Victor Lazzarini

Orcid: 0000-0003-2249-1325

According to our database1, Victor Lazzarini authored at least 49 papers between 2005 and 2023.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Dataset
Other 

Links

On csauthors.net:

Bibliography

2023
Banging Interaction: A Ubimus-Design Strategy for the Musical Internet.
Future Internet, April, 2023

Higher-Order Frequency Modulation Synthesis.
CoRR, 2023

2022
Banging Interaction in Ubiquitous Music.
Proceedings of the ArtsIT, Interactivity and Game Creation, 2022

2021
Improving the Chamberlin Digital State Variable Filter.
CoRR, 2021

Linear and Nonlinear Digital Filters: From the Analog and Beyond.
Comput. Music. J., 2021

2020
Editors' Notes: Geysers, Bacteria, Electricity, and a Flippin' Pompom.
Comput. Music. J., 2020

2019
The Analogue Computer as a Voltage-Controlled Synthesiser.
CoRR, 2019

Computer Music Instruments II - Realtime and Object-Oriented Audio
Springer, ISBN: 978-3-030-13711-3, 2019

2018
WAAW Csound.
CoRR, 2018

2017
Computer Music Instruments - Foundations, Design and Development
Springer, ISBN: 978-3-319-63503-3, 2017

2015
The BeatHealth Project: Application to a Ubiquitous Computing and Music Framework.
J. Cases Inf. Technol., 2015

Prototyping of Ubiquitous Music Ecosystems.
J. Cases Inf. Technol., 2015

Bringing Aesthetic Interaction into Creativity-Centered Design: The Second Generation of mixDroid Prototypes.
J. Cases Inf. Technol., 2015

The New Developments in Csound 6.
Proceedings of the Looking Back, 2015

Interaction Aesthetics and Ubiquitous Music.
Proceedings of the Creativity in the Digital Age., 2015

2014
Methods in Creativity-Centred Design for Ubiquitous Musical Activities.
Proceedings of the Ubiquitous Music, 2014

Ubiquitous Music Ecosystems: Faust Programs in Csound.
Proceedings of the Ubiquitous Music, 2014

Development Tools for Ubiquitous Music on the World Wide Web.
Proceedings of the Ubiquitous Music, 2014

Ubimus Through the Lens of Creativity Theories.
Proceedings of the Ubiquitous Music, 2014

Extending Aura with Csound Opcodes.
Proceedings of the Music Technology meets Philosophy, 2014

Ecologically grounded multimodal design: The Palafito 1.0 study.
Proceedings of the Music Technology meets Philosophy, 2014

Relational Properties in Interaction Aesthetics: The Ubiquitous Music Turn.
Proceedings of the Electronic Visualisation and the Arts, 2014

Examining the Oscillator Waveform Animation Effect.
Proceedings of the 17th International Conference on Digital Audio Effects, 2014

Streaming Spectral Processing with Consumer-Level Graphics Processing Units.
Proceedings of the 17th International Conference on Digital Audio Effects, 2014

2013
Synthesis of Resonance by Nonlinear Distortion Methods.
Comput. Music. J., 2013

Coupling Social Network Services and Support for Online Communities in Codes Environment.
Proceedings of the 14th International Society for Music Information Retrieval Conference, 2013

2012
Recontextualizing the Multi-touch Surface.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

The Mobile Csound Platform.
Proceedings of the Non-Cochlear Sound: Proceedings of the 38th International Computer Music Conference, 2012

2011
Discrete-Time Modelling of the Moog Sawtooth Oscillator Waveform.
EURASIP J. Adv. Signal Process., 2011

Recent Advances in Real-Time Musical Effects, Synthesis, and Virtual Analog Models.
EURASIP J. Adv. Signal Process., 2011

Musical applications of real-time signal processing.
EURASIP J. Adv. Signal Process., 2011

Feedback Amplitude Modulation Synthesis.
EURASIP J. Adv. Signal Process., 2011

Real-time detection of musical onsets with linear prediction and sinusoidal modeling.
EURASIP J. Adv. Signal Process., 2011

The ModFM Synthesis Vocoder.
Proceedings of the 2011 International Computer Music Conference, 2011

Aspects of second order feedback AM synthesis.
Proceedings of the 2011 International Computer Music Conference, 2011

2010
New Perspectives on Distortion Synthesis for Virtual Analog Oscillators.
Comput. Music. J., 2010

Hrtfearly and Hrtfreverb: Flexible Binaural Reverberation Processing.
Proceedings of the 2010 International Computer Music Conference, 2010

2009
New Methods of Formant Analysis-Synthesis for Musical Applications.
Proceedings of the 2009 International Computer Music Conference, 2009

Spectrally rich phase distortion sound synthesis using an allpass filter.
Proceedings of the IEEE International Conference on Acoustics, 2009

2008
The Generation of Natural-Synthetic Spectra by Means of Adaptive Frequency Modulation.
Comput. Music. J., 2008

Erratum: New Digital Musical Instruments: Control and Interaction Beyond the Keyboard.
Comput. Music. J., 2008

Two Cross-Platform Csound-Based Plugin Generators.
Proceedings of the 2008 International Computer Music Conference, 2008

Split-sideband synthesis.
Proceedings of the 2008 International Computer Music Conference, 2008

Interactive audio signal Scripting.
Proceedings of the 2008 International Computer Music Conference, 2008

A Toolkit for Music and audio Activities on the XO Computer.
Proceedings of the 2008 International Computer Music Conference, 2008

2006
Spectral Signal Processing in Csound 5.
Proceedings of the 2006 International Computer Music Conference, 2006

2005
An Evaluation of Warping Techniques Applied to Partial envelope Analysis.
Proceedings of the 2005 International Computer Music Conference, 2005

A Streaming Object Oriented Implementation of the Modal Distribution.
Proceedings of the 2005 International Computer Music Conference, 2005

Time-stretching using the instantaneous frequency Distribution and Partial tracking.
Proceedings of the 2005 International Computer Music Conference, 2005


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