Sergi Jordà

Affiliations:
  • Pompeu Fabra University, Barcelona, Spain


According to our database1, Sergi Jordà authored at least 70 papers between 1991 and 2021.

Collaborative distances:
  • Dijkstra number2 of five.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Other 

Links

Online presence:

On csauthors.net:

Bibliography

2021
Applications of Biological and Physiological Signals in Commercial Video Gaming and Game Research: A Review.
Frontiers Comput. Sci., 2021

2019
A Bassline Generation System Based on Sequence-to-Sequence Learning.
Proceedings of the 19th International Conference on New Interfaces for Musical Expression, 2019

2017
Exploring Social Interaction With a Tangible Music Interface.
Interact. Comput., 2017

Chasing real-time interaction in new media: towards a new theoretical approach and definition.
Digit. Creativity, 2017

Rhythmic Concatenative Synthesis for Electronic Music: Techniques, Implementation, and Evaluation.
Comput. Music. J., 2017

A Multi-Profile Method for Key Estimation in EDM.
Proceedings of the AES International Conference Semantic Audio 2017, 2017

k-Best Unit Selection Strategies for Musical Concatenative Synthesis.
Proceedings of the Music Technology with Swing - 13th International Symposium, 2017

Drum Rhythm Spaces: From Global Models to Style-Specific Maps.
Proceedings of the Music Technology with Swing - 13th International Symposium, 2017

2016
<i>Physiopucks</i>: Increasing User Motivation by Combining Tangible and Implicit Physiological Interaction.
ACM Trans. Comput. Hum. Interact., 2016

An Interactive Software Instrument for Real-time Rhythmic Concatenative Synthesis.
Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 2016

Drumming with style: From user needs to a working prototype.
Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 2016

Prototyping interactions with Online Multimodal Repositories and Interactive Machine Learning.
Proceedings of the 3rd International Symposium on Movement and Computing, 2016

An Evaluation Framework and Case Study for Rhythmic Concatenative Synthesis.
Proceedings of the 17th International Society for Music Information Retrieval Conference, 2016

The GiantSteps Project: A Second-Year Intermediate Report.
Proceedings of the 2016 International Computer Music Conference, 2016

Key Estimation in Electronic Dance Music.
Proceedings of the Advances in Information Retrieval, 2016

Exploring the Benefits of 2D Visualizations for Drum Samples Retrieval.
Proceedings of the 2016 ACM Conference on Human Information Interaction and Retrieval, 2016

2015
Public visualization displays of citizen data: Design, impact and implications.
Int. J. Hum. Comput. Stud., 2015

Towards Concurrent Multi-Tasking in Shareable Interfaces.
Comput. Support. Cooperative Work., 2015

Past and Future of Physiological Computing and Creativity - An Underexplored and Promising Territory.
Proceedings of the PhyCS 2015 - Proceedings of the 2nd International Conference on Physiological Computing Systems, ESEO, Angers, Loire Valley, France, 11, 2015

PAD and SAD: Two Awareness-Weighted Rhythmic Similarity Distances.
Proceedings of the 16th International Society for Music Information Retrieval Conference, 2015

Giantsteps - progress towards developing intelligent and collaborative interfaces for music production and performance.
Proceedings of the 2015 IEEE International Conference on Multimedia & Expo Workshops, 2015

Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception.
Proceedings of the Music, Mind, and Embodiment - 11th International Symposium, 2015

2014
The Role of Personalization and Multiple EEG and Sound Features Selection in Real Time Sonification for Neurofeedback.
Proceedings of the PhyCS 2014, 2014

SoundXY4: Supporting Tabletop Collaboration and Awareness with Ambisonics Spatialisation.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

A Methodological Framework for Teaching, Evaluating and Informing NIME Design with a Focus on Mapping and Expressiveness.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

2013
Let's jam the reactable: Peer learning during musical improvisation with a tabletop tangible interface.
ACM Trans. Comput. Hum. Interact., 2013

GestureAgents: an agent-based framework for concurrent multi-task multi-user interaction.
Proceedings of the Seventh International Conference on Tangible, 2013

Using MTCF for live prototyping on tablet and tangible tabletop devices.
Proceedings of the Seventh International Conference on Tangible, 2013

SLFiducials: 6DoF markers for tabletop interaction.
Proceedings of the ACM International Conference on Interactive Tabletops and Surfaces, 2013

Reveal-it!: the impact of a social visualization projection on public awareness and discourse.
Proceedings of the 2013 ACM SIGCHI Conference on Human Factors in Computing Systems, 2013

Video Analysis for Evaluating Music Interaction: Musical Tabletops.
Proceedings of the Music and Human-Computer Interaction., 2013

2012
Exploring tabletops as an effective tool to foster creativity traits.
Proceedings of the 6th International Conference on Tangible and Embedded Interaction 2012, 2012

