Sergio Canazza

According to our database1, Sergio Canazza authored at least 58 papers between 1996 and 2018.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Other 

Links

On csauthors.net:

Bibliography

2018
Computing Methodologies Supporting the Preservation of Electroacoustic Music from Analog Magnetic Tape.
Computer Music Journal, 2018

Inclusive sound and music serious games in a large-scale responsive environment.
BJET, 2018

The "Good or Bad?" Game: Stimulating Listening Skills through Playful Engagement.
Proceedings of the 4th EAI International Conference on Smart Objects and Technologies for Social Good, 2018

2017
Tape music archives: from preservation to access.
Int. J. on Digital Libraries, 2017

Following the Cuckoo Sound: A Responsive Floor to Train Blind Children to Avoid Veering.
Proceedings of the Smart Objects and Technologies for Social Good, 2017

A Step Toward AI Tools for Quality Control and Musicological Analysis of Digitized Analogue Recordings: Recognition of Audio Tape Equalizations.
Proceedings of the 11th International Workshop on Artificial Intelligence for Cultural Heritage co-located with the 16th International Conference of the Italian Association for Artificial Intelligence (AI*IA 2017), 2017

2016
The Harmonic Walk: An Interactive Physical Environment to Learn Tonal Melody Accompaniment.
Adv. in MM, 2016

Hermeneutic Implications of Cultural Encoding: A Reflection on Audio Recordings and Interactive Installation Art.
Proceedings of the Digital Libraries and Multimedia Archives, 2016

2015
Accessing Tape Music Documents on Mobile Devices.
TOMM, 2015

CaRo 2.0: An Interactive System for Expressive Music Rendering.
Adv. Human-Computer Interaction, 2015

A conceptual framework for motion based music applications.
Proceedings of the 2nd IEEE VR Workshop on Sonic Interactions for Virtual Environments, 2015

2014
The Role of Individual Difference in Judging Expressiveness of Computer-Assisted Music Performances by Experts.
TAP, 2014

Clustering Affective Qualities of Classical Music: Beyond the Valence-Arousal Plane.
IEEE Trans. Affective Computing, 2014

The challenge of preserving interactive sound art: a multi-level approach.
IJART, 2014

Digital Philology in Audio Long-term Preservation: A Multidisciplinary Project on Experimental Music.
Proceedings of the Pushing the Boundaries of the Digital Libraries Field, 2014

Music Systemisers and Music Empathisers - Do they rate expressiveness of computer generated performances the same?
Proceedings of the Music Technology meets Philosophy, 2014

The Counterpoint Game: Rules, Constraints and Computational Spaces.
Proceedings of the Music Technology meets Philosophy, 2014

How blue is Mozart? Non verbal sensory scales for describing music qualities.
Proceedings of the Music Technology meets Philosophy, 2014

The "Harmonic Walk": an Interactive Educational Environment to Discover Musical Chords.
Proceedings of the Music Technology meets Philosophy, 2014

2013
Adaptive Time Delay Estimation Using Filter Length Constraints for Source Localization in Reverberant Acoustic Environments.
IEEE Signal Process. Lett., 2013

A Multimodal Learning System for Individuals with Sensorial, Neuropsychological, and Relational Impairments.
J. Sensors, 2013

A Systemic Approach to the Preservation of Audio Documents: Methodology and Software Tools.
J. Electrical and Computer Engineering, 2013

Entertaining listening by means of the Stanza Logo-Motoria: an Interactive Multimodal Environment.
Entertain. Comput., 2013

The Safeguard of Audio Collections: A Computer Science Based Approach to Quality Control - The Case of the Sound Archive of the Arena di Verona.
Adv. in MM, 2013

Interactive Multimedia Installations: Towards a Model for Preservation.
Proceedings of the Arts and Technology, Third International Conference, 2013

2012
A Network of Audio and Video Sensors for Monitoring Large Environments.
Proceedings of the Handbook on Soft Computing for Video Surveillance., 2012

The digital curation of ethnic music audio archives: from preservation to restoration - Preserving a multicultural society.
Int. J. on Digital Libraries, 2012

A microphone array Interface for Real-Time Interactive Music Performance.
Proceedings of the Non-Cochlear Sound: Proceedings of the 38th International Computer Music Conference, 2012

