Stephen McAdams

Orcid: 0000-0002-6744-9035

According to our database1, Stephen McAdams authored at least 28 papers between 1978 and 2022.

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Bibliography

2022
Guest editorial: Music perception and cognition in music technology.
Cogn. Comput. Syst., 2022

2021
Navigating noise: Modeling perceptual correlates of noise-related semantic timbre categories with audio features.
Proceedings of the 22nd International Society for Music Information Retrieval Conference, 2021

2019
Modeling Human Experts' Identification of Orchestral Blends Using Symbolic Information.
Proceedings of the Perception, Representations, Image, Sound, Music, 2019

2017
A Database Linking Piano and Orchestral MIDI Scores with Application to Automatic Projective Orchestration.
Proceedings of the 18th International Society for Music Information Retrieval Conference, 2017

2016
Top-Down Influences in the Detection of Spatial Displacement in a Musical Scene.
ACM Trans. Appl. Percept., 2016

2013
Perceptual impact of gesture control of spatialization.
ACM Trans. Appl. Percept., 2013

2012
Psychophysiological Measures of Emotional Response to Romantic Orchestral Music and Their Musical and Acoustic Correlates.
Proceedings of the From Sounds to Music and Emotions - 9th International Symposium, 2012

2011
Current Technologies and Compositional Practices for Spatialization: A Qualitative and Quantitative Analysis.
Comput. Music. J., 2011

2010
Environmental Sound Perception: Metadescription and Modeling Based on Independent Primary Studies.
EURASIP J. Audio Speech Music. Process., 2010

Perceptual analyses of action-related impact sounds
CoRR, 2010

2008
Interactive Processing of Timbre Dimensions: An Exploration with Event-related Potentials.
J. Cogn. Neurosci., 2008

Vimic - a Novel Toolbox for Spatial sound Processing in Max/MSP.
Proceedings of the 2008 International Computer Music Conference, 2008

A Vibrotactile Device for Display of Virtual Ground Materials in Walking.
Proceedings of the Haptics: Perception, 2008

2007
Dj SPAT: spatialized Interactions for DJs.
Proceedings of the 2007 International Computer Music Conference, 2007

Non-linear Scaling Techniques for uncovering the perceptual Dimensions of Timbre.
Proceedings of the 2007 International Computer Music Conference, 2007

A Meta-analysis of Timbre Perception Using Nonlinear Extensions to CLASCAL.
Proceedings of the Computer Music Modeling and Retrieval. Sense of Sounds, 2007

2006
Separate Neural Processing of Timbre Dimensions in Auditory Sensory Memory.
J. Cogn. Neurosci., 2006

Structural and affective aspects of music from statistical audio signal analysis.
J. Assoc. Inf. Sci. Technol., 2006

2004
Predicting Human Reactions to Music on the Basis of Similarity Structure and Information Theoretic Measures of the Sound Signal.
Proceedings of the Style and Meaning in Language, 2004

2002
Neural Correlates of Timbre Change in Harmonic Sounds.
NeuroImage, 2002

2000
Instrument Sound Description in the Context of MPEG-7.
Proceedings of the 2000 International Computer Music Conference, 2000

1999
Perspectives on the Contribution of Timbre to Musical Structure.
Comput. Music. J., 1999

1997
Influence of phase effects on roughness modeling.
Proceedings of the 1997 International Computer Music Conference, 1997

Influence of timbre, presence/absence of tonal hierarchy and musical training on the perception of musical tension and relaxation schemas.
Proceedings of the 1997 International Computer Music Conference, 1997

1985
Qualities and Functions of Musical Timbre.
Proceedings of the 1985 International Computer Music Conference, 1985

1984
AISE: A Prototype Laboratory for Musical Research and the Development of Conceptual Tools.
Proceedings of the 1984 International Computer Music Conference, 1984

1981
A General Synthesis Package Based on Principles of Auditory Perception.
Proceedings of the 1981 International Computer Music Conference, 1981

1978
The Perceptual Factoring of Acoustic Sequences into Musical Streams.
Proceedings of the 1978 International Computer Music Conference, 1978


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