Alberto Boem

Orcid: 0000-0001-7711-5445

According to our database1, Alberto Boem authored at least 10 papers between 2014 and 2024.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of five.

Timeline

Legend:

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Article 
PhD thesis 
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Links

On csauthors.net:

Bibliography

2024
Selection as Tapping: An evaluation of 3D input techniques for timing tasks in musical Virtual Reality.
Int. J. Hum. Comput. Stud., May, 2024

Hearing loss prevention at loud music events via real-time visuo-haptic feedback.
J. Multimodal User Interfaces, March, 2024

2020
Non-Rigid Musical Interfaces: Exploring Practices, Takes, and Future Perspective.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

2019
Malleable Media Towards Shape-changing Interfaces.
PhD thesis, 2019

Human Perception of a Haptic Shape-changing Interface with Variable Rigidity and Size.
Proceedings of the IEEE Conference on Virtual Reality and 3D User Interfaces, 2019

Non-Rigid HCI: A Review of Deformable Interfaces and Input.
Proceedings of the 2019 on Designing Interactive Systems Conference, DIS 2019, San Diego, 2019

2018
"It's like holding a human heart": the design of Vital + Morph, a shape-changing interface for remote monitoring.
AI Soc., 2018

Encounter-Type Haptic Interfaces for Virtual Reality Musical Instruments.
Proceedings of the 2018 IEEE Conference on Virtual Reality and 3D User Interfaces, 2018

2017
Vital+Morph: A Shape-changing Interface for Remote Biometric Monitoring.
Proceedings of the Tenth International Conference on Tangible, 2017

2014
SCULPTON: A Malleable Tangible Interface for Sound Sculpting.
Proceedings of the Music Technology meets Philosophy, 2014


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