David Wessel

Proceedings of the International Symposium on Networks, Computers and Communications, 2023

2021

Multiple OAM Signal Recovery Using Pseudo- Doppler Technique with Two mm-Wave Receivers.

[BibT_eX]

[DOI]

Proceedings of the IEEE International Conference on Communications Workshops, 2021

2016

Specification Mining for Machine Improvisation with Formal Specifications.

[BibT_eX]

[DOI]

Comput. Entertain., 2016

2015

An Accessible Platform for Exploring Haptic Interactions with Co-located Capacitive and Piezoresistive Sensors.

[BibT_eX]

[DOI]

Proceedings of the Ninth International Conference on Tangible, 2015

Control Improvisation.

[BibT_eX]

[DOI]

Proceedings of the 35th IARCS Annual Conference on Foundation of Software Technology and Theoretical Computer Science, 2015

2014

The Swarm at the Edge of the Cloud.

[BibT_eX]

[DOI]

IEEE Des. Test, 2014

New Tools for Aspect-Oriented Programming in Music and Media Programming Environments.

[BibT_eX]

[DOI]

John MacCallum

Proceedings of the Music Technology meets Philosophy, 2014

o.io: a Unified Communications Framework for Music, Intermedia and Cloud Interaction.

[BibT_eX]

[DOI]

Proceedings of the Music Technology meets Philosophy, 2014

Machine Improvisation with Formal Specifications.

[BibT_eX]

[DOI]

Proceedings of the Music Technology meets Philosophy, 2014

2013

Agile Interface Development using OSC Expressions and Process Migration.

[BibT_eX]

[DOI]

John MacCallum

Proceedings of the 13th International Conference on New Interfaces for Musical Expression, 2013

2012

Analyzing Drum Patterns Using Conditional Deep Belief Networks.

[BibT_eX]

[DOI]

Eric Battenberg

Proceedings of the 13th International Society for Music Information Retrieval Conference, 2012

2011

Robust and Reliable Fabric, Piezoresistive Multitouch Sensing Surfaces for Musical Controllers.

[BibT_eX]

[DOI]

Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

Real-time Musical Applications on an Experimental Operating System for Multi-Core Processors.

[BibT_eX]

[DOI]

Proceedings of the 2011 International Computer Music Conference, 2011

2010

Advances In The Parallelization Of Music And Audio Applications.

[BibT_eX]

[DOI]

Eric Battenberg

Proceedings of the 2010 International Computer Music Conference, 2010

2009

A view of the parallel computing landscape.

[BibT_eX]

[DOI]

Commun. ACM, 2009

Hands On - A New Work from SLABS Controller and Generative Algorithms.

[BibT_eX]

[DOI]

Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

Accelerating Non-Negative Matrix Factorization for Audio Source Separation on Multi-Core and Many-Core Architectures.

[BibT_eX]

[DOI]

Eric Battenberg

Proceedings of the 10th International Society for Music Information Retrieval Conference, 2009

Timbral Migration: Stochastic Processes for the Control of Smooth Spectral Transformation.

[BibT_eX]

[DOI]

John MacCallum

Andrew Schmeder

Proceedings of the 2009 International Computer Music Conference, 2009

2008

Reinventing Audio and Music Computation for Many-Core Processors.

[BibT_eX]

[DOI]

Proceedings of the 2008 International Computer Music Conference, 2008

2007

A Force Sensitive Multi-Touch Array Supporting Multiple 2-D Musical Control Structures.

[BibT_eX]

[DOI]

Proceedings of the Seventh International Conference on New Interfaces for Musical Expression, 2007

Cnmat Information Infrastructure.

[BibT_eX]

[DOI]

Proceedings of the 2007 International Computer Music Conference, 2007

2006

Augmenting the Cello.

[BibT_eX]

[DOI]

Proceedings of the New Interfaces for Musical Expression, 2006

2005

Combining audio and gestures for a Real-Time Improviser.

[BibT_eX]

[DOI]

Roberto Morales

Eduardo F. Morales

Proceedings of the 2005 International Computer Music Conference, 2005

Optimal Positioning in low-Dimensional control Spaces using Convex Optimization.

[BibT_eX]

[DOI]

Peter Kassakian

Proceedings of the 2005 International Computer Music Conference, 2005

Multi-instrument musical transcription using a dynamic graphical model.

[BibT_eX]

[DOI]

Brian K. Vogel

Michael I. Jordan

Proceedings of the 2005 IEEE International Conference on Acoustics, 2005

2004

Panel: Standards from the Computer Music Community.

[BibT_eX]

[DOI]

Proceedings of the 2004 International Computer Music Conference, 2004

2003

Characterizing and Controlling Musical Material Intuitively with Geometric Models.

[BibT_eX]

[DOI]

Ali Momeni

Proceedings of the New Interfaces for Musical Expression, 2003

2002

Problems and Prospects for Intimate Musical Control of Computers.

[BibT_eX]

[DOI]

Comput. Music. J., 2002

Intimate Musical Control of Computers with a Variety of Controllers and Gesture Mapping Metaphors.

[BibT_eX]

[DOI]

John Schott

Proceedings of the New Interfaces for Musical Expression, 2002

2001

Preparation for Interactive Live Computer Performance in Collaboration with a Symphony Orchestra.

