Roger B. Dannenberg

Orcid: 0000-0003-1823-9856

Affiliations:
  • Carnegie Mellon University, Pittsburgh, USA


According to our database1, Roger B. Dannenberg authored at least 168 papers between 1982 and 2024.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Awards

ACM Fellow

ACM Fellow 2023, "For contributions to the field of computer science through innovative computer music systems".

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Dataset
Other 

Links

Online presence:

On csauthors.net:

Bibliography

2024
The Beauty of Repetition: An Algorithmic Composition Model With Motif-Level Repetition Generator and Outline-to-Music Generator in Symbolic Music Generation.
IEEE Trans. Multim., 2024

Modeling Analog Dynamic Range Compressors using Deep Learning and State-space Models.
CoRR, 2024

ChatMusician: Understanding and Generating Music Intrinsically with LLM.
CoRR, 2024

2023
Mobile Devices and Sensors for an Educational Multimedia Opera Project.
Sensors, 2023

Motif-Centric Representation Learning for Symbolic Music.
CoRR, 2023

MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Training.
CoRR, 2023

MARBLE: Music Audio Representation Benchmark for Universal Evaluation.
Proceedings of the Advances in Neural Information Processing Systems 36: Annual Conference on Neural Information Processing Systems 2023, 2023

LyricWhiz: Robust Multilingual Zero-Shot Lyrics Transcription by Whispering to ChatGPT.
Proceedings of the 24th International Society for Music Information Retrieval Conference, 2023

On the Effectiveness of Speech Self-Supervised Learning for Music.
Proceedings of the 24th International Society for Music Information Retrieval Conference, 2023

SingStyle111: A Multilingual Singing Dataset With Style Transfer.
Proceedings of the 24th International Society for Music Information Retrieval Conference, 2023

Transplayer: Timbre Style Transfer with Flexible Timbre Control.
Proceedings of the IEEE International Conference on Acoustics, 2023

2022
Relating Human Perception of Musicality to Prediction in a Predictive Coding Model.
CoRR, 2022

What is missing in deep music generation? A study of repetition and structure in popular music.
Proceedings of the 23rd International Society for Music Information Retrieval Conference, 2022

2021
Communication for Real-Time Music Systems: An Overview of O2.
Comput. Music. J., December, 2021

Editorial: Music and AI.
Frontiers Artif. Intell., 2021

Personalized Popular Music Generation Using Imitation and Structure.
CoRR, 2021

Canons for Conlon: Composing and Performing Multiple Tempi on the Web.
Proceedings of the 21th International Conference on New Interfaces for Musical Expression, 2021

Controllable deep melody generation via hierarchical music structure representation.
Proceedings of the 22nd International Society for Music Information Retrieval Conference, 2021

2020
Automatic Analysis and Influence of Hierarchical Structure on Melody, Rhythm and Harmony in Popular Music.
CoRR, 2020

Artificial Creative Intelligence: Breaking the Imitation Barrier.
Proceedings of the Eleventh International Conference on Computational Creativity, 2020

2019
O2: A Network Protocol for Music Systems.
Wirel. Commun. Mob. Comput., 2019

Music Interfaces Based on Automatic Music Signal Analysis: New Ways to Create and Listen to Music.
IEEE Signal Process. Mag., 2019

Review of "The Haskell School of Music: from Signals to Symphonies, " by Paul Hudak and Donya Quick, Cambridge University Press, 2018.
J. Funct. Program., 2019

Software for Interactive and Collaborative Creation in the Classroom and Beyond: An Overview of the Soundcool Software.
Comput. Music. J., 2019

2018
Languages for Computer Music.
Frontiers Digit. Humanit., 2018

ShIFT: A Semi-haptic Interface for Flute Tutoring.
CoRR, 2018

ShIFT: A Semi-haptic Interface for Flute Tutoring.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

UGG: a Unit Generator Generator.
Proceedings of the 2018 International Computer Music Conference, 2018

2017
Be Careful What You Backpropagate: A Case For Linear Output Activations & Gradient Boosting.
CoRR, 2017

Improvised duet interaction: learning improvisation techniques for automatic accompaniment.
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

