Matthew Wright

Affiliations:
  • Stanford University, Center for Computer Research in Music and Acoustics, CA, USA
  • University of California at Santa Barbara, California NanoSystems Institute, CA, USA (2009 - 2015)


According to our database1, Matthew Wright authored at least 65 papers between 1994 and 2020.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

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Bibliography

2020
The KeyWI: An Expressive and Accessible Electronic Wind Instrument.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

2017
Towards robust tracking with an unreliable motion sensor using machine learning.
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

Passively augmenting mobile devices towards hybrid musical instrument design.
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

Embodied Sonic Meditation and its Proof-of-Concept: "Resonance of the Heart".
Proceedings of the 2017 International Computer Music Conference, 2017

Effects of Auditory-Feedback Delays and Musical Roles on Coordinated Timing Asymmetries in Piano Duet Performance.
Proceedings of the 39th Annual Meeting of the Cognitive Science Society, 2017

2016
Evaluating the Audience's Perception of Real-time Gestural Control and Mapping Mechanisms in Electroacoustic Vocal Performance.
Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 2016

Augmenting the iPad: the BladeAxe.
Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 2016

2015
Designing Musical Instruments for the Browser.
Comput. Music. J., 2015

Tibetan singing prayer wheel: a hybrid musical- spiritual instrument using gestural control.
Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

Ensemble feedback instruments.
Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

Beyond editing: extended interaction with textual code fragments.
Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

The bistable resonator cymbal: an actuated acoustic instrument displaying physical audio effects.
Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

Music Programming in Gibber.
Proceedings of the Looking Back, 2015

2014
Immersive full-surround multi-user system design.
Comput. Graph., 2014

Twkyr: a Multitouch Waveform Looper.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

Collaborative Live-Coding with an Immersive Instrument.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

Rapid Creation and Publication of Digital Musical Instruments.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

Gibber: Abstractions for Creative Multimedia Programming.
Proceedings of the ACM International Conference on Multimedia, MM '14, Orlando, FL, USA, November 03, 2014

2013
Spatial Interaction in a Multiuser Immersive Instrument.
IEEE Computer Graphics and Applications, 2013

The Web Browser As Synthesizer And Interface.
Proceedings of the 13th International Conference on New Interfaces for Musical Expression, 2013

Cloud Bridge: a Data-driven Immersive Audio-Visual Software Interface.
Proceedings of the 13th International Conference on New Interfaces for Musical Expression, 2013

Digiti Sonus: Advanced Interactive Fingerprint Sonification Using Visual Feature Analysis.
Proceedings of the 13th International Conference on New Interfaces for Musical Expression, 2013

2012
Further Developments in the Electromagnetically Sustained Rhodes Piano.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

Mobile Controls On-The-Fly: An Abstraction for Distributed NIMEs.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

2011
The Electromagnetically Sustained Rhodes Piano.
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

Intuitive Real-Time Control of Spectral Model Synthesis.
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

Sound Element Spatializer.
Proceedings of the 2011 International Computer Music Conference, 2011

2010
Disky: a DIY Rotational Interface with Inherent Dynamics.
Proceedings of the 10th International Conference on New Interfaces for Musical Expression, 2010

Dynamic Interactivity Inside the AlloSphere.
Proceedings of the 10th International Conference on New Interfaces for Musical Expression, 2010

Multimodal Musician Recognition.
Proceedings of the 10th International Conference on New Interfaces for Musical Expression, 2010

2008
Chants and Orcas: semi-automatic tools for audio annotation and analysis in niche domains.
Proceedings of the 2nd ACM Workshop on Multimedia Semantics, 2008

Analyzing Afro-Cuban Rhythms using Rotation-Aware Clave Template Matching with Dynamic Programming.
Proceedings of the ISMIR 2008, 2008

Visualization Tools for Musical Timing Applied to Afro-Cuban Percussion.
Proceedings of the 2008 International Computer Music Conference, 2008

2007
Ten Years of Tablet Musical Interfaces at CNMAT.
Proceedings of the Seventh International Conference on New Interfaces for Musical Expression, 2007

A Force Sensitive Multi-Touch Array Supporting Multiple 2-D Musical Control Structures.
Proceedings of the Seventh International Conference on New Interfaces for Musical Expression, 2007