[BibT_eX]

[DOI]

Proceedings of the 2001 International Computer Music Conference, 2001

Listener Evaluation of Reduction Strategies for Sinusoidal and Resonance Models.

[BibT_eX]

[DOI]

Amar Chaudhary

Lawrence A. Rowe

Proceedings of the 2001 International Computer Music Conference, 2001

2000

An XML-based SDIF Stream Relationships Language.

[BibT_eX]

[DOI]

Proceedings of the 2000 International Computer Music Conference, 2000

Scalable Connectivity Processor for Computer Music Performance Systems.

[BibT_eX]

[DOI]

Proceedings of the 2000 International Computer Music Conference, 2000

1999

Exploiting Parallelism in Real-Time Music and Audio Applications.

[BibT_eX]

[DOI]

Amar Chaudhary

Proceedings of the Computing in Object-Oriented Parallel Environments, 1999

Volumetric Modeling of Acoustic Fields in CNMAT's Sound Spatialization Theatre.

[BibT_eX]

[DOI]

Proceedings of the 1999 International Computer Music Conference, 1999

A fixed-point recursive digital oscillator for additive synthesis of audio.

[BibT_eX]

[DOI]

Proceedings of the 1999 IEEE International Conference on Acoustics, 1999

1998

Volumetric modeling of acoustic fields in CNMAT's sound spatialization theatre.

[BibT_eX]

[DOI]

Sami Khoury

Proceedings of the 9th IEEE Visualization Conference, 1998

An Improvisation Environment for Generating Rhythmic Structures Based on North Indian "Tal" Patterns.

[BibT_eX]

[DOI]

Proceedings of the 1998 International Computer Music Conference, 1998

New Applications of the Sound Description Interchange Format.

[BibT_eX]

[DOI]

Proceedings of the 1998 International Computer Music Conference, 1998

Preparation for Improvised Performance in Collaboration with a Khyal Singer.

[BibT_eX]

[DOI]

Shafqat Ali Khan

Proceedings of the 1998 International Computer Music Conference, 1998

Removing the Time Axis from Spectral Model Analysis-Based Additive Synthesis: Neural Networks versus Memory-Based Machine Learning.

[BibT_eX]

[DOI]

Cyril Drame

Proceedings of the 1998 International Computer Music Conference, 1998

Communication of Musical Gesture using the AES/EBU Digital Audio Standard.

[BibT_eX]

[DOI]

Proceedings of the 1998 International Computer Music Conference, 1998

A 3D Graphical User Interface for Resonance Modeling.

[BibT_eX]

[DOI]

Proceedings of the 1998 International Computer Music Conference, 1998

1997

New Musical Control Structures from Standard Gestural Controllers.

[BibT_eX]

[DOI]

Proceedings of the 1997 International Computer Music Conference, 1997

1994

A New Network and Communications Protocol for Electronic Musical Devices.

[BibT_eX]

[DOI]

Proceedings of the 1994 International Computer Music Conference, 1994

Real-Time Additive Synthesis Controlled by a Mixture of Neural-Networks and Direct Manipulation of Physical and Perceptual Attributes.

[BibT_eX]

[DOI]

Proceedings of the 1994 International Computer Music Conference, 1994

1993

Real-Time Neuro-Fuzzy Systems for Adaptive Control of Musical Processes.

[BibT_eX]

[DOI]

Michael A. Lee

Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

1992

Connectionist Models for Real-Time Control of Synthesis and COmpositional Algorithms.

[BibT_eX]

[DOI]

Michael A. Lee

Proceedings of the 1992 International Computer Music Conference, 1992

1991

Improvisation with Highly Interactive Real-Time Performance Systems.

[BibT_eX]

[DOI]

Proceedings of the 1991 International Computer Music Conference, 1991

Real-Time Neural Network Processing of Gestural and Acoustic Signals.

[BibT_eX]

[DOI]

Michael A. Lee

Proceedings of the 1991 International Computer Music Conference, 1991

MAX Objects for Media Integration.

[BibT_eX]

[DOI]

David Zicarelli

Proceedings of the 1991 International Computer Music Conference, 1991

1990

A Multimedia Digital Signal Processing Tutoring System.

[BibT_eX]

[DOI]

Sam Pointer

John Wawrzynek

Proceedings of the 1990 International Computer Music Conference, 1990

1989

The Center for New Music and Audio Technologies.

[BibT_eX]

[DOI]

Proceedings of the 1989 International Computer Music Conference, 1989

1987

Control of Phrasing and Articulation in Synthesis.

[BibT_eX]

[DOI]

David Bristow

Zack Settel

Proceedings of the 1987 International Computer Music Conference, 1987

1986

MIDI-LISP: A LISP-Based Music Programming Environment for the Macintosh.

[BibT_eX]

[DOI]

Proceedings of the 1986 International Computer Music Conference, 1986

1981

A General Synthesis Package Based on Principles of Auditory Perception.

[BibT_eX]

[DOI]

Stephen McAdams

Proceedings of the 1981 International Computer Music Conference, 1981

1977

Psychoacoustic Aids for the Musician's Exploration of New Material.

[BibT_eX]

[DOI]