Time-Flow Concepts and Architectures For Music and Media Synchronization.
Proceedings of the 2017 International Computer Music Conference, 2017

2016
O2: Rethinking Open Sound Control.
Proceedings of the 2016 International Computer Music Conference, 2016

2015
Duet interaction: learning musicianship for automatic accompaniment.
Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

Optical music recognition for interactive score display.
Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

Arrangements: flexibly adapting music data for live performance.
Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

Spectral Learning for Expressive Interactive Ensemble Music Performance.
Proceedings of the 16th International Society for Music Information Retrieval Conference, 2015

Image Quality Estimation for Multi-Score OMR.
Proceedings of the 16th International Society for Music Information Retrieval Conference, 2015

A Statistical View on the Expressive Timing of Piano Rolled Chords.
Proceedings of the 16th International Society for Music Information Retrieval Conference, 2015

An Online Interactive Course on Computer Music.
Proceedings of the Looking Back, 2015

2014
Active Scores: Representation and Synchronization in Human-Computer Performance of Popular Music.
Comput. Music. J., 2014

Methods and Prospects for Human-Computer Performance of Popular Music.
Comput. Music. J., 2014

Extending Aura with Csound Opcodes.
Proceedings of the Music Technology meets Philosophy, 2014

Scaling Up Live Internet Performance with The Global Net Orchestra.
Proceedings of the Music Technology meets Philosophy, 2014

2013
Formal Semantics for Music Notation control Flow.
Proceedings of the 39th International Computer Music Conference, 2013

MidiFind: Similarity Search and Popularity Mining in Large MIDI Databases.
Proceedings of the Sound, Music, and Motion - 10th International Symposium, 2013

Extracting Commands from Gestures: Gesture Spotting and Recognition for Real-Time Music Performance.
Proceedings of the Sound, Music, and Motion - 10th International Symposium, 2013

Algorithmic Composition - A Guide to Composing Music with Nyquist.
University of Michigan Press, ISBN: 978-0-472-03523-6, 2013

2012
Human Computer Music Performance.
Proceedings of the Multimodal Music Processing, 2012

Autonomous robot dancing driven by beats and emotions of music.
Proceedings of the International Conference on Autonomous Agents and Multiagent Systems, 2012

2011
A Framework for Coordination and Synchronization of Media.
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

A Reference Architecture and Score Representation for Popular Music Human-Computer Music Performance Systems.
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

Segmentation, Clustering, and Display in a Personal Audio Database for Musicians.
Proceedings of the 12th International Society for Music Information Retrieval Conference, 2011

Characterizing Tempo Change In Musical Performances.
Proceedings of the 2011 International Computer Music Conference, 2011

A Virtual Orchestra for Human-Computer Music Performance.
Proceedings of the 2011 International Computer Music Conference, 2011

A Vision of Creative Computation in Music Performance.
Proceedings of the Second International Conference on Computational Creativity, 2011

2010
As-If Infinitely Ranged Integer Model.
Proceedings of the IEEE 21st International Symposium on Software Reliability Engineering, 2010

Understanding Features and Distance Functions for Music Sequence Alignment.
Proceedings of the 11th International Society for Music Information Retrieval Conference, 2010

Exploring Meaning And Intention In Music Conducting.
Proceedings of the 2010 International Computer Music Conference, 2010

Aurafx: A Simple And Flexible Approach To Interactive Audio Effect-Based Composition And Performance.
Proceedings of the 2010 International Computer Music Conference, 2010

The Intelligent Music Editor: Towards an Automated Platform for Music Analysis and Editing.
Proceedings of the Advanced Intelligent Computing Theories and Applications. With Aspects of Artificial Intelligence, 2010

Critical point, a composition for cello and computer.
Proceedings of the 28th International Conference on Human Factors in Computing Systems, 2010

Style in Music.
Proceedings of the Structure of Style, 2010

2009
SMERS: Music Emotion Recognition Using Support Vector Regression.
Proceedings of the 10th International Society for Music Information Retrieval Conference, 2009

