Sølvi Ystad

According to our database1, Sølvi Ystad authored at least 48 papers between 1996 and 2020.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Other 

Links

Online presence:

On csauthors.net:

Bibliography

2020
Detection of Friction-Modulated Textures is Limited by Vibrotactile Sensitivity.
IEEE Trans. Haptics, 2020

2018
Evaluation of a congruent auditory feedback for Motor Imagery BCI.
CoRR, 2018

Harnessing Audio in Auto Control: The Challenge of Sonifying Virtual Objects for Gesture Control of Cars.
IEEE Consumer Electron. Mag., 2018

Assessing the Effects of a Primary Control Impairment on the Cellists' Bowing Gesture Inducing Harsh Sounds.
IEEE Access, 2018

2017
Exploration of Sonification Strategies for Guidance in a Blind Driving Game.
Proceedings of the Music Technology with Swing - 13th International Symposium, 2017

Assessing Sound Perception Through Vocal Imitations of Sounds that Evoke Movements and Materials.
Proceedings of the Music Technology with Swing - 13th International Symposium, 2017

2016
Comparison and Evaluation of Sonification Strategies for Guidance Tasks.
IEEE Trans. Multim., 2016

Eluding the Influence of Postural Constraints on Cellists' Bowing Movements and Timbral Quality.
Proceedings of the Bridging People and Sound - 12th International Symposium, 2016

2015
Perception-based interactive sound synthesis of morphing solids' interactions.
Proceedings of the SIGGRAPH Asia 2015 Technical Briefs, Kobe, Japan, November 2-6, 2015, 2015

Assessing the Influence of Constraints on Cellists' Postural Displacements and Musical Expressivity.
Proceedings of the Music, Mind, and Embodiment - 11th International Symposium, 2015

2014
A Synthesis Model With Intuitive Control Capabilities for Rolling Sounds.
IEEE ACM Trans. Audio Speech Lang. Process., 2014

An Intuitive Synthesizer of Continuous-Interaction Sounds: Rubbing, Scratching, and Rolling.
Comput. Music. J., 2014

2013
Perceptual characterization of motion evoked by sounds for synthesis control purposes.
ACM Trans. Appl. Percept., 2013

Audio-Motor Synchronization: The Effect of Mapping Between Kinematics and Acoustic Cues on Geometric Motor Features.
Proceedings of the Sound, Music, and Motion - 10th International Symposium, 2013

Movement Sonification for the Diagnosis and the Rehabilitation of Graphomotor Disorders.
Proceedings of the Sound, Music, and Motion - 10th International Symposium, 2013

2012
High-level control of sound synthesis for sonification processes.
AI Soc., 2012

Reenacting Sensorimotor Features of Drawing Movements from Friction Sounds.
Proceedings of the From Sounds to Music and Emotions - 9th International Symposium, 2012

Intuitive Control of Rolling Sound Synthesis.
Proceedings of the From Sounds to Music and Emotions - 9th International Symposium, 2012

2011
Controlling the Perceived Material in an Impact Sound Synthesizer.
IEEE Trans. Speech Audio Process., 2011

Auditory Time-Frequency Masking: Psychoacoustical Data and Application to Audio Representations.
Proceedings of the Speech, Sound and Music Processing: Embracing Research in India, 2011

Perceptual Control of Environmental Sound Synthesis.
Proceedings of the Speech, Sound and Music Processing: Embracing Research in India, 2011

2010
The Evocative Power of Sounds: Conceptual Priming between Words and Nonverbal Sounds.
J. Cogn. Neurosci., 2010

Sound Categorization and Conceptual Priming for Nonlinguistic and Linguistic Sounds.
J. Cogn. Neurosci., 2010

Perceptual analyses of action-related impact sounds
CoRR, 2010

Abstract Sounds and Their Applications in Audio and Perception Research.
Proceedings of the Exploring Music Contents - 7th International Symposium, 2010

2009
Towards Timbre Modeling of Sounds Inside Accelerating Cars.
Proceedings of the Auditory Display, 6th International Symposium, 2009

Imagine the Sounds: An Intuitive Control of an Impact Sound Synthesizer.
Proceedings of the Auditory Display, 6th International Symposium, 2009

2008
Perception of Impacted Materials: Sound Retrieval and Synthesis Control Perspectives.
Proceedings of the Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music, 2008

Timbre Perception of Sounds from Impacted Materials: Behavioral, Electrophysiological and Acoustic Approaches.
Proceedings of the Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music, 2008

2007
Electrophysiological Study of Algorithmically Processed Metric/Rhythmic Variations in Language and Music.
EURASIP J. Audio Speech Music. Process., 2007

Perceptual Categorization of Moving sounds for synthesis Applications.
Proceedings of the 2007 International Computer Music Conference, 2007

The effect of Timbre in Clarinet Interpretation.
Proceedings of the 2007 International Computer Music Conference, 2007

Semiotics of Sounds Evoking Motions: Categorization and Acoustic Features.
Proceedings of the Computer Music Modeling and Retrieval. Sense of Sounds, 2007

Improving Musical Expressiveness by Time-Varying Brightness Shaping.
Proceedings of the Computer Music Modeling and Retrieval. Sense of Sounds, 2007

2006
A Percussive Sound Synthesizer Based on Physical and Perceptual Attributes.
Comput. Music. J., 2006

2005
On the Relative Influence of even and odd harmonics in Clarinet Timbre.
Proceedings of the 2005 International Computer Music Conference, 2005

Synthesis and perceptual manipulation of percussive sounds.
Proceedings of the 2005 International Computer Music Conference, 2005

Timbre Variations as an Attribute of Naturalness in Clarinet Play.
Proceedings of the Computer Music Modeling and Retrieval, Third International Symposium, 2005

2004
The Clarinet Timbre as an Attribute of Expressiveness.
Proceedings of the Computer Music Modeling and Retrieval: Second International Symposium, 2004

Perceptive and Cognitive Evaluation of a Piano Synthesis Model.
Proceedings of the Computer Music Modeling and Retrieval: Second International Symposium, 2004

2003
Designing Musical Interfaces with Composition in Mind.
Proceedings of the Computer Music Modeling and Retrieval, International Symposium, 2003

2002
Analysis and synthesis of unusual friction-driven musical instruments.
Proceedings of the 2002 International Computer Music Conference, 2002

2001
A Virtually Real Flute.
Comput. Music. J., 2001

Analysis-Synthesis of Flute Sounds Using a Non-Linear Digital Waveguide Model.
Proceedings of the 2001 International Computer Music Conference, 2001

2000
Perceptual and Analytical Analysis of the effect of the Hammer Impact on the Piano Tones.
Proceedings of the 2000 International Computer Music Conference, 2000

1999
Design of a Flute Interface to Control Synthesis Models.
Proceedings of the 1999 International Computer Music Conference, 1999

Sound Modeling of Transient and Sustained Musical Sounds.
Proceedings of the 1999 International Computer Music Conference, 1999

1996
Estimation of Parameters Corresponding to A Propagative Synthesis Model Through the Analysis of Real Sounds.
Proceedings of the 1996 International Computer Music Conference, 1996


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