherson

Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

2017

Maintaining and Constraining Performer Touch in the Design of Digital Musical Instruments.

Robert H. Jack, Tony Stockman, Andrew P. McPherson

Proceedings of the Tenth International Conference on Tangible, 2017

Design for longevity: ongoing use of instruments from nime 2010-14.

Fabio Morreale, Andrew P. McPherson

Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

Piano pedaller: a measurement system for classification and visualisation of piano pedalling techniques.

Beici Liang, György Fazekas, Andrew P. McPherson, Mark B. Sandler

Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

An adapted bass guitar for one-handed playing.

Jacob Harrison, Andrew P. McPherson

Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

The finer the musician, the smaller the details: nimecraft under the microscope.

Jack Armitage, Fabio Morreale, Andrew P. McPherson

Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

Rich gesture, reduced control: the influence of constrained mappings on performance technique.

Robert H. Jack, Tony Stockman, Andrew P. McPherson

Proceedings of the 4th International Conference on Movement Computing, 2017

In-the-moment and Beyond: Combining Post-hoc and Real-Time Data for the Study of Audience Perception of Electronic Music Performance.

S. M. Astrid Bin, Fabio Morreale, Nick Bryan-Kinns, Andrew P. McPherson

Proceedings of the Human-Computer Interaction - INTERACT 2017, 2017

Hands where we can see them! Investigating the impact of gesture size on audience perception.

S. M. Astrid Bin, Nick Bryan-Kinns, Andrew P. McPherson

Proceedings of the 2017 International Computer Music Conference, 2017

Constraining Control in Mixed-Initiative Musical Interfaces.

Fabio Morreale, Raul Masu, Andrew P. McPherson

Proceedings of the CHI'17 Workshop on Mixed-Initiative Creative Interfaces co-located with ACM CHI Conference on Human Factors in Computing Systems (CHI 2017), 2017

Building a Maker Community Around an Open Hardware Platform.

Fabio Morreale, Giulio Moro, Alan Chamberlain, Steve Benford, Andrew P. McPherson

Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems, 2017

2016

Navigation of Pitch Space on a Digital Musical Instrument with Dynamic Tactile Feedback.

Robert H. Jack, Tony Stockman, Andrew P. McPherson

Proceedings of the TEI '16: Tenth International Conference on Tangible, 2016

Performance-Led Design of Computationally Generated Audio for Interactive Applications.

Christian Heinrichs, Andrew P. McPherson

Proceedings of the TEI '16: Tenth International Conference on Tangible, 2016

Action-Sound Latency: Are Our Tools Fast Enough?

Andrew P. McPherson, Robert H. Jack, Giulio Moro

Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 2016

Skip the Pre-Concert Demo: How Technical Familiarity and Musical Style Affect Audience Response.

S. M. Astrid Bin, Nick Bryan-Kinns, Andrew P. McPherson

Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 2016

Music and HCI.

Simon Holland, Andrew P. McPherson, Wendy E. Mackay, Marcelo M. Wanderley, Michael D. Gurevich, Tom W. Mudd, Sile O'Modhrain, Katie L. Wilkie, Joseph W. Malloch, Jérémie Garcia, Andrew Johnston

Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems, 2016

Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument.

Robert H. Jack, Tony Stockman, Andrew P. McPherson

Proceedings of the Audio Mostly 2016, Norrköping, Sweden, October 4-6, 2016, 2016

Designing for Exploratory Play with a Hackable Digital Musical Instrument.

Andrew P. McPherson, Alan Chamberlain, Adrian Hazzard, Sean McGrath, Steve Benford

Proceedings of the 2016 ACM Conference on Designing Interactive Systems, DIS '16, Brisbane, QLD, Australia, June 04, 2016

2015

Buttons, Handles, and Keys: Advances in Continuous-Control Keyboard Instruments.

Andrew P. McPherson

Comput. Music. J., 2015

Highland piping ornament recognition using dynamic time warping.