Estimating the Error Distribution of a Single Tap Sequence without Ground Truth.
Proceedings of the 10th International Society for Music Information Retrieval Conference, 2009

Towards Reliable Partial Music Alignments Using Multiple Synchronization Strategies.
Proceedings of the Adaptive Multimedia Retrieval. Understanding Media and Adapting to the User, 2009

2008
Reinventing Audio and Music Computation for Many-Core Processors.
Proceedings of the 2008 International Computer Music Conference, 2008

Is Music Audio Processing Embarrassingly Parallel?
Proceedings of the 2008 International Computer Music Conference, 2008

The Nyquist Composition Environment: Supporting Textual Programming with a Task-Oriented User Interface.
Proceedings of the 2008 International Computer Music Conference, 2008

2007
A comparative evaluation of search techniques for query-by-humming using the MUSART testbed.
J. Assoc. Inf. Sci. Technol., 2007

David Temperley, Music and Probability , MIT Press (2007).
Artif. Intell., 2007

New Interfaces for Popular Music Performance.
Proceedings of the Seventh International Conference on New Interfaces for Musical Expression, 2007

Learning an Orchestra Conductor's Technique Using a Wearable Sensor Platform.
Proceedings of the 11th IEEE International Symposium on Wearable Computers (ISWC 2007), 2007

Polyphonic Music Note Onset Detection Using Semi-Supervised Learning.
Proceedings of the 8th International Conference on Music Information Retrieval, 2007

TagATune: A Game for Music and Sound Annotation.
Proceedings of the 8th International Conference on Music Information Retrieval, 2007

Models and APIs for audio synthesis and Processing a Panel Discussion.
Proceedings of the 2007 International Computer Music Conference, 2007

Placement of sound Sources in the Stereo Field using measured Room impulse responses.
Proceedings of the 2007 International Computer Music Conference, 2007


An Intelligent Multi-Track audio Editor.
Proceedings of the 2007 International Computer Music Conference, 2007

Abstract Behaviors for Structured Music Programming.
Proceedings of the 2007 International Computer Music Conference, 2007

2006
Bootstrap learning for accurate onset detection.
Mach. Learn., 2006

Music score alignment and computer accompaniment.
Commun. ACM, 2006

Query by humming with the VocalSearch system.
Commun. ACM, 2006

David Cope, Computer Models of Musical Creativity, MIT Press (2005).
Artif. Intell., 2006

Remixing Stereo Music with Score-Informed Source Separation.
Proceedings of the ISMIR 2006, 2006

Concatenative Synthesis Using Score-Aligned Transcriptions.
Proceedings of the 2006 International Computer Music Conference, 2006

The Interpretation of MIDI Velocity.
Proceedings of the 2006 International Computer Music Conference, 2006

2005
Interactive Visual Music: A Personal Perspective.
Comput. Music. J., 2005

McBlare: A Robotic Bagpipe Player.
Proceedings of the New Interfaces for Musical Expression, 2005

A Bootstrap Method for Training an Accurate Audio Segmenter.
Proceedings of the ISMIR 2005, 2005

Toward Automated Holistic Beat Tracking, Music Analysis and Understanding.
Proceedings of the ISMIR 2005, 2005

Audio signal Driven sound synthesis.
Proceedings of the 2005 International Computer Music Conference, 2005

A Virtual Patchbay for robust Distributed Interactive Music Systems.
Proceedings of the 2005 International Computer Music Conference, 2005

2004
The MUSART Testbed for Query-by-Humming Evaluation.
Comput. Music. J., 2004

Aura II: Making Real-Time Systems Safe for Music.
Proceedings of the New Interfaces for Musical Expression, 2004

Understanding Search Performance in Query-by-Humming Systems.
Proceedings of the ISMIR 2004, 2004

Panel: Standards from the Computer Music Community.
Proceedings of the 2004 International Computer Music Conference, 2004

Cancellation of Unwanted Audio to Support Interactive Computer Music.
Proceedings of the 2004 International Computer Music Conference, 2004

Combining Visual and Textual Representations for Flexible Interactive Audio Signal Processing.
Proceedings of the 2004 International Computer Music Conference, 2004

