Alberto Boem

Orcid: 0000-0001-7711-5445

According to our database1, Alberto Boem authored at least 23 papers between 2014 and 2026.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

Legend:

Book  In proceedings  Article  PhD thesis  Dataset  Other 

Links

Online presence:

On csauthors.net:

Bibliography

2026
Imagining the Musical Metaverse: a study on the needs and creative practices of composers and musicians.
Digit. Creativity, April, 2026

Looking inside the VR Music Scene: Mapping Platforms, Events and People.
Proceedings of the 2026 CHI Conference on Human Factors in Computing Systems, 2026

Plug the Guitar In Before You Put the Headset On: Co-designing a Mixed Reality Collaborative Application with Professional Musicians.
Proceedings of the 2026 CHI Conference on Human Factors in Computing Systems, 2026

2025
Multisensory Music Listening in Affective Virtual Environments.
IEEE Trans. Affect. Comput., 2025

The Virtual Concert-goer: Audience Perspectives on Remote Music Performances.
Proc. ACM Hum. Comput. Interact., 2025

Between immersion and usability: A comparative study of 2D and mixed reality interfaces for remote music making.
Int. J. Hum. Comput. Stud., 2025

Towards a Networking Architecture for the Musical Metaverse: The MUSMET Vision.
Proceedings of the 6th IEEE International Symposium on the Internet of Sounds, 2025

Connecting MIDI Interfaces to the Musical Metaverse.
Proceedings of the 6th IEEE International Symposium on the Internet of Sounds, 2025

Perspectives on Practical Implementations in the Web-based Musical Metaverse.
Proceedings of the 6th IEEE International Symposium on the Internet of Sounds, 2025

A Decoupled VR and Real-time Audio System for Distributed Musical Collaboration.
Proceedings of the 6th IEEE International Symposium on the Internet of Sounds, 2025

2024
Selection as Tapping: An evaluation of 3D input techniques for timing tasks in musical Virtual Reality.
Int. J. Hum. Comput. Stud., May, 2024

Hearing loss prevention at loud music events via real-time visuo-haptic feedback.
J. Multimodal User Interfaces, March, 2024

BCHJam: a Brain-Computer Music Interface for Live Music Performance in Shared Mixed Reality Environments.
Proceedings of the 2024 IEEE 5th International Symposium on the Internet of Sounds (IS2), Erlangen, Germany, September 30, 2024

"It Takes Two" - Shared and Collaborative Virtual Musical Instruments in the Musical Metaverse.
Proceedings of the 2024 IEEE 5th International Symposium on the Internet of Sounds (IS2), Erlangen, Germany, September 30, 2024

2023
Musical Metaverse Playgrounds: exploring the design of shared virtual sonic experiences on web browsers.
Proceedings of the 2023 4th International Symposium on the Internet of Sounds, 2023

2020
Non-Rigid Musical Interfaces: Exploring Practices, Takes, and Future Perspective.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

2019
Malleable Media Towards Shape-changing Interfaces.
PhD thesis, 2019

Human Perception of a Haptic Shape-changing Interface with Variable Rigidity and Size.
Proceedings of the IEEE Conference on Virtual Reality and 3D User Interfaces, 2019

Non-Rigid HCI: A Review of Deformable Interfaces and Input.
Proceedings of the 2019 on Designing Interactive Systems Conference, DIS 2019, San Diego, 2019

2018
"It's like holding a human heart": the design of Vital + Morph, a shape-changing interface for remote monitoring.
AI Soc., 2018

Encounter-Type Haptic Interfaces for Virtual Reality Musical Instruments.
Proceedings of the 2018 IEEE Conference on Virtual Reality and 3D User Interfaces, 2018

2017
Vital+Morph: A Shape-changing Interface for Remote Biometric Monitoring.
Proceedings of the Tenth International Conference on Tangible, 2017

2014
SCULPTON: A Malleable Tangible Interface for Sound Sculpting.
Proceedings of the Music Technology meets Philosophy, 2014


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