Paul Stapleton

Orcid: 0000-0001-7414-3029

According to our database1, Paul Stapleton authored at least 20 papers between 2006 and 2022.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of five.

Timeline

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PhD thesis 
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Bibliography

2022
The 10, 000 Instruments Workshop - (Im)practical Research for Critical Speculation.
Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

2020
What Makes a Good Musical Instrument? A Matter of Processes, Ecologies and Specificities .
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Vodhrán: collaborative design for evolving a physical model and interface into a proto-instrument.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

A NIME Of The Times: Developing an Outward-Looking Political Agenda For This Community.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

2018
Co-Tuning Virtual-Acoustic Performance Ecosystems: observations on the development of skill and style in the study of musician-instrument relationships.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

2017
Virtual-acoustic instrument design: exploring the parameter space of a string-plate model.
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

2015
Fourteen years of nime: the value and meaning of 'community' in interactive music research.
Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

2013
Gtrace: General Trace Program Compatible with EmotionML.
Proceedings of the 2013 Humaine Association Conference on Affective Computing and Intelligent Interaction, 2013

2012
Playing with Constraints: Stylistic Variation with a Simple Electronic Instrument.
Comput. Music. J., 2012

Ecological considerations for participatory design of DMIs.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

2011
Designing Digital Musical Interactions in Experimental Contexts.
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

2010
Style and Constraint in Electronic Musical Instruments.
Proceedings of the 10th International Conference on New Interfaces for Musical Expression, 2010

Examining the Spectator Experience.
Proceedings of the 10th International Conference on New Interfaces for Musical Expression, 2010

2009
Unconventional sources as a new convention: The shifting paradigm of undergraduate writing.
Internet High. Educ., 2009

Designing for Style in New Musical Interactions.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

Where Did It All Go Wrong ? A Model of Error From the Spectator's Perspective.
Proceedings of the 9th International Conference on New Interfaces for Musical Expression, 2009

Spectator understanding of error in performance.
Proceedings of the 27th International Conference on Human Factors in Computing Systems, 2009

2008
Unconventional Internet genres and their impact on second language undergraduate students' writing process.
Internet High. Educ., 2008

2007
A preliminary assessment of Google Scholar as a source of EAP students' research materials.
Internet High. Educ., 2007

2006
The Web as a source of unconventional research materials in second language academic writing.
Internet High. Educ., 2006


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