Towards fast multi-point force and hit detection in tabletops using mechanically intercoupled force sensing resisors.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

Acquisition of social abilities through musical tangible user interface: children with autism spectrum condition and the reactable.
Proceedings of the CHI Conference on Human Factors in Computing Systems, 2012

Interactivity and live computer music.
Proceedings of the Cambridge Companion to Electronic Music., 2012

2011
BeatJockey: A New Tool for Enhancing DJ Skills.
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

MTCF: A Framework for Designing and Coding Musical Tabletop Applications Directly in Pure Data.
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

Multitouch Interface for Audio Mixing.
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

Listening to Your Brain: Implicit Interaction in Collaborative Music Performances.
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

Multi-touch interaction principles for collaborative real-time music activities: towards a pattern language.
Proceedings of the 2011 International Computer Music Conference, 2011

2010
Interactive surfaces and tangibles.
XRDS, 2010

Development strategies for tangible interaction on horizontal surfaces.
Proceedings of the 4th International Conference on Tangible and Embedded Interaction 2010, 2010

Tangible jukebox: back to palpable music.
Proceedings of the 4th International Conference on Tangible and Embedded Interaction 2010, 2010

The reactable: tangible and tabletop music performance.
Proceedings of the 28th International Conference on Human Factors in Computing Systems, 2010

2009
Reactable performance.
Proceedings of the International Conference on Computer Graphics and Interactive Techniques, 2009

SongExplorer: A Tabletop Application for Exploring Large Collections of Songs.
Proceedings of the 10th International Society for Music Information Retrieval Conference, 2009

2008
On stage: the reactable and other musical tangibles go real.
Int. J. Arts Technol., 2008

TurTan: A tangible programming language for creative exploration.
Proceedings of the Third IEEE International Workshop on Tabletops and Interactive Surfaces (Tabletop 2008), 2008

2007
The reacTable: exploring the synergy between live music performance and tabletop tangible interfaces.
Proceedings of the 1st International Conference on Tangible and Embedded Interaction 2007, 2007

2006
The reacTable*: A Collaborative Musical Instrument.
Proceedings of the 15th IEEE International Workshops on Enabling Technologies: Infrastructures for Collaborative Enterprises (WETICE 2006), 2006

The reacTable: a tangible tabletop musical instrument and collaborative workbench.
Proceedings of the International Conference on Computer Graphics and Interactive Techniques, 2006

the reacTable.
Proceedings of the International Conference on Computer Graphics and Interactive Techniques, 2006

Mary had a little scoreTable* or the reacTable* goes melodic.
Proceedings of the New Interfaces for Musical Expression, 2006

2005
Multi-user Instruments: Models, Examples and Promises.
Proceedings of the New Interfaces for Musical Expression, 2005

The reacTable.
Proceedings of the 2005 International Computer Music Conference, 2005

Improved Topological Fiducial Tracking in the reacTIVision System.
Proceedings of the IEEE Conference on Computer Vision and Pattern Recognition, 2005

2004
An Internet Browser Plug-in for Real-time Audio Synthesis.
Proceedings of the 4th International Conference on WEB Delivering of Music (WEDELMUSIC 2004), 2004

Dynamic Patching for Live Musical Performance.
Proceedings of the New Interfaces for Musical Expression, 2004

Digital Instruments and Players: Part I - Efficiency and Apprenticeship.
Proceedings of the New Interfaces for Musical Expression, 2004

Digital Instruments and Players: Part II-Diversity, Freedom and Control.
Proceedings of the 2004 International Computer Music Conference, 2004

An Internet Browser Plug-in for Real-time Sound Synthesis using Pure Data.
Proceedings of the 2004 International Computer Music Conference, 2004

2003
Sonigraphical Instruments: From FMOL to the reacTable*.
Proceedings of the New Interfaces for Musical Expression, 2003

2002
FMOL: Toward User-Friendly, Sophisticated New Musical Instruments.
Comput. Music. J., 2002

Afasia: The Ultimate Homeric One-Man-Multimedia-Band.
Proceedings of the New Interfaces for Musical Expression, 2002

2001
FMOL.
Proceedings of the New Interfaces for Musical Expression, 2001

New Musical Interfaces and New Music-making Paradigms.
Proceedings of the New Interfaces for Musical Expression, 2001

Architectural Overview of a System for Collaborative Music Composition Over the Web.
Proceedings of the 2001 International Computer Music Conference, 2001

Improvising with Computers: A Personal Survey (1989-2001).
Proceedings of the 2001 International Computer Music Conference, 2001

FMOL: A System for Collaborative Music Composition over the Web.
Proceedings of the 12th International Workshop on Database and Expert Systems Applications (DEXA 2001), 2001

1991
A Real-Time MIDI Composer and Interactive Improviser by Means of Feedback Systems.
Proceedings of the 1991 International Computer Music Conference, 1991


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