Gerhard Eckel

According to our database1, Gerhard Eckel authored at least 25 papers between 1987 and 2020.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

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Links

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Bibliography

2020
Acoustic modelling as a strategy for composing site-specific music.
Proceedings of the AM'20, 15th International Audio Mostly Conference, Graz, 2020

utruchirp: an impulse response measurement and auralisation tool developed for artistic practice.
Proceedings of the AM'20, 15th International Audio Mostly Conference, Graz, 2020

2014
StiffNeck: The Electroacoustic Music Performance Venue in a Box.
Proceedings of the Music Technology meets Philosophy, 2014

2012
A Framework for the Choreography of sound.
Proceedings of the Non-Cochlear Sound: Proceedings of the 38th International Computer Music Conference, 2012

2011
Physical Modelling Enabling Enaction: an Example.
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

Reproducibility and random access in sound synthesis.
Proceedings of the 2011 International Computer Music Conference, 2011

2010
Time-Frequency Sparsity by Removing Perceptually Irrelevant Components Using a Simple Model of Simultaneous Masking.
IEEE Trans. Speech Audio Process., 2010

Providing Ground-Truth Data for the Nao Robot Platform.
Proceedings of the RoboCup 2010: Robot Soccer World Cup XIV [papers from the 14th annual RoboCup International Symposium, 2010

2009
On Artistic Research in the Context of the Project Embodied Generative Music.
Proceedings of the 2009 International Computer Music Conference, 2009

PhysioSonic - Evaluated Movement Sonification as Auditory Feedback in Physiotherapy.
Proceedings of the Auditory Display, 6th International Symposium, 2009

Quantum Harmonic Oscillator Sonification.
Proceedings of the Auditory Display, 6th International Symposium, 2009

2008
Sonic interaction design: sound, information and experience.
Proceedings of the Extended Abstracts Proceedings of the 2008 Conference on Human Factors in Computing Systems, 2008

2007
Live coding: an Overview.
Proceedings of the 2007 International Computer Music Conference, 2007

2001
Immersive Audio-Augmented Environments: The LISTEN Project.
Proceedings of the International Conference on Information Visualisation, 2001

1999
Kinetic Sound Sculptures: Stele and Viola Spezzata.
Proceedings of the 1999 International Computer Music Conference, 1999

1997
Virtual Spaces - VR Projection System Technologies and Applications.
Proceedings of the 18th Annual Conference of the European Association for Computer Graphics, 1997

1996
Camera Musica: Virtual Architecture as Medium for the Exploration of Music.
Proceedings of the 1996 International Computer Music Conference, 1996

On the Use of Computer Systems in Contemporary Music.
Proceedings of the 1996 International Computer Music Conference, 1996

1995
The Development of GiST, a Granular Synthesis Toolkit Based on an Extension of the FOF Generator.
Proceedings of the 1995 International Computer Music Conference, 1995

1994
Musically Salient Control Abstractions for Sound Synthesis.
Proceedings of the 1994 International Computer Music Conference, 1994

Zum Verhältnis von Kunst und Technologie - dargestellt am Beispiel der zeitgenössischen Musik.
Proceedings of the Innovationen bei Rechen- und Kommunikationssystemen, Eine Herausforderung für die Informatik, 24. GI-Jahrestagung im Rahmen des 13th World Computer Congress, IFIP Congress '94, Hamburg, 28. August, 1994

1993
Generalized Diphone Control.
Proceedings of the Opening a New Horizon: Proceedings of the 1993 International Computer Music Conference, 1993

1990
A Signal Editor for the IRCAM Musical Workstation.
Proceedings of the 1990 International Computer Music Conference, 1990

1988
Dynamic Patches: Implementation and Control in the SUN-Mercury Workstation.
Proceedings of the 1988 International Computer Music Conference, 1988

1987
A Sun-Mercury Music Workstation.
Proceedings of the 1987 International Computer Music Conference, 1987


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