Duncan Menzies, Andrew P. McPherson

Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

Exposing the scaffolding of digital instruments with hardware-software feedback loops.

Andrew P. McPherson, Victor Zappi

Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

Corpus-taught Evolutionary Music Composition.

Csaba Sulyok, Andrew P. McPherson, Christopher Harte

Proceedings of the Thirteenth European Conference Artificial Life, 2015

2014

Mapping and interaction strategies for performing environmental sound.

Christian Heinrichs, Andrew P. McPherson

Proceedings of the IEEE VR Workshop: Sonic Interaction in Virtual Environments, 2014

Dimensionality and Appropriation in Digital Musical Instrument Design.

Victor Zappi, Andrew P. McPherson

Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

Optical Measurement of Acoustic Drum Strike Locations.

Janis Sokolovskis, Andrew P. McPherson

Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

Low-Latency Audio Pitch Tracking: A Multi-Modal Sensor-Assisted Approach.

Laurel Pardue, Dongjuan Nian, Christopher Harte, Andrew P. McPherson

Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

The Talking Guitar: Headstock Tracking and Mapping Strategies.

Liam Donovan, Andrew P. McPherson

Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

Radear: A Tangible Spinning Music Sequencer.

Daniel Gábana Arellano, Andrew P. McPherson

Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

2013

Near-Field Optical Reflective Sensing for Bow Tracking.

Laurel Pardue, Andrew P. McPherson

Proceedings of the 13th International Conference on New Interfaces for Musical Expression, 2013

Portable Measurement and Mapping of Continuous Piano Gesture.

Andrew P. McPherson

Proceedings of the 13th International Conference on New Interfaces for Musical Expression, 2013

The space between the notes: adding expressive pitch control to the piano keyboard.

Andrew P. McPherson, Adrian Gierakowski, Adam M. Stark

Proceedings of the 2013 ACM SIGCHI Conference on Human Factors in Computing Systems, 2013

Piano Technique as a Case Study in Expressive Gestural Interaction.

Andrew P. McPherson, Youngmoo E. Kim

Proceedings of the Music and Human-Computer Interaction., 2013

2012

The Problem of the Second Performer: Building a Community Around an Augmented Piano.

Andrew P. McPherson, Youngmoo E. Kim

Comput. Music. J., 2012

The JD-1: an Implementation of a Hybrid Keyboard/Sequencer Controller for Analog Synthesizers.

Jeff Snyder, Andrew P. McPherson

Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

An Electronic Bagpipe Chanter for Automatic Recognition of Highland Piping Ornamentation.

Duncan Menzies, Andrew P. McPherson

Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

Techniques and Circuits for Electromagnetic Instrument Actuation.

Andrew P. McPherson

Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

TouchKeys: Capacitive Multi-Touch Sensing on a Physical Keyboard.

Andrew P. McPherson

Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

The EMvibe: An Electromagnetically Actuated Vibraphone.

N. Cameron Britt, Jeff Snyder, Andrew P. McPherson

Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

Recreating the parallax effect associated with Fishtank VR in a Real-Time telepresence system using head-tracking and a robotic camera.

Christian Heinrichs, Andrew P. McPherson

Proceedings of the 11th IEEE International Symposium on Mixed and Augmented Reality, 2012

2011

Multidimensional gesture sensing at the piano keyboard.

Andrew P. McPherson, Youngmoo E. Kim

Proceedings of the International Conference on Human Factors in Computing Systems, 2011

2010

Augmenting the Acoustic Piano with Electromagnetic String Actuation and Continuous Key Position Sensing.

Andrew P. McPherson, Youngmoo E. Kim

Proceedings of the 10th International Conference on New Interfaces for Musical Expression, 2010

Toward a computationally-enhanced acoustic grand piano.

Andrew P. McPherson, Youngmoo E. Kim

Proceedings of the 28th International Conference on Human Factors in Computing Systems, 2010