Maria Kallionpää

Orcid: 0000-0002-2709-3193

According to our database1, Maria Kallionpää authored at least 15 papers between 2015 and 2023.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
Dataset
Other 

Links

On csauthors.net:

Bibliography

2023
Personal and ubiquitous computing, special issue: "Sonic experiences: interaction, connectivity, and multi-sensory technologies".
Pers. Ubiquitous Comput., October, 2023

2021
Correction to: from AI, creativity and music to IoT, HCI, musical instrument design and audio interaction: a journey in sound.
Pers. Ubiquitous Comput., 2021

From AI, creativity and music to IoT, HCI, musical instrument design and audio interaction: a journey in sound.
Pers. Ubiquitous Comput., 2021

Contesting control: journeys through surrender, self-awareness and looseness of control in embodied interaction.
Hum. Comput. Interact., 2021

2020
Back to the Future and Forward to the Past: Zukunftsmusik and the aesthetics of immersive classical music experience.
Proceedings of the Electronic Visualisation and the Arts, 2020

Following the journey of scores through a complex musical work.
Proceedings of the AM'20, 15th International Audio Mostly Conference, Graz, 2020

2019
Beyond the Audience Seat: The recording and production of immersive opera and interactive concerto programmes for VR experiences.
Proceedings of the Electronic Visualisation and the Arts, 2019

Failing with Style: Designing for Aesthetic Failure in Interactive Performance.
Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems, 2019

2018
Designing the Audience Journey through Repeated Experiences.
Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems, 2018

Under Construction: Contemporary Opera in the Crossroads Between New Aesthetics, Techniques, and Technologies.
Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion, 2018

The Design of Future Music Technologies: 'Sounding Out' AI, Immersive Experiences & Brain Controlled Interfaces.
Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion, 2018

2017
Composing and realising a game-like performance for disklavier and electronics.
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

2016
The Imaginary Friend, Crossing over Computer Game Scoring Techniques and Musical Expression.
Proceedings of the Electronic Visualisation and the Arts, 2016

Performing the Super Instrument: Reaching Beyond Technical and Expressive Capabilities.
Proceedings of the Electronic Visualisation and the Arts, 2016

2015
Creating a Super Instrument: Composers and Pianists Reaching Beyond Their Technical and Expressive Capabilities.
Proceedings of the Audio Mostly 2015 on Interaction With Sound, 2015


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