Design and Implementation of CNMAT's Pedagogical Software.
Proceedings of the 2007 International Computer Music Conference, 2007

Cnmat Information Infrastructure.
Proceedings of the 2007 International Computer Music Conference, 2007

Panel: the Need of Formats for Streaming and Storing Music-Related movement and Gesture Data.
Proceedings of the 2007 International Computer Music Conference, 2007

2006
Beyond 0-5V: Expanding Sensor Integration Architectures.
Proceedings of the New Interfaces for Musical Expression, 2006

Towards Machine Learning of Expressive Microtiming in Brazilian Drumming.
Proceedings of the 2006 International Computer Music Conference, 2006

Shifty Looping: meter-aware, non-repeating rhythmic loops.
Proceedings of the 2006 International Computer Music Conference, 2006

Comparing Musical Control Structures and Signal Processing Strategies for the Augmented Cello and Guitar.
Proceedings of the 2006 International Computer Music Conference, 2006

2005
Open-Source MATLAB Tools for interpolation of SDIF sinusoidal synthesis parameters.
Proceedings of the 2005 International Computer Music Conference, 2005

2004
Panel: Standards from the Computer Music Community.
Proceedings of the 2004 International Computer Music Conference, 2004

Audio and Gesture Latency Measurements on Linux and OSX.
Proceedings of the 2004 International Computer Music Conference, 2004

CCRMA Studio Report.
Proceedings of the 2004 International Computer Music Conference, 2004

2003
OpenSound Control: State of the Art 2003.
Proceedings of the New Interfaces for Musical Expression, 2003

2002
Problems and Prospects for Intimate Musical Control of Computers.
Comput. Music. J., 2002

Intimate Musical Control of Computers with a Variety of Controllers and Gesture Mapping Metaphors.
Proceedings of the New Interfaces for Musical Expression, 2002

2001
Managing Complexity with Explicit Mapping of Gestures to Sound Control with OSC.
Proceedings of the 2001 International Computer Music Conference, 2001

Preparation for Interactive Live Computer Performance in Collaboration with a Symphony Orchestra.
Proceedings of the 2001 International Computer Music Conference, 2001

2000
An XML-based SDIF Stream Relationships Language.
Proceedings of the 2000 International Computer Music Conference, 2000

Extensions and Applications of the SDIF Sound Description Interchange Format.
Proceedings of the 2000 International Computer Music Conference, 2000

An Open Architecture for Real-time Music Software.
Proceedings of the 2000 International Computer Music Conference, 2000

1999
Cross-Coding SDIF into MPEG-4 Structured Audio.
Proceedings of the 1999 International Computer Music Conference, 1999

Supporting the Sound Description Interchange Format in the Max/MSP Environment.
Proceedings of the 1999 International Computer Music Conference, 1999

1998
An Improvisation Environment for Generating Rhythmic Structures Based on North Indian "Tal" Patterns.
Proceedings of the 1998 International Computer Music Conference, 1998

New Applications of the Sound Description Interchange Format.
Proceedings of the 1998 International Computer Music Conference, 1998

Implementation and Performance Issues with OpenSound Control.
Proceedings of the 1998 International Computer Music Conference, 1998

Preparation for Improvised Performance in Collaboration with a Khyal Singer.
Proceedings of the 1998 International Computer Music Conference, 1998

Removing the Time Axis from Spectral Model Analysis-Based Additive Synthesis: Neural Networks versus Memory-Based Machine Learning.
Proceedings of the 1998 International Computer Music Conference, 1998

1997
New Musical Control Structures from Standard Gestural Controllers.
Proceedings of the 1997 International Computer Music Conference, 1997

Open SoundControl: A New Protocol for Communicating with Sound Synthesizers.
Proceedings of the 1997 International Computer Music Conference, 1997

1994
A New Network and Communications Protocol for Electronic Musical Devices.
Proceedings of the 1994 International Computer Music Conference, 1994

Real-Time Additive Synthesis Controlled by a Mixture of Neural-Networks and Direct Manipulation of Physical and Perceptual Attributes.
Proceedings of the 1994 International Computer Music Conference, 1994


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