Richard Kronland-Martinet

Orcid: 0000-0002-7325-4920

According to our database1, Richard Kronland-Martinet authored at least 76 papers between 1987 and 2024.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

Book 
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PhD thesis 
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Online presence:

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Bibliography

2024
Intuitive Control of Scraping and Rubbing Through Audio-tactile Synthesis.
CoRR, 2024

2023
A Perceptually Evaluated Signal Model: Collisions Between a Vibrating Object and an Obstacle.
IEEE ACM Trans. Audio Speech Lang. Process., 2023

2021
MovEcho: A Gesture-Sound Interface Allowing Blind Manipulations in a Driving Context.
ACM Trans. Appl. Percept., 2021

2020
Improving the Pedal Force Effectiveness Using Real-Time Sonification.
IEEE Access, 2020

2019
How Would You Reproduce a Synthetic Sound of an Ellipse in Water? A Phenomenological Investigation of Pre-reflexive Contents of Consciousness.
Proceedings of the Perception, Representations, Image, Sound, Music, 2019

Zero-Emission Vehicles Sonification Strategy Based on Shepard-Risset Glissando.
Proceedings of the Perception, Representations, Image, Sound, Music, 2019

2018
Evaluation of a congruent auditory feedback for Motor Imagery BCI.
CoRR, 2018

Harnessing Audio in Auto Control: The Challenge of Sonifying Virtual Objects for Gesture Control of Cars.
IEEE Consumer Electron. Mag., 2018

Assessing the Effects of a Primary Control Impairment on the Cellists' Bowing Gesture Inducing Harsh Sounds.
IEEE Access, 2018

2017
Exploration of Sonification Strategies for Guidance in a Blind Driving Game.
Proceedings of the Music Technology with Swing - 13th International Symposium, 2017

Assessing Sound Perception Through Vocal Imitations of Sounds that Evoke Movements and Materials.
Proceedings of the Music Technology with Swing - 13th International Symposium, 2017

2016
Comparison and Evaluation of Sonification Strategies for Guidance Tasks.
IEEE Trans. Multim., 2016

Effects of Test Duration in Subjective Listening Tests.
Proceedings of the 2016 International Computer Music Conference, 2016

Eluding the Influence of Postural Constraints on Cellists' Bowing Movements and Timbral Quality.
Proceedings of the Bridging People and Sound - 12th International Symposium, 2016

Increasing Pleasantness and Security Using 3D-Sound Design in Public Transport.
Proceedings of the Bridging People and Sound - 12th International Symposium, 2016

Recent Findings on Sound and Posture: A Position Paper.
Proceedings of the Bridging People and Sound - 12th International Symposium, 2016

2015
Perception-based interactive sound synthesis of morphing solids' interactions.
Proceedings of the SIGGRAPH Asia 2015 Technical Briefs, Kobe, Japan, November 2-6, 2015, 2015

Assessing the Influence of Constraints on Cellists' Postural Displacements and Musical Expressivity.
Proceedings of the Music, Mind, and Embodiment - 11th International Symposium, 2015

2014
A Synthesis Model With Intuitive Control Capabilities for Rolling Sounds.
IEEE ACM Trans. Audio Speech Lang. Process., 2014

An Intuitive Synthesizer of Continuous-Interaction Sounds: Rubbing, Scratching, and Rolling.
Comput. Music. J., 2014

2013
A Class of Algorithms for Time-Frequency Multiplier Estimation.
IEEE Trans. Speech Audio Process., 2013

Perceptual characterization of motion evoked by sounds for synthesis control purposes.
ACM Trans. Appl. Percept., 2013

Audio-Motor Synchronization: The Effect of Mapping Between Kinematics and Acoustic Cues on Geometric Motor Features.
Proceedings of the Sound, Music, and Motion - 10th International Symposium, 2013

Movement Sonification for the Diagnosis and the Rehabilitation of Graphomotor Disorders.
Proceedings of the Sound, Music, and Motion - 10th International Symposium, 2013

2012
An Efficient Time-Frequency Method for Synthesizing Noisy Sounds With Short Transients and Narrow Spectral Components.
IEEE Trans. Speech Audio Process., 2012

High-level control of sound synthesis for sonification processes.
AI Soc., 2012

Cosmic ray sonification: the COSMOPHONE.
AI Soc., 2012

Reenacting Sensorimotor Features of Drawing Movements from Friction Sounds.
Proceedings of the From Sounds to Music and Emotions - 9th International Symposium, 2012

Intuitive Control of Rolling Sound Synthesis.
Proceedings of the From Sounds to Music and Emotions - 9th International Symposium, 2012

2011
Controlling the Perceived Material in an Impact Sound Synthesizer.
IEEE Trans. Speech Audio Process., 2011

Auditory Time-Frequency Masking: Psychoacoustical Data and Application to Audio Representations.
Proceedings of the Speech, Sound and Music Processing: Embracing Research in India, 2011

Perceptual Control of Environmental Sound Synthesis.
Proceedings of the Speech, Sound and Music Processing: Embracing Research in India, 2011

2010
A 3-D Immersive Synthesizer for Environmental Sounds.
IEEE Trans. Speech Audio Process., 2010

Time-Frequency Synthesis of Noisy Sounds With Narrow Spectral Components.
IEEE Trans. Speech Audio Process., 2010

The Evocative Power of Sounds: Conceptual Priming between Words and Nonverbal Sounds.
J. Cogn. Neurosci., 2010

Sound Categorization and Conceptual Priming for Nonlinguistic and Linguistic Sounds.
J. Cogn. Neurosci., 2010