2003
Sound Synthesis from Real-Time Video Images.
Proceedings of the 2003 International Computer Music Conference, 2003

Polyphonic Audio Matching for Score Following and Intelligent Audio Editors.
Proceedings of the 2003 International Computer Music Conference, 2003

2002
A Fast Data Structure for Disk-Based Audio Editing.
Comput. Music. J., 2002

Letters.
Comput. Music. J., 2002

A comparison of melodic database retrieval techniques using sung queries.
Proceedings of the ACM/IEEE Joint Conference on Digital Libraries, 2002

Pattern Discovery Techniques for Music Audio.
Proceedings of the ISMIR 2002, 2002

A Probabilistic Model of Melodic Similarity.
Proceedings of the 2002 International Computer Music Conference, 2002

A Language for Interactive Audio Applications.
Proceedings of the 2002 International Computer Music Conference, 2002

Listening to "Naima": An Automated Structural Analysis of Music from Recorded Audio.
Proceedings of the 2002 International Computer Music Conference, 2002

Discovering Musical Structure in Audio Recordings.
Proceedings of the Music and Artificial Intelligence, Second International Conference, 2002

2001
SICIB: An Interactive Music Composition System Using Body Movements.
Comput. Music. J., 2001

Music Information Retrieval as Music Understanding.
Proceedings of the ISMIR 2001, 2001

A System Supporting Flexible Distributed Real-Time Music Processing.
Proceedings of the 2001 International Computer Music Conference, 2001

Panel: New directions in Music Information Retrieval.
Proceedings of the 2001 International Computer Music Conference, 2001

2000
Dynamic Programming for Interactive Music Systems.
Proceedings of the Readings in Music and Artificial Intelligence, 2000

1999
Automatic Capture for Spectrum-Based Instrument Models.
Proceedings of the 1999 International Computer Music Conference, 1999

Time in Distributed Real-Time Systems.
Proceedings of the 1999 International Computer Music Conference, 1999

1998
Enhanced Vocal Performance Tracking Using Multiple Information Sources.
Proceedings of the 1998 International Computer Music Conference, 1998

Synthesizing Trumpet Performances.
Proceedings of the 1998 International Computer Music Conference, 1998

A Study of Trumpet Envelopes.
Proceedings of the 1998 International Computer Music Conference, 1998

Interpolation Error in Waveform Table Lookup.
Proceedings of the 1998 International Computer Music Conference, 1998

Low-latency Music Software Using Off-the-shelf Operating Systems.
Proceedings of the 1998 International Computer Music Conference, 1998

1997
A Stochastic Method of Tracking a Vocal Performer.
Proceedings of the 1997 International Computer Music Conference, 1997

A Machine Learning Approach to Musical Style Recognition.
Proceedings of the 1997 International Computer Music Conference, 1997

1996
A Flexible Real-Time Software Synthesis System.
Proceedings of the 1996 International Computer Music Conference, 1996

1995
Optimizing Software Synthesis Performance.
Proceedings of the 1995 International Computer Music Conference, 1995

Predicting Chords in Jazz.
Proceedings of the 1995 International Computer Music Conference, 1995

Toward Modular, Portable, Real-Time Software.
Proceedings of the 1995 International Computer Music Conference, 1995

1994
Low-Latency Interaction through Choice-Points, Buffering, and Cuts in Tactus.
Proceedings of the International Conference on Multimedia Computing and Systems, 1994

Panel I - Computer-Generated Music and Multimedia Computing.
Proceedings of the International Conference on Multimedia Computing and Systems, 1994

Automating Ensemble Performance.
Proceedings of the 1994 International Computer Music Conference, 1994

Abstract Time Warping of Compound Events and Signals.
Proceedings of the 1994 International Computer Music Conference, 1994

Instruction of Computer Music for Computer Engineering Students and Professionals.
Proceedings of the 1994 International Computer Music Conference, 1994

Automated Accompaniment of Musical Ensembles.
Proceedings of the 12th National Conference on Artificial Intelligence, Seattle, WA, USA, July 31, 1994