2011
Towards a Procedure for Quality Control on Large Collections of Digitized Audio Data: The Case of the "Fondazione Arena di Verona".
Proceedings of the Multimedia for Cultural Heritage - First International Workshop, 2011

Teaching by Means of a Technologically Augmented Environment: The Stanza Logo-Motoria.
Proceedings of the Intelligent Technologies for Interactive Entertainment, 2011

Audio-Video Analysis of Musical Expressive Intentions.
Proceedings of the Image Analysis and Processing - ICIAP 2011, 2011

Multiple acoustic sources localization using incident Signal Power comparison.
Proceedings of the 8th IEEE International Conference on Advanced Video and Signal-Based Surveillance, 2011

2010
Restoration of Audio Documents by Means of Extended Kalman Filter.
IEEE Trans. Audio, Speech & Language Processing, 2010

Ethnic music audio documents: From preservation to fruition.
Signal Process., 2010

Listening the photos.
Proceedings of the 2010 ACM Symposium on Applied Computing (SAC), 2010

Audio Objects Access: Tools for the Preservation of the Cultural Heritage.
Proceedings of the Digital Libraries - 6th Italian Research Conference, 2010

Toward an Audio Digital Library 2.0: Smash, a Social Music Archive of SHellac Phonographic Discs.
Proceedings of the Digital Libraries - 6th Italian Research Conference, 2010

2009
Audio-video biometric recognition for non-collaborative access granting.
J. Vis. Lang. Comput., 2009

Methodologies and tools for audio digital archives.
Int. J. on Digital Libraries, 2009

Digital Preservation and Access of Audio Heritage: A Case Study for Phonographic Discs.
Proceedings of the Research and Advanced Technology for Digital Libraries, 2009

2008
New Data Structure for Old Musical Open Works.
Proceedings of the 8th International Conference on New Interfaces for Musical Expression, 2008

Soft data issues in fusion of video surveillance.
Proceedings of the 11th International Conference on Information Fusion, 2008

2004
Modeling and control of expressiveness in music performance.
Proceedings of the IEEE, 2004

2002
Real Time Analysis of Expressive Contents in Piano Performances.
Proceedings of the 2002 International Computer Music Conference, 2002

Comparison of different audio restoration methods based on frequency and time domains with applications on electronic music repertoire.
Proceedings of the 2002 International Computer Music Conference, 2002

2001
Expressive Morphing for Interactive Performance of Musical Scores.
Proceedings of the First International Conference on WEB Delivering of Music (WEDELMUSIC '01), 2001

An Objective and Subjective Comparison of Audio Restoration Systems.
Proceedings of the International Cultural Heritage Informatics Meeting: Proceedings from ICHIM 2001. Politechnico di Milano, Milan, Italy, September 3-7, 2001, 2001

2000
Audio Morphing Different Expressive Intentions for Multimedia Systems.
IEEE MultiMedia, 2000

Real-Time Morphing Among Different Expressive Intentions in Audio Playback.
Proceedings of the 2000 International Computer Music Conference, 2000

Improving the Extended Kalman Filter Method for the Restoration of Electro-Acoustic Music.
Proceedings of the 2000 International Computer Music Conference, 2000

1999
Adding Expressiveness in Musical Performance in Real Time.
Proceedings of the IEEE International Conference on Multimedia Computing and Systems, 1999

Adding Expressiveness to Musical Messages.
Proceedings of the IEEE International Conference on Multimedia Computing and Systems, 1999

A Parametric Model of Expressiveness in Musical Performance Based on Perceptual and Acoustic Analysis.
Proceedings of the 1999 International Computer Music Conference, 1999

Expressive Processing of Audio and MIDI Performances in Real Time.
Proceedings of the 1999 International Computer Music Conference, 1999

1998
A Model To Add Expressiveness To Automatic Musical Performance.
Proceedings of the 1998 International Computer Music Conference, 1998

1997
Analysis by synthesis of the expressive intentions in musical performance.
Proceedings of the 1997 International Computer Music Conference, 1997

1996
Perceptual Analysis of the Musical Expressive Intention in a Clarinet Performance.
Proceedings of the Music, Gestalt, and Computing, 1996

Sonological Analysis of Clarinet Expressivity.
Proceedings of the Music, Gestalt, and Computing, 1996


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