Nicolas D'Alessandro

According to our database1, Nicolas D'Alessandro authored at least 41 papers between 2005 and 2022.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

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Bibliography

2022
TOuch ThE Music: Displaying Live Music into Vibration.
Proceedings of the Haptic and Audio Interaction Design - 11th International Workshop, 2022

2016
A Novel Tool for Motion Capture Database Factor Statistical Exploration.
Proceedings of the 3rd International Symposium on Movement and Computing, 2016


2015
Airpiano: a multi-touch keyboard with hovering control.
Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

Feature Extraction and Expertise Analysis of Pianists' Motion-Captured Finger Gestures.
Proceedings of the Looking Back, 2015

An HMM-based speech-smile synthesis system: An approach for amusement synthesis.
Proceedings of the 11th IEEE International Conference and Workshops on Automatic Face and Gesture Recognition, 2015

Motion machine: A new framework for motion capture signal feature prototyping.
Proceedings of the 23rd European Signal Processing Conference, 2015

2014
Exploration of a Stylistic Motion Space Through Realtime Synthesis.
Proceedings of the VISAPP 2014, 2014

Hidden Markov Model Based Real-Time Motion Recognition and Following.
Proceedings of the International Workshop on Movement and Computing, 2014

Towards a Dynamic Model of the Palm Mute Guitar Technique Based on Capturing Pressure Profiles Between the Guitar Strings.
Proceedings of the Music Technology meets Philosophy, 2014

Designing speech and language interactions.
Proceedings of the CHI Conference on Human Factors in Computing Systems, 2014

2013
PENny: An Extremely Low-Cost Pressure-Sensitive Stylus for Existing Capacitive Touchscreens.
Proceedings of the 13th International Conference on New Interfaces for Musical Expression, 2013

MAGE 2.0: New Features and its Application in the Development of a Talking Guitar.
Proceedings of the 13th International Conference on New Interfaces for Musical Expression, 2013

MAGEFACE: Performative Conversion of Facial Characteristics into Speech Synthesis Parameters.
Proceedings of the Intelligent Technologies for Interactive Entertainment, 2013

A quantitative comparison of glottal closure instant estimation algorithms on a large variety of singing sounds.
Proceedings of the INTERSPEECH 2013, 2013

Reactive accent interpolation through an interactive map application.
Proceedings of the INTERSPEECH 2013, 2013

Reactive Statistical Mapping: Towards the Sketching of Performative Control with Data.
Proceedings of the Innovative and Creative Developments in Multimodal Interaction Systems, 2013

A comparative study of pitch extraction algorithms on a large variety of singing sounds.
Proceedings of the IEEE International Conference on Acoustics, 2013

2012
Reactive and continuous control of HMM-based speech synthesis.
Proceedings of the 2012 IEEE Spoken Language Technology Workshop (SLT), 2012

Investigation of Gesture Controlled Articulatory Vocal Synthesizer using a Bio-Mechanical Mapping Layer.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

A Digital Mobile Choir: Joining Two Interfaces towards Composing and Performing Collaborative Mobile Music.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

MAGE -A Platform for Tangible Speech Synthesis.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

Vuzik: a Painting Graphic Score Interface for Composing and control of sound Generation.
Proceedings of the Non-Cochlear Sound: Proceedings of the 38th International Computer Music Conference, 2012

2011
SQUEEZY: Extending a Multi-touch Screen with Force Sensing Objects for Controlling Articulatory Synthesis.
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

ROOM #81 - Agent-Based Instrument for Experiencing Architectural and Vocal Cues.
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

ROOM#81 - An Architectural Instrument for Exploring Human Control of Primitive Vocal Cues.
Proceedings of the Workshop-Proceedings der Tagung Mensch & Computer 2011. überMEDIEN|ÜBERmorgen, 2011

Analysis-by-Performance: Gesturally-Controlled Voice Synthesis as an Input for Modelling of Vibrato in Singing.
Proceedings of the 2011 International Computer Music Conference, 2011

Performance: what does a body know?
Proceedings of the International Conference on Human Factors in Computing Systems, 2011

Ubiquitous voice synthesis: interactive manipulation of speech and singing on mobile distributed platforms.
Proceedings of the International Conference on Human Factors in Computing Systems, 2011

2009
Advanced Techniques for Vertical Tablet Playing A Overview of Two Years of Practicing the HandSketch 1.x.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

AudioCycle: A similarity-based visualization of musical libraries.
Proceedings of the 2009 IEEE International Conference on Multimedia and Expo, 2009

AudioCycle: Browsing Musical Loop Libraries.
Proceedings of the Seventh International Workshop on Content-Based Multimedia Indexing, 2009

2008
RAMCESS 2.X framework - expressive voice analysis for realtime and accurate synthesis of singing.
J. Multimodal User Interfaces, 2008

Glottal Source Estimation Robustness - A Comparison of Sensitivity of Voice Source Estimation Techniques.
Proceedings of the SIGMAP 2008, 2008

Voice source parameters estimation by fitting the glottal formant and the inverse filtering open phase.
Proceedings of the 2008 16th European Signal Processing Conference, 2008

2007
Realtime and accurate musical control of expression in singing synthesis.
J. Multimodal User Interfaces, 2007

HandSketch Bi-Manual Controller Investigation on Expressive Control Issues of an Augmented Tablet.
Proceedings of the Seventh International Conference on New Interfaces for Musical Expression, 2007

RAMCESS/handsketch: a multi-representation framework for realtime and expressive singing synthesis.
Proceedings of the INTERSPEECH 2007, 2007

Causal/anticausal Decomposition for mixed-phase Description of brass and Bowed String sounds.
Proceedings of the 2007 International Computer Music Conference, 2007

2006
Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis.
Proceedings of the New Interfaces for Musical Expression, 2006

2005
MaxMBROLA: A Max/MSP MBROLA-based tool for real-time voice synthesis.
Proceedings of the 13th European Signal Processing Conference, 2005


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