1993
Tactus: Toolkit-Level Support for Synchronized Interactive Multimedia.
Multim. Syst., 1993

Real-time issues in computer music.
Proceedings of the Real-Time Systems Symposium. Raleigh-Durham, NC, USA, December 1993, 1993

The Implementation of Nyquist, A Sound Synthesis Language.
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

1992
Tactus: Toolkit-Level Support for Synchronized Interactive Multimedia.
Proceedings of the Network and Operating System Support for Digital Audio and Video, 1992

Real-Time Software Synthesis on Superscaler Architectures.
Proceedings of the 1992 International Computer Music Conference, 1992

1991
Fuge: A Functional Language for Sound Synthesis.
Computer, 1991

The Resource - Instance Model of Music Representation.
Proceedings of the 1991 International Computer Music Conference, 1991

Practical Aspects of a MIDI Conducting System.
Proceedings of the 1991 International Computer Music Conference, 1991

1990
A Structure for Efficient Update, Incremental Redisplay and Undo in Graphical Editors.
Softw. Pract. Exp., 1990

CHI'90 workshop on multimedia and multimodal interface design.
ACM SIGCHI Bull., 1990

Garnet: Comprehensive Support for Graphical, Highly Interactive User Interfaces.
Computer, 1990

An Expert System for Teaching Piano to Novices.
Proceedings of the 1990 International Computer Music Conference, 1990

A Run-time System for Arctic.
Proceedings of the 1990 International Computer Music Conference, 1990

Tracking Musical Beats in Real Time.
Proceedings of the 1990 International Computer Music Conference, 1990

1989
Creating graphical interactive application objects by demonstration.
Proceedings of the 2nd Annual ACM Symposium on User Interface Software and Technology, 1989

A gesture based user interface prototyping system.
Proceedings of the 2nd Annual ACM Symposium on User Interface Software and Technology, 1989

Fugue: Composition and Sound Synthesis with Lazy Evaluation and Behavioral Abstraction.
Proceedings of the 1989 International Computer Music Conference, 1989

Music Representation Issues: A Position Paper.
Proceedings of the 1989 International Computer Music Conference, 1989

1988
The Analysis and Resynthesis of Tones via Spectral Interpolation.
Proceedings of the 1988 International Computer Music Conference, 1988

New Techniques for Enhanced Quality of Computer Accompaniment.
Proceedings of the 1988 International Computer Music Conference, 1988

A Real Time Scheduler/Dispatcher.
Proceedings of the 1988 International Computer Music Conference, 1988

1987
Following an Improvisation in Real Time.
Proceedings of the 1987 International Computer Music Conference, 1987

1986
Arctic: A Functional Language for Real-Time Control.
IEEE Softw., 1986

A Structure for Representing, Displaying, and Editing Music.
Proceedings of the 1986 International Computer Music Conference, 1986

The CMU MIDI Toolkit.
Proceedings of the 1986 International Computer Music Conference, 1986

A Workstation in Live Performance: Composed Improvisation.
Proceedings of the 1986 International Computer Music Conference, 1986

The computer as musical accompanist.
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, 1986

1985
A Butler Process for Resource Sharing on Spice Machines.
ACM Trans. Inf. Syst., 1985

Real-Time Computer Accompaniment of Keyboard Performances.
Proceedings of the 1985 International Computer Music Conference, 1985

Protection for Communication and Sharing in A Personal Computer Network.
Proceedings of the 5th International Conference on Distributed Computing Systems, 1985

1984
Arctic: A Functional Language for Real-Time Control.
Proceedings of the 1984 ACM Conference on LISP and Functional Programming, 1984

Carnegie-Mellon University Studio Report.
Proceedings of the 1984 International Computer Music Conference, 1984

A Functional Approach to Real-Time Control.
Proceedings of the 1984 International Computer Music Conference, 1984

An On-Line Algorithm for Real-Time Accompaniment.
Proceedings of the 1984 International Computer Music Conference, 1984

1983
An Automated Approach to Tuning.
Proceedings of the 1983 International Computer Music Conference, 1983

1982
Formal Program Verification Using Symbolic Execution.
IEEE Trans. Software Eng., 1982


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