Diemo Schwarz

According to our database1, Diemo Schwarz authored at least 52 papers between 1999 and 2022.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

Legend:

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PhD thesis 
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Links

On csauthors.net:

Bibliography

2022
Embodying Spatial Sound Synthesis with AI in Two Compositions for Instruments and 3-D Electronics.
Comput. Music. J., 2022

2021
SonicHoop: Using Interactive Sonification to Support Aerial Hoop Practices.
Proceedings of the CHI '21: CHI Conference on Human Factors in Computing Systems, 2021

2020
A Survey on the Use of 2D Touch Interfaces for Musical Expression.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

2019
Methods and Datasets for DJ-Mix Reverse Engineering.
Proceedings of the Perception, Representations, Image, Sound, Music, 2019

2018
Musical Gesture Recognition Using Machine Learning and Audio Descriptors.
Proceedings of the 2018 International Conference on Content-Based Multimedia Indexing, 2018

2017
PiPo, a Plugin Interface for Afferent Data Stream Processing Operators.
Proceedings of the 18th International Society for Music Information Retrieval Conference, 2017

A Topo-Phonic Table for Tangible Sonic Interaction.
Proceedings of the 2017 International Computer Music Conference, 2017

Next-generation Computer-aided Composition Environment: A New Implementation of OpenMusic.
Proceedings of the 2017 International Computer Music Conference, 2017

2016
Effects of Test Duration in Subjective Listening Tests.
Proceedings of the 2016 International Computer Music Conference, 2016

Introducing CatOracle: Corpus-based concatenative improvisation with the Audio Oracle algorithm.
Proceedings of the 2016 International Computer Music Conference, 2016

2015
Collective Sound Checks: Exploring Intertwined Sonic and Social Affordances of Mobile Web Applications.
Proceedings of the Ninth International Conference on Tangible, 2015

Tingle: a digital music controller re-capturing the acoustic instrument experience.
Proceedings of the 15th International Conference on New Interfaces for Musical Expression, 2015

2014
Rich Contacts: Corpus-Based Convolution of Contact Interaction Sound for Enhanced Musical Expression.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

Fine-tuned Control of Concatenative Synthesis with CATART Using the BACH Library for MAX.
Proceedings of the Music Technology meets Philosophy, 2014

2013
Interactive Sound Texture Synthesis Through Semi-Automatic User Annotations.
Proceedings of the Sound, Music, and Motion - 10th International Symposium, 2013

Dirty tangible interfaces: expressive control of computers with true grit.
Proceedings of the 2013 ACM SIGCHI Conference on Human Factors in Computing Systems, 2013

2012
The Sound Space as Musical Instrument: Playing Corpus-Based Concatenative Synthesis.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

DIRTI - Dirty Tangible Interfaces.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

Navigating variation: Composing for audio Mosaicing.
Proceedings of the Non-Cochlear Sound: Proceedings of the 38th International Computer Music Conference, 2012

Precise pitch control in Real Time Corpus-Based concatenative synthesis.
Proceedings of the Non-Cochlear Sound: Proceedings of the 38th International Computer Music Conference, 2012

2011
Sample Orchestrator : gestion par le contenu d'échantillons sonores.
Traitement du Signal, 2011

Spatial audio: graphic modeling for X3D.
Proceedings of the 3D Technologies for the World Wide Web, 2011

Sound Level of Detail in Interactive Audiographic 3D Scenes.
Proceedings of the 2011 International Computer Music Conference, 2011

2010
Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface.
Proceedings of the 10th International Conference on New Interfaces for Musical Expression, 2010

A Modular Sound Descriptor Analysis Framework For Relaxed-Real-Time Applications.
Proceedings of the 2010 International Computer Music Conference, 2010

Grainstick: A Collaborative, Interactive Sound Installation.
Proceedings of the 2010 International Computer Music Conference, 2010

Spatializing Timbre With Corpus-Based Concatenative Synthesis.
Proceedings of the 2010 International Computer Music Conference, 2010

2009
Scalability in Content-Based Navigation of Sound Databases.
Proceedings of the 2009 International Computer Music Conference, 2009

MuBu and Friends - Assembling Tools for Content Based Real-Time Interactive Audio Processing in Max/MSP.
Proceedings of the 2009 International Computer Music Conference, 2009

Corpus-Based Transcription as an Approach to the Compositional Control of Timbre.
Proceedings of the 2009 International Computer Music Conference, 2009

2008
Using the SDIF Sound Description Interchange Format for Audio Features.
Proceedings of the ISMIR 2008, 2008

What Next? Continuation in Real-Time Corpus-Based concatenative synthesis.
Proceedings of the 2008 International Computer Music Conference, 2008

2007
Corpus-Based Concatenative Synthesis.
IEEE Signal Process. Mag., 2007

Evaluation of Real-Time Audio-to-Score Alignment.
Proceedings of the 8th International Conference on Music Information Retrieval, 2007

Plumage: design d'une interface 3D pour le parcours d'échantillons sonores granularisés.
Proceedings of the 19th Conference on l'Interaction Homme-Machine, 2007

How Musical are Images? From sound Representation to Image Sonification: an Eco Systemic Approach.
Proceedings of the 2007 International Computer Music Conference, 2007

Musical Applications of Real-Time Corpus-Based concatenative synthesis.
Proceedings of the 2007 International Computer Music Conference, 2007

The 3D Augmented mirror: motion Analysis for String Practice Training.
Proceedings of the 2007 International Computer Music Conference, 2007

Panel: the Need of Formats for Streaming and Storing Music-Related movement and Gesture Data.
Proceedings of the 2007 International Computer Music Conference, 2007

2005
From Boulez to ballads: Training IRCAM's Score follower.
Proceedings of the 2005 International Computer Music Conference, 2005

Current Research in concatenative sound synthesis.
Proceedings of the 2005 International Computer Music Conference, 2005

Ftm - Complex Data Structures for Max.
Proceedings of the 2005 International Computer Music Conference, 2005

Training Ircam's score follower [audio to musical score alignment system].
Proceedings of the 2005 IEEE International Conference on Acoustics, 2005

2004
Robust Polyphonic Midi Score Following with Hidden Markov Models.
Proceedings of the 2004 International Computer Music Conference, 2004

Training IRCAM's Score Follower.
Proceedings of the Style and Meaning in Language, 2004

2003
Score Following: State of the Art and New Developments.
Proceedings of the New Interfaces for Musical Expression, 2003

Improving polyphonic and poly-instrumental music to score alignment.
Proceedings of the ISMIR 2003, 2003

New Developments in Data-Driven Concatenative Sound Synthesis.
Proceedings of the 2003 International Computer Music Conference, 2003

2001
Alignment of Monophonic and Polyphonic Music to a Score.
Proceedings of the 2001 International Computer Music Conference, 2001

2000
An XML-based SDIF Stream Relationships Language.
Proceedings of the 2000 International Computer Music Conference, 2000

Extensions and Applications of the SDIF Sound Description Interchange Format.
Proceedings of the 2000 International Computer Music Conference, 2000

1999
Spectral Envelope Estimation and Representation for Sound Analysis-Synthesis.
Proceedings of the 1999 International Computer Music Conference, 1999


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