Perceptual analyses of action-related impact sounds
CoRR, 2010

A unified time-frequency method for synthesizing noisy sounds with short transients and narrow spectral components.
Proceedings of the IEEE International Conference on Acoustics, 2010

A new method for Gabor multipliers estimation: Application to sound morphing.
Proceedings of the 18th European Signal Processing Conference, 2010

Abstract Sounds and Their Applications in Audio and Perception Research.
Proceedings of the Exploring Music Contents - 7th International Symposium, 2010

2009
Controlling a spatialized environmental sound synthesizer.
Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, 2009

Spatialized Synthesis of Noisy Environmental Sounds.
Proceedings of the Auditory Display, 6th International Symposium, 2009

Towards Timbre Modeling of Sounds Inside Accelerating Cars.
Proceedings of the Auditory Display, 6th International Symposium, 2009

Imagine the Sounds: An Intuitive Control of an Impact Sound Synthesizer.
Proceedings of the Auditory Display, 6th International Symposium, 2009

2008
Real-Time Perceptual Simulation of Moving Sources: Application to the Leslie Cabinet and 3D Sound Immersion.
EURASIP J. Audio Speech Music. Process., 2008

Perception of Impacted Materials: Sound Retrieval and Synthesis Control Perspectives.
Proceedings of the Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music, 2008

Timbre Perception of Sounds from Impacted Materials: Behavioral, Electrophysiological and Acoustic Approaches.
Proceedings of the Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music, 2008

2007
Electrophysiological Study of Algorithmically Processed Metric/Rhythmic Variations in Language and Music.
EURASIP J. Audio Speech Music. Process., 2007

Perceptual Categorization of Moving sounds for synthesis Applications.
Proceedings of the 2007 International Computer Music Conference, 2007

The effect of Timbre in Clarinet Interpretation.
Proceedings of the 2007 International Computer Music Conference, 2007

Semiotics of Sounds Evoking Motions: Categorization and Acoustic Features.
Proceedings of the Computer Music Modeling and Retrieval. Sense of Sounds, 2007

Improving Musical Expressiveness by Time-Varying Brightness Shaping.
Proceedings of the Computer Music Modeling and Retrieval. Sense of Sounds, 2007

2006
Analysis-synthesis of impact sounds by real-time dynamic filtering.
IEEE Trans. Speech Audio Process., 2006

A Percussive Sound Synthesizer Based on Physical and Perceptual Attributes.
Comput. Music. J., 2006

2005
On the Relative Influence of even and odd harmonics in Clarinet Timbre.
Proceedings of the 2005 International Computer Music Conference, 2005

Synthesis and perceptual manipulation of percussive sounds.
Proceedings of the 2005 International Computer Music Conference, 2005

Timbre Variations as an Attribute of Naturalness in Clarinet Play.
Proceedings of the Computer Music Modeling and Retrieval, Third International Symposium, 2005

2004
A Hybrid Resynthesis Model for Hammer-String Interaction of Piano Tones.
EURASIP J. Adv. Signal Process., 2004

Analysis-synthesis of impact sounds.
Proceedings of the 2004 12th European Signal Processing Conference, 2004

The Clarinet Timbre as an Attribute of Expressiveness.
Proceedings of the Computer Music Modeling and Retrieval: Second International Symposium, 2004

Perceptive and Cognitive Evaluation of a Piano Synthesis Model.
Proceedings of the Computer Music Modeling and Retrieval: Second International Symposium, 2004

2003
Designing Musical Interfaces with Composition in Mind.
Proceedings of the Computer Music Modeling and Retrieval, International Symposium, 2003

2002
From the Physics of Piano Strings to Digital Waveguides.
Proceedings of the 2002 International Computer Music Conference, 2002

2001
Note and Hammer Velocity Dependence of a Piano String Model Based on Coupled Digital Waveguides.
Proceedings of the 2001 International Computer Music Conference, 2001

2000
Perceptual and Analytical Analysis of the effect of the Hammer Impact on the Piano Tones.
Proceedings of the 2000 International Computer Music Conference, 2000

1999
An hybrid audio coder for very low bit rate with two-level psychoacoustic modeling.
Proceedings of the Third IEEE Workshop on Multimedia Signal Processing, 1999

Sound Modeling of Transient and Sustained Musical Sounds.
Proceedings of the 1999 International Computer Music Conference, 1999

Resynthesis of Piano Strings Vibrations Based on Physical Modeling.
Proceedings of the 1999 International Computer Music Conference, 1999

1996
Characterization of acoustic signals through continuous linear time-frequency representations.
Proc. IEEE, 1996

Estimation of Parameters Corresponding to A Propagative Synthesis Model Through the Analysis of Real Sounds.
Proceedings of the 1996 International Computer Music Conference, 1996

1993
Towards Non-Linear Resynthesis of Instrumental Sounds.
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

1992
Asymptotic wavelet and Gabor analysis: Extraction of instantaneous frequencies.
IEEE Trans. Inf. Theory, 1992

Additive Resynthesis of Sounds Using Continous Time-Frequency Analysis Techniques.
Proceedings of the 1992 International Computer Music Conference, 1992

1990
Parameters Estimation for Non-linear Resynthesis Methods with the Help of a Time-Frequency Analysis for Real Sounds.
Proceedings of the 1990 International Computer Music Conference, 1990

1989
Granular Resynthesis and Transformation of Sounds through Wavelet Transform Analysis.
Proceedings of the 1989 International Computer Music Conference, 1989

1987
Analysis of Sound Patterns through Wavelet transforms.
Int. J. Pattern Recognit. Artif. Intell., 1987


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